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Simple, easy to follow steps guide the writer through the process of conveying thoughts and emotions that might else wise remain unanswered and unspoken. Using the five basic elements enumerated in FROM ME TO YOU, writers can add depth and value to their messages. Concise explanations and the generous use of examples accompany each step, clearly illustrating each point. Many of the examples are both poignant and inspiring, aiding the prospective reader in finding their own voices and experiences. Difficult to write messages that reveal secrets or explanations likewise becoming easier to write with the aid of FROM ME TO YOU.
At last, a writing book for everyone! Whether your words are meant as a thank you, as an apology, to offer comfort or advice, or simply to affirm your love, FROM ME TO YOU will aid all writers in expressing themselves. Powerful, personal messages are our legacy to those we love, regardless of the purpose of the note, and can easily be strengthened by following these simple steps. One of the best writing resources I have encountered, FROM ME TO YOU comes very highly recommended.
Yet we all love to receive thoughtful, personal messages that go beyond what Hallmark puts in its greeting cards. But we doubt our ability to create these wonderful messages.
From Me to You should help you overcome your reticence to create a meaningful, lasting mark with your shared feelings and thoughts. Whether you decide to write, call on the telephone, visit in person, or create an audio or video tape, this book will make you eloquent and appreciated . . . regardless of your communications skills.
A key ingredient is a suggestion that you always include five elements in each message:
1. "What go me thinking about you?"
2. "What are my positive feelings for you?"
3. "What makes you special to me?"
4. "What do I remember and treasure about our time together?"
5. "What do I want you to get from my message?"
The book is filled with varieties of examples of each element (thoughtfully numbered so you can spot them.
You are encouraged to sound like yourself, the way you talk, "your true voice" . . . rather than like a professional writer or a greeting card.
The book also has techniques to help you get started. One that I liked was to plan to write several drafts, and write down your feelings as you write certain things. This will make you more comfortable and confident.
Examples build around a number of themes: friends; siblings; children; parents; grandparents; romantic relationships; passing along favorite memories; sharing unasked-for advice; repairing bad relationships; dealing with tricky family issues after divorce, remarriage, and adoption; sharing hidden secrets; comforting after loss or sadness; sharing traditions and life lessons; building a legacy of communication; and creative ways to share.
For the more awkward communications, like hidden secrets, other elements may be required -- such as why you are now deciding to share the secret . . . and why it was kept before.
Although your own messages will be different from the examples, I think that the examples will inspire you to be more open as you see what others have said and learn how the recipients responded.
I have a good friend who has a very tense relationship with his two sisters. I recommended this book to him, to help him write about his desire to reconcile. He has written before, to no effect, but I think this book can help him to keep trying and pack more caring into his message.
I suspect that anyone can have better personal relationships if you follow this book's helpful and caring concepts.
The two authors speak painfully about how they feel about not knowing much about their fathers. Who are all the people who would be greatly hurt if they did not know you well, even from beyond the grave? How can you connect to those people in a positive, loving way?
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Upon reporting to boot camp in San Diego, Sledge was introduced to his Drill Instructor with this eye-opening greeting: "If any of you idiots think you don't need to follow my orders, just step right out here and I'll beat your @ss right now. Your soul may belong to Jesus, but your @ss belongs to the Marines. You people are recruits. You're not Marines. You may not have what it takes to be Marines."
Fortunately, Sledge did indeed have what it took to be a Marine, and he has written WITH THE OLD BREED: AT PELELIU AND OKINAWA, an engaging personal chronicle of the horror of war as seen through the eyes of a young Marine grunt. Though this book is a personal account of historical events, it reads like a novel. Sledge is able to transform the course language of a salty Marine and the brutality of war into unembellished passages whose honesty have a lyrical beauty all their own:
"The situation was bad enough, but when the enemy artillery shells exploded in the area, the eruptions of soil and mud uncovered previously buried Japanese dead and scattered chunks of corpses. Like the area around our gun pits, the ridge was a stinking compost pile.
If a Marine slipped and slid down the back slope of the muddy ridge, he was apt to reach the bottom vomiting. I saw more than one man lose his footing and slip and slide all the way to the bottom only to stand up horror-stricken as he watched in disbelief while fat maggots tumbled out of his muddy dungaree pockets, cartridge belt, legging lacings, and the like. Then he and a buddy would shake or scrape them away with a piece of ammo box or a knife blade.
We didn't talk about such things. They were too horrible and obscene for even hardened veterans. The conditions taxed the toughest I knew almost to the point of screaming. Nor do authors normally write about such vileness; unless they have seen it with their own eyes, it is too preposterous to think that men could actually live and fight for days and nights under such terrible conditions and not be driven insane. But I saw much of it there on Okinawa and to the me the war was insanity."
WITH THE OLD BREED does not concern itself with a the strategic and tactical campaign of the Pacific Island hopping campaign. Rather, it is a a fascinating portrait of an sensitive young man's baptism under fire -- a first hand narrative of an ordinary young man's extraordinary bravery on a few remote Islands in the Pacific Ocean. No W.W.II library is complete without this book. Highly recommended.
Sledge's book very thoroughly describes and covers the physical, mental, and emotional horrors of battle. Sledge's first-hand experience and understanding of youth lost during battle is truly frightening. He describes the gloomy environment, the ear pounding sounds, foul stench, bitter taste, and experience of men, or boys in combat. Sledge writes about their fears and trepidation, but also writes about the bravery and camaraderie, or brotherhood these men had towards one another. Soldiers that fought and some witnessed the death of their buddies.
All readers need do is read a chapter, put their head back, close their eyes, and visualize what the American soldier went through to protect America. If there was a Pulitzer Prize for a personal memoir it would surely go to Eugene B. Sledge for his book. "With the Old Breed: At Peleliu and Okinawa" should be required reading in all American History classes throughout our great land.
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This is a must-read for fans of Mr. Evans and it shall receive a place of honor in my library next to the "Christmas Box" series I own. Read and enjoy!
Faye, the love of his life, is from an upper class family that puts the value of a dollar and breeding on a pedestal that Michael falls short of. When Michael finds himself accused of a terrible crime he learns just how alone he really is. Faced with choices that are near impossible to make, he is guided as well as saved by the wisdom of this older woman that has come into his life.
This is an excellent story filled with inspirational quotes and bits of hard won knowledge from Esther's journal. The sequel is titled "The Carousel" and is a continuation of the lives of these extraordinary characters. Evans is the well-known author of "The Christmas Box" series that also includes, "Timepiece" and "The Letter". 3/4/01
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What originally struck me as so fantastic (and still does) is that the D'aulaires don't write down to their audience or edit out details important to the original myth that some parents might not approve of. The end result? An all ages storybook and mythological primer that no one should be ashamed to own.
The drawings are an acquired taste, falling somewhere between Classical pottery paintings and Art Deco, but they do grow on you. My only quibble is that there's no pronunciation guide, which can really hamper you if this is your first exposure to these stories.
Buy this for for your children or even for yourself, you will never regret it.
What made me fall in love the book was the beautiful, large colorful pictures; the easy introduction of the many Gods (to a child with no background in the stories); and, of course, the myths themselves. They were wonderful stories and will pull in readers of all ages.
The book inspired me to read more books on Greek mythology--Edith Hamilton, for instance--and Norse myths (the D'Aularies wrote a book on Norse gods that is unfortunately still out of print) and Asian folktakes when I was still in grade school. In college, however, I learned that these myths in this book had gone through a bit of sanitization, but it is still terrific. I haven't found another chilren's book that treats Greek mythology so well.
This book is one that will keep giving even when the child becomes an adult. When I went to college and was assigned other Greek and Roman poems, plays, and essays, I would be reminded the pictures and the myths found in this book. It would bring back wonderful memories, and at the same time made reading ancient literature enjoyable and easy rather than onerous. To this day, I still remember all of the myths and gods that are in this book, and it gives me a nice referemce to my academic reading.
My parents recently bought the hardcopy edition of the book for me for Christmas. It was the best gift I have received in years!
It is simply a wonderful book!
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Gibran's words are refreshingly nonsectarian yet feel none the less profound, timeless, universal and relevant to all cultures, peoples and times. Some have attributed an alternative spirituality to this work either as praise or as criticism.
I personally don't view the Prophet as a book that advocates any particular spiritual or religious path whatsoever. Regardless of whatever else this book may be may be, I've found the Prophet to be restful and quite enjoyable from time to time. I don't worry about the potential hermeneutic interpretations (that I seriously doubt exist) that might exist therein.
Thus, if it's a spiritual and/or religious text you seek I wouldn't recommend the Prophet. But I don't mean that as a criticism of the Prophet.
I simply view the Prophet as a text on the nonreligious, nonsectarian and universal ideas, ideals, feelings and qualities of what it is and means to be and feel human as viewed from the perspective of another fellow human being who had the same limited perspectives that we all share by virtue of being human beings. Gibran never claimed any differently.
If you only buy one book of prose then this is the one I'd recommend.
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Then I read Dr. St. Amand's book, and knew my instincts had been right all along. There was something in my body, actually causing this pain, and it was getting progressively worse. This is the most logical explaintion I have seen.
I have been on this protocol for 6 months and feel better that I have in several years. I can now look forward to a pain free future. This is a must read for everyone with fibromyalgia and their families.
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Boy, was I wrong!
From the minute I opened it in the bookstore to a random page, I was thrilled. Gung-ho pictures, poignant comments from the four and their closest friends and co-workers(like George Martin). Reading John Lennon's autobiography was a particularly moving moment, seeing the disillusioned Beatle's take on his own hard life. The whole book is not to be read start to finish, in my opinion. Open it to a page and start. I guarentee that you won't put it down until they prise your fingers from the book.
Don't Pass this one By. Get Back online and BUY THIS BOOK!
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Another book I enjoyed and recommend highly is FIVE MINUTES TO ORGASM EVERY TIME YOU MAKE LOVE. This book has a "no work" approach to female orgasm that is going to relieve a lot of men of the responsibility of "bringing" their partners to orgasm. It works! Since reading this book my sex life has become more satisfying, meaningful and rewarding, and a whole lot easier.
It's not smutty or low-brow, lots of informative info with high-class (yet tasty) drawings for, um, illustration of key concepts shall we say. I take my hat off to the writers for this one.
Sure helped me :oD
Ride Free - Mk.
(I'm going to make one more statement that sounds exaggerated, but isn't: If this book was put in the hands of every American pre-teen during that dry (or non-existent) school sex-ed program, I sincerely believe we would have teens making far better choices about when and how to explore their sexuality, as well as more meaningful sex, orgasms, and enjoyment for when they become sexually active adults. What I'm trying to say is that the sex education quotient here is just that -- and because it has no agenda, it's honest about the pros and cons of everything from heavy petting to intercourse--including frank discussion of disease, the cost of teen pregancy, etc. I love an early section that lists all the responsibilities that come along with a fully sexual relationship...it then challenges the reader to answer the question of whether or not they are ready to take on every single eventuality should it occur. If not, it cheerfully steers you towards a more progressive sexual development (with plenty of tips) but makes it clear that you should NOT be having intercourse. I think that one problem with American sexuality is that we don't really deal with it until the "time" comes, instead of progressively building our sexual experience alongside our building of physical and emotional maturity. If we did that, on a more reasoned and comfortable timetable, we'd all be better off. This book lets all of us know that there are plenty of things to do with those "urges." And not all of them require intercourse. YET, is this a book for kids? No, it's genuinely a book for everyone.)
The book's style is easy reading, light but not offensive, and complete. With everything from sex tips, to sex history, to chapters on approaching sex while one partner pregnant, disabled, on her period, has erectile dysfunction, etc. You can't beat the content, and its straightforward understandable presentation in any other sex book out there.
(The pictures are cool, too -- fun, realistic drawings, not cold, clinical photos.)
"Deep Inner Meaning" for "Lucky Jim," but I wouldn't pay them
much attention if I were you. "Lucky Jim" is simply a hilarious
book. For me, it was a revelation -- I had no idea that a book
might leave me with my sides aching, weak from laughter, yet
ready to laugh again, as I recalled the phrase or the incident
which had initially tickled my funny-bone.
One reason the book is so funny is that it gores some very
Sacred Cows. In its time, those sacred bovines very definitely
included provincial academics who were seriously into
Elizabethan madrigals and recorder concerts; Amis had the
genius to see these daffy eccentrics for the incredibly comic
figures they really were. Even more outrageously, the novel's
hero gets the girl of his dreams and escapes the dreary provinces
for a happy career in London, by abandoning the academic life
and going into (are you sitting down?) BUSINESS. Into... TRADE.
It is hard to imagine anything more non-U.
In short, a masterpiece of comic English prose!
Highest possible recommendation!!!