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This book is obviously a product of extensive research and provides the reader with little known insights into the British and American hostage rescue operations in London and Teheran in 1980. There are lots of interesting nuggets in the footnotes predicated obviously to Taillon's extensive research. The author also lays out to the reader an important set of criteria so as to maximize the opportunities for success in future CT operations. From the two hostage rescue case studies (NIMROD/EAGLE CLAW) Taillon draws a number of important lessons learnt, some of which can be tough medicine, particularly if you have any politcal or military biases. Reflecting upon the recent events in New York these lessons appear to require re-learning, particularly the criticality of timely and accurate intelligence.
Overall, this is a superb book authored for professional students of this type of warfare and stands alone as an excellent analysis of what critical issues demand to be taken into account, particularly when the negotiations with the terrorists ends, and the political/military operation, which hostage rescue is, begins. A must read for Delta/ SAS/GSG9 and those interested in special operations and counter terrorism.
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First, this book focuses more on culture than scientific belifs. Feyerabend makes clear from the get-go that he is a believer in 'democratic relativism" - literally, that what works for one culture may not work for another. This is really not a radical view untill you take Feyerabends conclusion that because of this, there can be no objective truths, standards, or even critierion for deciphering either. Here's how he undercuts himself though. For Feyerabend, this relativism demands that we recognize our ability to learn from other cultures, engage in dialogue and even argue from time to time. The problem is that if reason is just as good (no better) than any other way of proceeding, it is difficult to imagine how dialogue can proceed, outside of a reasoned structure. At the end of the first essay, Feyerabend stretches further still. If quarks and gods are both theoretical (that is, not empirical) then isn't it strange to regard quarks as more 'real' than gods. Well, Paul, not if you consider that quarks are a) open to falsification, b) accountable to scientific prediction that CAN falsify them and c) have so far enabled us to make accurate predictions without being falsified, then I guess the answer is "no".
Many readers will also read this book as a diatribe against Karl Popper. I would urge these readers, if they've not read Popper, to first read either "Conjectures and Refutations" or "Objective Knowledge". Many of Feyerabends characterizations are wrong. Feyerabend constantly underestimates Popper's recongintion of theory and ideology in conjectures and observations. Feyerabend also miscarachterizes Popper's falsification as a view that as soon as an individual sees her theory falsified, she should abandon it as quick as possible. Nope! She should defend it while keeping in mind that she could be wrong. Third, Feyerabend misconstrues Popper as an elitist of science who claims that Western scientific conclusions are the most valid. Popper would be the first to admit that good ideas can come from anywhere. Popper's only suggestion is that matriculation of those ideas into our lives involves making up our minds, which involves reason and that empirical methods are good insofar as they HAVE TO BE the common denominator of intersubjective discussion. Overall, Feyerabends conclusions are all-in-all self defeating, his arguments are largely misunderstandings and his book is verging on being a waste of time.
As usual his groundwork is thorough, although not as detailed as that in "Against Method", and full of interesting asides which both support the argument and fascinate the reader. His energy is infectious although some of his comments are quite abrasive especially those concerning Popper. It compares well to the first book and is far better than his last "Conquest of Abundance" which seemed tired by comparison and lacking the zest of the earlier works such as this one and the first. To me, the two outstanding chapters are the ones on Mach and Aristotle which alone make the book worth buying. Feyerabend is a rare breed of philosopher in that he does not construct systematic theories but rather deconstructs existing ones and criticises them consistently at the same time giving credence to his ideas of relativism which are quite at odds with the usual interpretation of this idea. Feyerabend does not constrain himself overly in the sense of a solid theoretical basis prefering to remain loose and free to move. There are many advantages to this process although it does not introduce new ideas or concepts which by themselves could lead to further insights, this is possible without stagnation or a crystallisation of views which often occurs. He is also aware of his own propensity to intellectualise, something which he tries to supplement with a kind of living discourse which partly compensates.
An energetic read.
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Definately recommended.
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Though many people coming to Guatemala aren't interested in upscale establishments, they do exist, and Glassman outlines them in a relatively no-nonsense fashion. For example, Pension Bonifaz in Quetzaltenango is the best hotel in town. It's is also where anyone flying in and out of Xela must go for pickup to the town airport.
There are other guides, but I wouldn't dismiss Glassman's guide out of hand. We live in Quetzaltenango, and run a Spanish language school there.
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50 volumes of original "Doctor Who" novels was, make no mistake, a big deal. Where most tie-in novels supplement an ongoing TV series (the gold standard being "Star Trek"), the New Adventures of Doctor Who had a different aim: to replace a series that ended two years before the first book came out.
"Happy Endings" was penned by Paul Cornell, the first star of the NAs: in 1991, he became the first previously-unpublished author to get his first book deal through the "Doctor Who" book line. Cornell in this book writes the wedding of a character he created: Professor Bernice Summerfield, the first "Doctor Who" cast regular who never appeared on TV. And he places the book in the year 2010, in a setting he created: the pastoral British village of Cheldon Bonniface. Beyond that, Cornell also includes characters from nearly all of the 49 previous NAs, and is allowed to tie up several dangling plot threads from those earlier books.
Apart from all the celebrating and indulgent literary tricks, "Happy Endings" is not a book to be read on its own. There's not much plot, apart from the wedding and just a couple of minor alien nuisances. This is a flat-out camp comedy, and extremely British in style. Many characters burst into song (not an easy thing to do on the printed page). Peppered throughout are numerous asides on how Cornell presumably would like society to look in the year 2010: the English monarchy is dissolved, the whole country's gone vegetarian, and a Wiccan handfasting ceremony is the book's emotional touchstone.
In the end, when the humor and social commentary subside, "Happy Endings" remainss a charming novel. If you followed the earlier books in the series, you'll enjoy the return of all the prior characters. Certainly when a series reaches a certain point, it's allowed to rely heavily on its past (think how the 7th season premiere of "Buffy the Vampire Slayer" concluded with a lengthy parade of every major villain from the show's past).
However, the line of original DW adventures that "Happy Endings" celebrated, ended less than a year later. Original DW novels are still published, but through a different publishing company, and with entirely different regular characters. Reading this novel so many years after publication is a lot like watching an old rerun of a TV reunion special. Hopefully, you'll be able to say that you remember all the great old moments, and this book will make you smile nostalgically, and just a little bit wistfully.
But another of Cornell's themes is that "Doctor Who" has become far more than just another TV series. On that note, that central message of "Happy Endings" remains true to this day.