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One of the classic-generation cold-war techno-thhrillers.
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A great, and quick, read that gave concrete examples, plans for action, and that little boost of inspiration that it often takes to get readers working toward the practices they read about.
I'd recommend the book, and offer criticism only to chapter 4, but overall a great few hours spent learning.
In this story there is a very smart boy who always gets 100 out of 100 for Maths and English.
He teases people with pimples and other problems, but Peppi the ice-cream man fixes these problems with ice-cream.
There is a twist at the end that you couldn't guess. Read to find out.
This was an okay story. It is pretty short but has enough infomation to get the story line across. There were a few funny parts that make the story interesting.
Bravo to a new novelist who makes the word 'whisper' a shout to our inner feelings and memories. With the exception of the first few chapters of old history to lay the foundation, the story moves forward with elegance and purpose. I couldn't put it down.
I eagerly await this new and talented author's next novel.
A well written book, especially for a first time author. I liked the character development and found myself drawn to Sarah, the matriarch of the family. Although the story is told through the eyes of a man, women are well represented.
The style of the book, with long chapters divided into short "snapshots" of the story, allow a reader with a busy schedule the ability to pick up the book for short bits of time and still feel connected to the story line.
The book is full of deaths, births, love and hate. I had a moist eye a couple of times as the writing pulled me into the emotions of the characters. History swirls around the generations, yet the story is not of a nation, but of a family rooted in tradition and love.
A must read for those interested in new authors with a talent for story telling.
If you are looking for something similar this may or may not be the book for you. On the good side the author does a terrific job of explaining his thought process on how and why a class library can and should be built. Many of the problems (i.e. call backs, messaging) are still relevent today but at the same time Windows has changed alot. For instance chapter four is on memory managment which is absolutely Windows 3.1 specific (Win95 and above does not have these problems). When I emailed the author he didn't even know what chapter four was about and suggested I learn MFC. In chapter two he begins by describing a better POINT structure and tries to employ inlining to keep it small. It is one of the basic lessons of the book. But the constructor calls a member function before the member function is declared inline making it non-inline. He also declares a copy constructor for a base type. Later in the book he makes extensive use of circular referencing and forward referencing which really creates a tangled web of code. Difficult to update and debug.
This book will give a definate roadmap to writing or developing your own API specific software library but use extreme caution and prejudice in using the authors code. Most of the time the class library that comes with my compiler is fine but there are many time when having a lightweight class library would be invaluable. Given the choice of transfering a large Exe or a small one across the Web most people would choose a small one. There really is a need for this kind of book. If the author ever decided to write an update to this I would be thrilled
Just like Borges and Natsume, Thomas Bernhard was a taste that I acquired due to Glenn Gould mania. Still in Holland Cornelis Hofman, then head of the Glenn Gould Society, offered Bernhard's Untergeher, the Loser, to the fans of the "oracle of Toronto". Hooked on Bernhard from page one, I next read alte Meister and Holzfallen, old masters and woodcutters, resp.
Thomas Bernhard was a person who often came close to the level of misanthropy. Yet, this writer followed in a line of the likes of Shopenhauer, Strindberg and Celine, who led the readers into the darkest recesses of the tunnel never to forget the pay off by the light at their metaphorical ends. Bernhard will always be defined for me by one short moment in a rare television interview. Bored by the interviewer he walked over to his record player and started a recording of Bach's 2nd Brandenburg Concerto. After the music had played for a while he asked his interviewing victim "Do you know what is happening here?" The victim remained mute, invoking a look from Bernhard that was a mixture of disbelief and disgust to the nth degree. After some more music, while shaking his head answered himself with "everything".
Wittgenstein's Nephew is an archetypical Bernhard novella, both in content and style. The book contains a detailed analysis of the relationship between the writer and his best (and only true friend) Paul Wittgenstein, nephew of the famed philosopher. The first part of the book focuses on Paul and the friendship, while Bernhard uses these ingredients in the final part of the book as a "mirror" for self reflection/analysis. The book begins when both Bernhard and Paul are treated, for cancer and depression resp., at separate but close institutions. At the climax of this part, the writer who was so much looking forward to meeting Paul, finally meets what is left of his friend, and is devastated. Next, Bernhard looks back at the history of their friendship and pays special attention to the support Paul gave him on the occasion of receiving two literary prices and the premiere of one of his plays. In the end, Thomas, gives a brutally honest description of him avoiding Paul around the end of the latter's life and not attending the funeral of the very person who was so important for Bernhard to overcome a longtime suicidal depression. In the act, Bernhard leaves a wide array of casualties: the charlatans of the medical profession, the Austrian press/government/writers/actors and last but not least himself.
The prose is of the vintage Bernhard style that is easily identifiable after the very first sentence. Especially at the start, there is the favorite technique of providing a statement that is cut to the "philosophical bone" to later become the vehicle of a spiral thought of "evolution". Later on the style becomes more linear, without losing any of its poignancy.
While I read the original version, get it at the German Amazon site, I did compare it with this translated version. I would give the translator a 7 on a scale of 10. David McLintock has chosen textual accuracy over a translation that puts more emphasis on delivering the same type of "punch" as the original. You could say he prefers the letter to the spirit of the law. While the resulting translation is precise and careful, it is definitely "Bernhard Lite". Thinking in musical terms, you get Weber instead of the original Wagner.
As a novice to Bernhard reading this review, you may wonder whether the late Thomas would really be your cup of tea. All his anger, gloom, doom and hatred. Yet, Bernhard's dark vitriolic virtuosity gives the short intermittent moments of happiness a striking serene beauty, not unlike like the little flower in Picasso's Guernica.
It has been said that Gaddis' Recognitions is a more mature version of Salinger's Catcher in the Rye. Extending this metaphor, this as many of Bernhard's books represents a version of Holden, who while severely doubting the sense of the act, still hasn't given up on catching all together.
Truth be told, the reader has to like Bernhard's style to get far with him. Bernhard's rephrasing of mundane thoughts and incidents may seem tedious at first to the uninitiated, but he turns the same phrases over and over as if assessing their content and structure. Is it better to write the thought *this* way? That way? Both? Neither? All? How many writers do *that*!?
Bernhard had a genuine love of words (which I share), phrases, sentences and the way they all form an imposing BLOCK that fills the pages (no paragraph breaks). It doesn't seem to matter much that his topics are mundane: I sense he knew that, despite the adventures most of us have, a large part of life is spent alone with our thoughts. Who was it that said, "The mass of men lead lives of quiet desperation." Bernhard expands upon this bleak thought and comes up with art of very high order, indeed.
I have read all of Bernhard's work that has been translated into English, and I can recommend them all with 5 stars. I think this book (or perhaps _Concrete_) is the best starting point for those unfamiliar with this author. I especially love this book because the topic - friendship - is so touching and sensitively handled. Not a word seems wasted.
For beginners, I recommend "3D Studio Special Effects/Book and Cd Rom" while this book is more for users with a solid grip on 3D Studio.