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Many times over the Corps had proved it's worth to her county on battlefields across the globe. But as the General points out (form first hand experience) - unknown to most are the political battles fought behind closed doors that saved the Marine Corps from becoming nothing more than a token force, or worst it's complete elimination. Even more surprising are some of "Great Americans" who (for various reasons) fought so hard to emasculate and/or eliminate the Corps outright. Americans like: Truman, Eisenhower, and Bradley to but name a few. While I'll always have great admiration for these individuals and their accomplishments - As a Marine alumni (77/81) I can't help but feel somewhat betrayed by these people and others like them.
First in Fight makes for engaging reading - as it covers Krulack's own experiences within the battle over the unification of the armed services. Moreover - this book explains how & why the U.S. Military chain of command (Executive office - down to the lowly Private) is set-up the way it is today.
Most people think that the erecting of the U.S. Flag on Mt. Suribachi's peak was the defining moment that guaranteed the existence of the Marine Corps. While I'd never take anything away from that historical event - thanks to this book I now realize that the Corps survival to date is partly in thanks to a few dedicated Marine senior officers, a Pro-Marine Congress and a supportive people.
On a personal note: I would make this mandatory reading for any Marine, as it gives new insight into our timeless inter-service rivalry with the other service branches. Semper Fi!
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Marginal notes can be intrusive, but I found myself looking forward to editor Paul Mandelbaum's illuminating comments about each writer's life and work. The information deepened my understanding of the writer's body of work. This is a wonderful book to own and a great gift idea.
Rounding up these first words, Editor Paul Mandelbaum has performed an invaluable and remarkable feat of literary excavation. Who knew this stuff even existed? For anyone who loves to read, or loves to write, "First Words" is revealing, inspiring and - believe it or not - just plain fun.
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As the MTV programming, this book has a continuous flow in which each chapter looks like a new video clip, which is totally related with the preceding, and flows directly into the following. However, instead of creating these connections with complete paragraphs and nice connectors, the editors choose to throw isolated pieces of pictures, paragraphs and quotations. It is the inner most meaning of every written and visual piece what makes a unified theory out of this book. A new way of communication which McLuhan would define as "Any new structure for codifying experience and moving information, be it alphabet or photography, has the power of imposing its structural character and assumptions upon all levels of our private and social lives" (106). Therefore, a chapter named "Violence and Identity" will start with a two-page-black and white picture of a Ku Klux Klan's ritual followed by a quotation: "Violence, whether spiritual or physical, is a quest for identity and the meaningful. The less identity, the more violence." On the next page, a picture of a ten-year-old child wearing latex gloves and a gun in each hand; then, McLuhan's theory is introduced with big blue letters: "IT'S WHY THEY HAVE TO KILL," and so forth. This continuous fluidity of meaningful images and writings, involves the audience in an exciting rhythm, making it interact and experience what McLuhan was trying to say by "The Medium is the Message."
Instead of having a defined introduction, body and conclusion, Forward through a Rearview Mirror is composed of three different types of writing: biographical information, writings by McLuhan, and writings on McLuhan. Each one of them is placed by the editors to ease the reader's understanding of McLuhan's speech. Information about his background, life, and surroundings is provided by a timeline that covers his most important years: his experiences at different stages of his career, the birth of his own family, and his social life. All these factors influenced his way of analyzing our culture. From interviews, speeches, and books, Benedetti and DeHart quote McLuhan to provide objective information about his insights. Because most of his citations are abstract aphorisms, the audience can read his words either superficially or deeply, stimulated by the adventure of discovering his hidden insights, always present in his works. However, the reader is not alone in this adventure. Other media theorists such as John Fraser or Lewis Laphom share their experiences when reading the philosopher. Moreover, as the biographical information, these media producers also help to guide the reader by providing him/her with different analysis and points of view towards McLuhan. Although the book doesn't follow the conventional three-part linearity, it seems custom made for the rushing reader of the nineties. It doesn't matter on which page we open Forward through the Rearview Mirror. It can always provide an interesting analysis of our own society.
However, Paul Benedetti and Nancy DeHart do not only keep McLuhan's organization and writing style, but also preserve his idea of convey insights using the visual medium. Therefore, Forward Through the Rearview Mirror is designed to the image of McLuhan's major works The Medium is the Massage and Global Village. These two books submerge the reader into a multidimensional medium of meaningful abstract and figurative visuals. For instance, the editors create the same type of metaphors that McLuhan employed in his publications, by explaining the world's current globalization with ten bottles of Coca-Cola all written in different languages. Moreover, as Marshall McLuhan's last works, the unconventional format of this book also stands out in the reader's library. While both the medium is the massage and Global Village are smaller than any standard size book, Forward through the Rearview Mirror is wider and shorter than any conventional book.
Forward through the Rearview Mirror shows the complete involvement of Paul Benedetti and Nancy DeHart in McLuhan's life and ideas. Following Marshall McLuhan's guidelines, they carefully place each element in their book to create an outstanding piece. From its outside cover to its inner most meaning, this book breaks all standards, thus, draws the attention from an audience willing to find a new and high-quality product. Guided by McLuhan's print media by juxtaposing significant images and phrases to create movement and rhythm. When experiencing this book, the reader combines the sound of his reading and the meaningful visuals inside his mind, creating an audio-visual medium out of Forward the through the Rearview Mirror. If this phenomenon is achieved, McLuhan's theory is confirmed: "It is man who is content of the message of the media, which are extensions of himself" DeHart and Benedetti understand McLuhan, preserving his thoughts alive, and honor him in their piece of art.
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Riveting from beginning to the very end, this 600-page fact filled legal expose on how our court system really works, is like nothing else you'll ever read. The authors take you on a journey from the state court right the steps of the highest court in the land.
Using actual trial transcripts and painstaking detail, the author's leave no stone unturned. I was simply amazed at how much information was packed into the book. I was simply astounded by the way the system works.
Law professors and students of law need to take and read this work. It is most likely the best book of the first amendment law. A great work in the legal field and a very good read - well done!
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Having exegeted the great bulk of the Pauline Epistles, Fee then feels able to make some observations and conclusions about Paul's general pneumatology in the last 100 pages of this nearly 1000 page book. He concludes that the Spirit was for Paul more real and evident than we can possibly imagine in our day and age, that the presence of the Spirit was an assumed reality, because of which specific theological discussion is limited. But in the off hand remarks, asides, benedictions, and other such casual comments Gordon Fee is able to discover and lay out eight primary conclusions about Pauline pneumatology. These conclusions are not meant as simply academic points of interest, but are in keeping with Fee's profound pastoral sensitivity and seek to point out ways in which the modern church can regain some of the liveliness and fullness that is found in Paul's understanding of the Holy Spirit. If you don't care about the exegesis (though as a reference I can't imagine not caring) Fee has another book called Paul, the Spirit, and the People of God which consists of just his conclusions and insights.
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Mr. Green's humor is ever-apparent throughout the book, which makes it an even more enjoyable read. I recently took Good Selling! with me to read on the plane, beginning my only vacation in the last five years (I was trying to slow down). I found myself laughing and muttering affirmations out loud, as I finished the book before we reached Orlando. I made action notes in the margins, promising to implement all the great ideas (and reminders) I found in almost every chapter.
This book is insightful, empathetic, funny, and a true sales tool. Thank you, Paul Green, I can't wait for your next effort.
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From what I learned during the late 70's and early 80's while working with Naval Officers, both books are authentic, especially in the attitudes reflected by the military. For people who want to understand the Vietnam war and the effect of the civilian leadership on the military during this time, I strongly encourage you to read both books.
Thank you Sir.
The book starts from the premise "The U.S. doesn't need a Marine Corps," "Brute" Krulak articulates why America chooses to have one anyway. Not least among the gems of history in this book is the role Brute Krulak and others in the Chowder Society played in keeping the Marine Corps alive the last time the Executive Branch and Department of the Army conspired to kill her.