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Maj. Paul Morgan's book, K-9 Soldiers, Vietnam and After, illustrates with striking clarity the bravery, skill and boundless heart displayed time and time again by the faithful K-9s of Vietnam.
As a Vietnam veteran I never had the opportunity to work with a K-9 unit but Mr. Morgan's book impressed me with its stirring first person accounts of the true-life actions of these courageous dogs and their handlers. Mr. Morgan's book formed the basis for a widely acclaimed TV movie that is also heart wrenching in its depiction of the K-9 units' daily struggles. Any reader with an interest in history and certainly any animal lovers will be captivated by these accounts.
As a combat Marine infantryman I can attest that this chronicle rings true. Mr. Morgan has been there and back and has rendered these stories with an experienced eye and ear.
Mr. Morgan is the founder of the effort to create a war dog memorial in his home town of Suffolk County, New York. His efforts have suceeded with a projected unveiling of the memorial within the next year.
Mr. Morgan has been honored numerous times for his heroic work at the WTC on September12, 2001 along with his Search and Rescue dog Cody Bear. Mr. Morgan has been a life-long dog handler and his rich experience informs the reader on each page of this gripping work
Their' forte is fusing the practical and imaginative, while recognizing the many roadblocks on the way. What makes this encouraging and helpful manual different from other "follow your bliss" guides is its fresh mix of clear, workable advice, realistic portrayals of just how long and challenging the road to fulfillment may actually be, and abundant examples of success. Rejecting both the traditional model of working hard for decades so that you can retire and then do what you want, as well as the prevailing model of goal setting and minute-by-minute day planning,the authors provide a truly original outline for "creating a simpler, more balanced life" that is not predicated on giving up money, comfort or anything one's heart desires. (Sept.)
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Although this book does have a few pages focusing on breads and salads, the soup recipes (which make up about 75% of the book) are truly the shining stars here. The recipes are divided into chapters on chicken soups, fish soups, vegetable soups, bean soups, dairy soups, nut soups, and fruit/dessert soups. There is also a chapter devoted entirely to making the ultimate gumbo, and one on a very versatile "diet" soup. The majority of recipes fall into the vegetable/dairy/and bean soup categories - making this book quite suitable for vegetarians or people interested in cutting back on the amount of meat in their diets. She doesn't eat red meat, and you won't find any recipes that call for beef, pork, or lamb... although there are a couple of exceptions.
As other reviewers have mentioned, these recipes are all easily adaptable to what vegetables you already have in your refrigerator, though you will probably need to make regular trips to the store to stock up on fresh veggies if you intend to use this book often. The recipes call for lots of ingredients, but you can easily leave some out and still have a great tasting finished product. Many variations are given for each soup and some have ideas for using leftovers. Although she doesn't recommend it, bouillon cubes or canned stock could easily be substituted if you're short on time. However, if you ever wanted to learn how to make a great homemade stock, this is the place for it.
The recipes themselves are excellent and I have had fabulous results and many compliments when serving these soups to others. I highly recommend the Mexican-Style The Soup, Greek Navy Bean Soup, and Pea Soup Caraway Adelle. These soups are a wonderful way to save money and eat healthy while still pleasing your tastebuds.
The book has a nice design, but if you're looking for fancy photographs or art, you won't find them here.
Se mueren por saber como le hago..pero es secretito: Hago mis ejercicios mientras voy en el coche rumbo al consultorio, cuando esoty viendo a un paciente y hasta hablando por teléfono !
Este libro ES LA BENDICION FÍSICA MAS GRANDE QUE EXISTE !
Como la mayorìa de los hombres, no me queda ni tiempo ni humor para andar por ahi corriendo como loquito ni haciendo lagartijas o push ups... PERO ESTOS EJERCICIOS, NO SE COMEN MI TIEMPO... TODO LO QUE SE HAN "COMIDO " ES MI BARRIGA DE CERVECERO !
GENIAAAALES !
Pues se acabó la barriga, Y NO ME FATIGO !
Vi el resultado en 4 SEMANAS
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The book is a wonderful coffee table volume full of wonderful photographs from the production, rehearsal, casting and out of town tryout. There are stories from the stellar cast such as Nathan Lane, Matthew Broderick, Roger Bart, Gary Beach, Brad Oscar and Cady Huffman. Madeleine Doherty relates her hilarious audition as a little "old lady" and Brad Oscar's rise from a swing/understudy to the permanent part of Franz Liebking when another actor was injured.
All of the lyrics and most of the book are included Act by Act. The lyrics for some of the songs that were deleted are hilarious. With Mel Brooks heavily involved in the book, we get to know how this valentine to Broadway was created and how the original 1968 film came to be.
Miramax Books is to be given a standing ovation for the gorgeous design on this publication.
If you have seen "The Producers" in New York as I did one month ago, this book is a wonderful souvenir and a necessary addition to your bookshelf. If you haven't seen it yet, it is still a wonderfully enjoyable volume. Anyone interested in Broadway or musical theatre will pore over the pages for hours.
I highly recommend it and it would make a great gift.
1. BUY THIS BOOK. It contains all of the lyrics, super pictures, and more important, not only the entire script, but the entire chronology, from its inception as a movie to creating the stage story to slapping together the first few songs to nervously hosting the first previews in Chicago to its blockbuster grand opening at the St. James Theater in New York! It doesn't get more comprehensive than this!
2. BUY THE ORIGINAL CAST ALBUM ON CD. This contains every song, from start to finish, sung by the award winning cast. The lyrics are here too.
3. BUY THE DVD/VIDEO, "Recording The 'Producers' - A Musical Romp with Mel Brooks." This is the closest you can get to seeing the musical, albeit not on stage. And don't be fooled by the liner notes. This isn't ONLY the 85 minute version that aired on PBS, it has extra footage that clocks the package at around 1 hour and 40 minutes!
I saw the show in October and I'm going back to New York to see it again in March. I've NEVER been this INSANE about any entertainment product (books, films, music, staged theater) in my LIFE.
With all three items -- the book, the CD and the DVD/video -- you get a pretty good idea of what makes "The Producers," with its spectacular mix of merriment and mirth, mayhem and satire, so great! It deserves all of its hype. You can't oversell it!
Every song is a show-stopper, a throwback to the riffs that feel like a "best hits" package from the greatest musicals ever made. A little bit of Cole Porter, Gershwin, vaudeville and classic dance melodies reminiscent of Fred Astaire and Gene Kelly (e.g., "Gotta Sing-Sing!" -- as in prison!), with lyrics that are so happily vulgar and irreverent that you're lucky you're not more doubled-over in pain from laughing so hard if you could only see the girls wearing pretzels on their heads and others doing the swastika "circle" march (visible via a tilted mirror toward the audience), done in Busby Berkeley style! Heck, there's even a bit of an homage to the Andrew Sisters (e.g., "He's a Hot-sie-tot-sie Nazi! Woo-woo, he's a hot-sie-tot-sie Nazi! Woo-woo! The Fuhrer...is in a FUROR!")...
Sadly, this original cast won't be together much longer, but the traveling show officially begins next year (it'll be in San Diego from December 2002 to January 2003)! So the wait won't be as long as we thought!
To recap -- get the CD, the DVD/Video and THIS BOOK! Then you'll save some big-time $$$ until the show arrives in your backyard! Whatta deal!
The Producers is by far the best book I have ever read about the development and staging of a Broadway show. Anyone who likes Broadway, comedy, or Mr. Mel Books will find this book to be irresistible! For those who cannot get tickets to The Producers (or have tickets for 2003), this book is your best bet to enjoy this marvelous musical in the near future. I strongly recommend this book as a gift item for those who don't mind some salty language and references.
This book contains reminiscences of the show's development from the first contact by Mr. David Geffen to Mr. Mel Brooks to encourage Mr. Brooks to create a Broadway musical version of the 1968 motion picture of The Producers by Mr. Brooks. Each personal statement is accompanied by beautiful, lighthearted candid photographs of the people involved. One of the most touching sections involves how Ms. Susan Stroman was chosen to direct and choreograph the show after her talented husband and artistic partner, Mike Ockrent died, and Ms. Stroman was still in mourning. The stories about the first reading for producers will leave you with a tingle of excitement. After the first act was read, Mr. Rocco Landesman offered the St. James Theatre. Fourteen producers present eventually invested in the show, after Mr. Geffen had to bail out due to other commitments. The accounts are full of one-liners to keep you laughing as you learn. For example, turning a movie with two songs into a musical with 16 more is described as being "not unlike trying to translate it from English into Serbo-Croatian."
Although the feedback was good all along, everyone kept waiting for something to go wrong. But it never did. The most negative thing anyone said about the show was Mr. Brooks. "It's not funnier than Blazing Saddles." When the New York Times Review came in, it was an amazing rave that began with "How do you single out highlights in a bonfire?" You then get some background on sets, costumes, and winning 12 Tony awards.
From there, the book presents the libretto of the show and the lyrics of the songs. The only thing that's missing is the musical score. But you can sing to yourself, and enjoy the many wonderful photographs of the 22 person cast (featuring Nathan Lane as Max Bialystock and Matthew Broderick as Leo Bloom -- with full allusions to Ulysses intended). This is an annotated version, so it includes notes about what the draft versions had called for and the reasons why certain changes were made. Having seen the changes, I must agree that the decisions were unerringly improvements. Some of the false starts are pretty funny, too, such as the planned beginning with a "Hey, Nebraska" spoof of a well-known Broadway musical.
If you are one of the few people who doesn't know the story line, let me give you a brief summary without spoiling it for you. Max has just had a flop ("Funny Boy" based on Hamlet). Accountant Leo notices that Max made a small profit and speculates that a lot of money could be made by over raising money for a flop on which little was spent. Max falls in love with the idea, and draws Leo into a plot to do this. They find a story called "Springtime for Hitler" which they feel will offend practically everybody, and hire a director to make an outrageous version. Max raises the money by romancing elderly female investors. The rest of the story takes a number of unexpected twists that will delight and entertain you. One of my favorite lines from the show comes in Act 1, Scene 1 when Max comments that "the reviews come out a lot faster when the critics leave at intermission."
The appeal of the story is that it ultimately upholds positive values while poking good-natured fun at everyone involved in the Broadway community. Since no one is spared by the satirical spear, no one can be terribly offended. There's a lot of cross-dressing to spread out the small cast that gives the show some of the sophomoric appeal of a Hasty Pudding theatrical, which is well captured in the photographs.
Creativity experts say that you can find improved solutions by trying to do the opposite of what you've been trying to do. So the notion of trying to make something bad . . . to find something good . . . is a well established one. Turning something from one form into another one is also advised. So you can learn new ways to solve old problems, even from Broadway musicals!
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Paul Graham has commented on his web site ..., "It seems to me that there have been two really clean, consistent models of programming so far: the C model and the Lisp model. These two seem points of high ground, with swampy lowlands between them. As computers have grown more powerful, the new languages being developed have been moving steadily toward the Lisp model." I read that comment before I read On Lisp. It was fresh in my mind at the time, and I saw some of the features of Lisp in C++ and Java. Graham cites runtime type checking and garbage collection, but there are subtler features that appear in the C++ STL. When he described using macros to create functions as needed, his examples immediately brought to mind some of the templates for various "helper" classes; pair, for example. But he could equally well be talking about some of the classes in the Java runtime that are designed to be derived from. The bottom line is that this book is an excellent tutorial on good library design. It teaches by example the philosophy behind creating libraries that extend your language, either in general ways or specifically for the problem domain.
Paul Graham handles Lisp lovingly as an expert craftsman. An observant reader can learn a great deal about craftsmanship from his book. Eric Raymond stated in his essay How To Become A Hacker, "LISP is worth learning for a different reason - the profound enlightenment experience you will have when you finally get it. That experience will make you a better programmer for the rest of your days, even if you never actually use LISP itself a lot." Mr. Graham has commented about this specific quote wondering why anyone would learn about a great tool and then not use it. Lisp in general and this book specifically are an answer to that question. Lisp is not a single language. It is a family of languages that share a common philosophy and a core. Once you learn what gives Lisp its power, you can choose to enhance any tools you use with some measure of that power.
The only caveat: this book *is not* for people beginning lisp. Given it's title, this obviously doesn't reflect poorly on the book.
It is aimed at people who know how to use the language already; for an intro, you may wish to look at his book _ANSI Common Lisp_.
About macros: It is an important feature of the language. If you eventually decide that macros are harmful, it is best to been shown macros' full strength so you can make such an informed decision.
If you don't know what macros are, they're just sort of a shorthand you define, that gets expanded to its full form. It may be a bad idea to use often in normal programming for languages like C or Java, but Lisp is sufficiently different that macros may be very useful in making code that generates more code.