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J. Paul Getty tailors his message and shares his wisdom and business acumen for YOU, the aspiring entrepeneur.
J. Paul Getty's "How to Be Rich" contains a variety of subjects --how to acquire wealth, how to succeed in everday business, internationaol trade, etc.-- addressed in a candid and intelligible approach. Also, if you're an aspiring executive, you should acquaint yourself with Getty's "millionaire mentality" and espouse a "cost-concious" and "profit-minded" business perspective.
I strongly recommend this book, especially for aspiring entrepeneurs and business executives. Although reading this book will certainly not make you a wealthy person(that requires hardwork and zealous determination), Getty's "How to Be Rich" will certainly en[rich] your knowledge.
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"Ghosts" reinforces the sense I've had since visiting Africa that North America is empty of some large and important creatures that should be here. I can now better visualize what plants they were eating, and what their preferred habitats were like. I can also better visualize the cascade of extinction, past and present, from animal extirpations to the plants that evolved with and depended upon them.
In an attempt to confirm that a creature like a mastodon would willingly eat Osage oranges, Martin and Barlow persuaded the director of the Brookfield Zoo in Chicago to offer the fruit (scientific name maclura pomifera) to three of the zoo's elephants. "Affie, the matriarch of the Brookfield elephants, did eat maclura--but just the first fruit she was offered. After that, she showed no interest in any more. The reactions of the other elephants were strongly negative. One wasn't even willing to smell the fruit when the offer was first made. Finally, she took it from her keeper and hurled it down the hall. The second elephant did the same thing but aimed for the public area." I can't say that I blame them. As a child, I was under the impression that Osage oranges (or hedge apples) were poisonous.
Zoo elephants' finickiness notwithstanding, the book argues that some species are obviously "overbuilt" for the ecological niche they inhabit today. Why would natural selection lead to such an outcome? For example, pronghorns can run not just a little faster but way the hell faster than any of their nearest predators (wolves and coyotes). This speed is apparently a relic of days when something faster than wolves or coyotes were chasing pronghorns, possibly a New World cheetah that became extinct thirteen thousand years ago. Well, you may ask, why haven't the pronghorns slowed down and devoted their evolutionary energy to something more productive, like jumping barbwire fences? More generally, what is a believable schedule on which a species reacts to changes in its environment?
As Connie Barlow analyzes the results of experiments with the exotic fruits and seeds in her New York apartment kitchen, she writes with delight and authority. She teaches us technical and colorful terms such as seed predator and pulp thief. The former destroys seeds by eating them rather than by defecating them intact. The latter eats the flesh around the seed and discards the seed without transporting it to a promising new sprouting site. We humans are guilty of both depredations, although with our compost heaps we have introduced a modest new dispersal path for domesticated fruits. Barlow's story is certainly not bereft of poetic lyric, as in the "paucity of pawpaw pollinators"--or of Conan Doyle-ian suspense: "Perhaps the most compelling evidence that Mrs. Foxie defecated persimmon seeds intact can be found in my collection of fox feces."
In her final chapter, Barlow preaches the gospel of "the great work:" the purposeful and painstaking reversal of the appalling history of extinction for which our species has, knowingly and unknowingly, been responsible. If the dedication to and passion for nature that is evident in this book can infect an emerging generation of professional and amateur naturalists, we may within our lifetimes see the beginning of this work.
In an attempt to confirm that a creature like a mastodon would willingly eat Osage oranges, Martin and Barlow persuaded the director of the Brookfield Zoo in Chicago to offer the fruit (scientific name maclura pomifera) to three of the zoo's elephants. "Affie, the matriarch of the Brookfield elephants, did eat maclura--but just the first fruit she was offered. After that, she showed no interest in any more. The reactions of the other elephants were strongly negative. One wasn't even willing to smell the fruit when the offer was first made. Finally, she took it from her keeper and hurled it down the hall. The second elephant did the same thing but aimed for the public area." I can't say that I blame them. As a child, I was under the impression that Osage oranges (or hedge apples) were poisonous.
Zoo elephants' finickiness notwithstanding, the book argues that some species are obviously "overbuilt" for the ecological niche they inhabit today. Why would natural selection lead to such an outcome? For example, pronghorns can run not just a little faster but way the hell faster than any of their nearest predators (wolves and coyotes). This speed is apparently a relic of days when something faster than wolves or coyotes were chasing pronghorns, possibly a New World cheetah that became extinct thirteen thousand years ago. Well, you may ask, why haven't the pronghorns slowed down and devoted their evolutionary energy to something more productive, like jumping barbwire fences? More generally, what is a believable schedule on which a species reacts to changes in its environment?
As Connie Barlow analyzes the results of experiments with the exotic fruits and seeds in her New York apartment kitchen, she writes with delight and authority. She teaches us technical and colorful terms such as seed predator and pulp thief. The former destroys seeds by eating them rather than by defecating them intact. The latter eats the flesh around the seed and discards the seed without transporting it to a promising new sprouting site. We humans are guilty of both depredations, although with our compost heaps we have introduced a modest new dispersal path for domesticated fruits. Barlow's story is certainly not bereft of poetic lyric, as in the "paucity of pawpaw pollinators"--or of Conan Doyle-ian suspense: "Perhaps the most compelling evidence that Mrs. Foxie defecated persimmon seeds intact can be found in my collection of fox feces."
In her final chapter, Barlow preaches the gospel of "the great work:" the purposeful and painstaking reversal of the appalling history of extinction for which our species has, knowingly and unknowingly, been responsible. If the dedication to and passion for nature that is evident in this book can infect an emerging generation of professional and amateur naturalists, we may within our lifetimes see the beginning of this work.
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(For a more accurate view of the snuff film hoax, you might pick up a copy of Nadine Strossen's book Defending Pornography, where she tries to dispel the rumor that won't die. Or Susie Bright's article in the San Diego Reader (18 November 1983). Or Kim Mohan's survey of horror films Nightmare Movies, which the original film was. Or the May/June 1999 issue of the magazine the Skeptical Inquirer.)
Other than those sorts of oversights, the book is fun to read, in part just to convince yourself that there are weirder people than yourself out there!
I also had a chance to meet Ms Love at one of her lectures,and her knowlidge of sexual practices far exceeds the book.
Since our meeting I started collection of her nudes and I'm her biggest fan now.
Never had so much fun with any book before. :o)
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In this Repairman Jack novel we learn a bit more about his family. His divorced lesbian sister is the one in need of repair on this go round, though Joe and Stan, the arsonists from a previous novel, do make a rather large cameo appearance (and then disappearance).
I usually rate Wilson's novels with five stars, but this just didn't have the oomph I'm used too. As mentioned by a previous reviewer, it lacked certain repairs. Sure there was suspense, and it sure moved at a quick pace, but this supernatural thriller didn't have quite enough closure. I will, of course, read the next novel in this series, with just a little apprehension, not much, just a little. I think the editors at Forge slipped a little bit also with some of the spelling. One more gripe. There is no microwave oven, in home, that will run 99 hours.
Still highly recommended...because it's F. Paul Wilson.
Of all the trains in the city, the gunman just had to pick the one that Jack was riding. Jack saves a trainload of passengers in the first few pages of the book, almost has his identity blown by an overzealous reporter and then has to help his long lost sister get her friend out of what appears to be a weird cult. Jack is back and at his best. Get ready for a wild ride that only Repairman Jack can provide. I couldn't put this one down! This has something for everyone. Die-hard Jack fans will learn more about his past and be delighted to know that he's got some adventures ahead! Looks like the Otherness has a thing for him and it's not letting go. I can't wait for the next book!
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This book has a lot of great information about the leadership and it is a excellent reference for learning about the seizure at Alcatraz, the Native American Embassy and the second seige at Wounded Knee. I think my problem with the book was that I had heard of these events for years and had romanticized them and to read the problems AIM faced internally left me surprised and let down.
describe the failures in organization. The failures botch attempts to take Ellis Island and leave the Trail of Tears caravan virtually without shelter which inadvertently results in the take over of the BIA building. Unfortunately, the movement seems to falter with acts of vandalism, burning of a building in Custer, South Dakota and the destructiuon of buldings at the seige of Wounded knee and the unfortunate circumstance of kidnapping. The damage to property, reports of alchol abuse such as the get together in Warrenton, VA. undermines the movement in my mind. Thse acts seemed to diminish the goals of the Indian Movement although the authors make a point that even Martin Luther King could not control all the elements of his movement. Although the actions of AIM do obtian publicity and sympathy for their movement, the authors ironically note that their followers never materialize in large numbers. The book peaks with the reoccupation of Wounded Knee that succeeds as a great reminder of the mistreatment Indians in the past and invoking tribal rivalry between the current council President and AIM. In the finale, the authors note the failure of AIM to maintain itself after many of its leaders such as the charismatic Russell Means are put on trial or in some cases put in jail. The authors quote admirers and critics of the movement which is punctuated with the lack of concrete ideas that could translate to realistic acheivable goals and a lack of organization. Overall a very fascinating book that I wish spent more time on the transition of its main leaders to "Reborn Capatalists" (Banks)
and movie Stars (Means - Pochohontas and "the Last of the Mohicans). In addition, I wish the book provided more detail on the desires of reservation Indians, their problems and ideas for positive change. Very unfortunate that Clyde Warrior, one of the main leaders of the 60's rebirthing of an idealistic Indian movement, dies in the late 60's at the youthful age at 29. If he could have maintained his health and vision, his impact on AIM might have led to greater organization and acomplishments.
It was interesting to note that the authors refer to Sitting Bull as a Oglala Sioux when in fact he was a Hunkpapa Sioux (page 190).
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India is more than a palimpsest. It is as if each layer were alive and continually changing right before your eyes. How does one write about such a land without a stereotypical juxtaposition of the old and the new? How does one communicate the horror and debasement that has entered the soul of urban India and still be able to speak of the ancient springwells of its culture?
Well the task may appear impossible but it can be done as shown in this magnificent book by Paul William Roberts, a British-Canadian writer. Recounting several journeys made over an eighteen-year period, Roberts is able to draw a powerful pictu! re of India with its smells and sounds, bazaars and chai-shops, bug-infested cheap hotels and rationed electricity, gurus and drug-runners, penuried ex-rajas and movie-stars, country roads and camel rides, ashrams and whore-houses. But these are just the props for his marvellous gifts of story-telling.
It is a very moving book which also manages to be funny and profound. Through his experiences he is not only able to describe the moods of the many Indias, he also paints the soul of the West. This book is not analytical like the travel books of Naipaul; for Roberts the story is told through suggestion and a torrent of feelings. In linear discourse, the same drama in the sky will be thunder to the blind and lightning to the deaf, but Roberts is able to capture in one sweep the many dimensions of his experience. This method literally transports us to India; we become his fellow-travellers.
The journeys are peopled by fascinating characters: A seven-foot tall German ta! ntrik in loin-cloth; a 300-pound woman who actually cooks h! er lunch on a pressure-stove in a crammed bus; sex-crazed followers of Rajneesh; old aristocracy reduced to penury; hippies in Goa; the dom raja of the burning ghats of Benaras.
Although the book has its gurus, the maharaja, the hippies and the movie-stars, it does not deal with hackneyed themes. Roberts brings a rare perception to his experience so that we are brought face to face with the universals of the human condition.
Returning from India on his most recent trip, Roberts evokes an emotion familiar to expatriate Indians and others who have lived there for any length of time: ``As the plane left the ground, rising up over the central plains of India, heading out over Rajasthan, I gazed down at the fast-disappearing features of the land. The thousands of tiny villages; the mountains; the rivers; the jungles; the deserts; the temples; the great holy cities; and all these people---I was leaving them all yet again. On the headphones an Urdu ghazal singer was wailing o! ut the Oriental version of country music: Whatever he sang about, it had to involve broken hearts, broken dreams. I felt the bittersweet ache of love inside, too; felt my heart swelling up---as if wanting to embrace the whole world. India: I couldn't live with her, and I couldn't live without her.''
It is a remarkable book, one of the great travel books of our times. Not only does it evoke the mystique of India, it does so with great aplomb and style.
It is the perfect book to read this year, the fiftieth anniversary of India's independence. Written with great zest and sympathy, it shows why the attraction of India is something more than a longing for a homeland. India may be an infuriating place but there is magic in its rhythms!
It tells you vivid tales about spiritual India - many which even I dare not believe but can not dismiss either. Paul William Robert's account has a ring of sincerity and authenticity. Somehow we don't always realise what an interesting and unique place our country is. Things that we take to be ordinary, every-day happenings show up as unique through PWR's account. Is India really that strange?
The book is difficult to put down, if you are interested or puzzled by India. And if you were born in India but live abroad, consider buying it as a gift for your children. Trust me, they will not be disappointed. This book may not show the complete picture, but it does show a very important part of the picture. That too, with honesty and some sympathy.
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Quote: "Condemn the fault, and not the actor of it?
Why, every fault's condemned ere it be done.
Mine were the very cipher of a function,
To fine the faults whose fine stands in record,
And let go by the actor." (II.ii.38-42)
I see Measure for Measure as closest to The Merchant of Venice in its themes. Of the two plays, I prefer Measure for Measure for its unremitting look at the arbitrariness of laws, public hypocrisy and private venality, support for virtue, and encouragement of tempering public justice with common sense and mercy.
The play opens with Duke Vincentio turning over his authority to his deputy, Angelo. But while the duke says he is leaving for Poland, he in fact remains in Vienna posing as a friar. Angelo begins meting out justice according to the letter of the law. His first act is to condemn Claudio to death for impregnating Juliet. The two are willing to marry, but Angelo is not interested in finding a solution. In despair, Claudio gets word to his sister, the beautiful Isabella, that he is to be executed and prays that she will beg for mercy. Despite knowing that Isabella is a virgin novice who is about to take her vows, Angelo cruelly offers to release Claudio of Isabella will make herself sexually available to Angelo. The Duke works his influence behind the scenes to help create justice.
Although this play is a "comedy" in Shakespearean terms, the tension throughout is much more like a tragedy. In fact, there are powerful scenes where Shakespeare draws on foolish servants of the law to make his points clear. These serve a similar role of lessening the darkness to that of the gravediggers in Hamlet.
One of the things I like best about Measure for Measure is that the resolution is kept hidden better than in most of the comedies. As a result, the heavy and rising tension is only relieved right at the end. The relief you will feel at the end of act five will be very great, if you are like me.
After you read this play, I suggest that you compare Isabella and Portia. Why did Shakespeare choose two such strong women to be placed at the center of establishing justice? Could it have anything to do with wanting to establish the rightness of the heart? If you think so, reflect that both Isabella and Portia are tough in demanding that what is right be done. After you finish thinking about those two characters, you may also enjoy comparing King Lear and Claudio. What was their fault? What was their salvation? Why? What point is Shakespeare making? Finally, think about Angelo. Is he the norm or the exception in society? What makes someone act like Angelo does here? What is a person naturally going to do in his situation?
Look for fairness in all that you say and do!