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The author systematically studies the positions of multiple New Testament scholars in explaining Paul's argument for justification through faith, rather than law. He passionately hammers home the message that it is not adherence to a set of rules which saves us from sins' bondage- but rather through our faith in Christ. As God showed ultimate love in giving Jesus to humanity, and Jesus demonstrated sacrificial love in giving Himself on the cross, now we are free to show love to God and others, as to ourselves.
While acknowledging that all in life is not pleasant, the author reminds us that suffering can "have meaning and value", but that "suffering and death do not have the last word". Freedom to love was given to Christians, for their happiness in this life, and the next. If the author's ultimate hope was that his writing draw the reader closer to Jesus Christ, that mission was accomplished. We can demonstrate our faith, through acts of unconditional love, starting today.
submitted 31 December 2001
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The photo captions in French Farmhouses And Cottages are superb and highlight the type of construction in evidence, the purpose of each building economically in the life of the community, and the building materials that were used and why. A lengthy section of text which is entitled 'Introduction' would better be described as a comprehensive review of rural life in France during an era when the horse provided the defining reality for all economic activity in agricultural areas of the country. Extensive discussion in this well-written and highly informative essay focuses specifically on building practises on farm steads as well as planning strategies for setting up the working farm. Materials which were readily available for building and roofing are given consideration as well since local stone, clay and wood were utilised for French farmhouse construction as represented in this volume. But the setting for the creative labours which made use of those materials, rural France a hundred years ago, produced the inspiration. The synthesis of the two frequently defies imagination.
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Quoting the publisher's blurb for this book:
A mainstay of functional linguistics has been the claim that linguistic elements and patterns that are frequently used in discourse become conventionalized as grammar. This book addresses the two issues that are basic to this claim: first, the question of what types of elements are frequently used in discourse and second, the question of how frequency of use affects cognitive representations.
Reporting on evidence from natural conversation, diachronic change, variability, child language acquisition and psycholinguistic experimentation the original articles in this book support two major principles. First, the content of people's interactions consists of a preponderance of subjective, evaluative statements, dominated by the use of pronouns, copulas and intransitive clauses. Second, the frequency with which certain items and strings of items are used has a profound influence on the way language is broken up into chunks in memory storage, the way such chunks are related to other stored material and the ease with which they are accessed to produce new utterances...
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Blechman is the art director of the New York Times Op-Ed section, and met the other two through his self-published political 'zone, Nozone-samples from which constitute about a fifth of the book. Neimann is German a freelance illustrator for a number of well-known magazines, and a teacher at the School of Visual Arts. His samples have a slightly quirky and offbeat amusing air concealed in their simplicity. Sahre is a well known book cover designer and postermaker, and his samples tend to be more outrightly commercial and graphically appealing than the others.
The book is a quick read, you can probably absorb it in about two hours, and well worth it for those interested in how graphic designers work and arrive at solutions. My own favorite part was the brief "killed work" section, where the three designers discuss work of theirs that was rejected and why. I'll definitely try to track down Fresh Dialogue 2, which covers the next year's lecture.
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