1.A.D. 1400 - Trouble on the way
2.300 Years before Spotted Deer
3.An Apachu Raid
4.300 Years after Spotted Deer
5.June4, 1696 - The Spanish Are coming!
6.The Acoma Pueblo - Nearly 300 Years Later

Makes a good book to keep remembering the being there.

Once again, Euripides uses the Trojan War as a context for his political argument. Andromache, the widow of Hector, is the slave of Neoptolemus, the son of Achilles, who is married to Hermione, the daughter of Menelaus and Helen. The setting is the Temple of Thetis, the mother of Achilles, somewhere between Pithia and Pharasalia in Thessaly. Andromache has born Neoptolemus a son, and the barren Hermione accuses the Trojan woman of having used witchcraft and seeks her death. Andromache has taken refuge as this temple where Hermione and Menelaus try to get her to come out by threatening to kill her son. However, the title character disappears from the play and everybody from Peleus, the father of Achilles, to Orestes, the cousin of Hermione, shows up, mainly to talk about Neoptolemus, who is at Delphi. Thetis shows up as the deus-ex-machina and the play ends rather abruptly.

The interest in "Andromache" is clearly for the anti-Spartan propaganda. As a tragedy there is little her beyond a progression of characters who all talk about doing something they end up not doing. If there is supposed to be a series of object lessons offered by each of these characters, then that idea is pretty much lost on contemporary audiences. Jean Racine wrote his own version of the myth of Andromache, as did William Congreve, Gilbert Murray, and Gabriele D'Annunzio. Racine's play "Andromache" is certainly superior to that of Euripides, which is probably the only time you can say that about the French neo-classical playwright. "Andromache" is clearly the least of the extant plays of Euripides.

In 'Hunting Ground,' Cordelia finally gets a part in a film. Not just a bit part, but a starring role as one of a team of treasure hunters who are searching for the Helm of Haraxis. Deep in the woods things suddenly start to go wrong. Suddenly real life becomes too much like a horror film and Cordelia is desperate for Angel's aid.

'Beneath the Surface' finds Detective Kate Lockley in the middle of a series of killings that have all occurred close to underground accesses that Angel also uses. His investigations turn up a suspicious demon, but the case gets complicated when Kate decides to search the sewers herself. Worse, topping her list of suspects is the broody vampire himself.

Typical of Dark Horse Presents stories, which are originally done without color, the illustration for 'Hunting Ground' (done by Brian Horton and Paul Lee) is simplistic and two-dimensional. The coloring, which was added as an afterthought is also too flat. In contrast, Eric Powell's work on 'Beneath the Surface' is much more alive and the colors show much more modeling and shading. Even so, this is a case where both stories are much better than their graphic presentation.

White in the process of reviewing Pauline literature, draws out several controlling metaphors to create an overall Pauline theology. These metaphors include God as mother, father and creator. Through use of these metaphors he explains how the postconversion Paul is markedly different from the preconversion Paul the Pharisee.

Another unique feature of this work is comparing Paul's writing to the social context of the Greco-Roman world. White does an excellent job drawing upon research on Greco-Roman family models to help explain the impact of Paul's theology in the Mediterranean context.