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I am looking to modernize our AS/400 database development with the latest modeling tools and functions without disrupting the traditional DDS-centric RPG development efforts of my programmer customers. I serve customers in dozens of countries with varying levels of SQL/400 knowledge, but being an ex-mainframe DBA, I appreciate the effort IBM has placed into DB2/400 (or "DB2 for AS/400") into giving it mainframe-DB2-like capabilities. I am hoping Paul Conte will come up with a new edition of this book for OS/400 V4.3 because I would love to see these issues addressed in the same manner that DB2/400 V3.6 is presented in this book. Maybe even a chapter devoted to interoperability issues between DDS and SQL/400 and why/how to make the migration would be splendid.
Filled with a perfect mix of theory and hands-on examples, this book allows a reader of any level of experience to benefit from the author's many years of expertise. Conte is a stickler for professionalism and attention to detail, and "Database Design And Programming For DB2/400" not only typifies his love of excellence, but encourages the reader to raise his or her own personal expectations.
If you're a manager, buy every programmer a copy and make it mandatory reading. If you're a programmer who wants to be the best, you must have this book; my copy rests at arm's length on my desk. If you're an educator, this would make an ideal textbook.
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Since then, I moved to a completely different region of the world, and am anxious to get my new used copy sent to me so I can pour into a story that I've been longing to read again, since I've been trying to procure a copy of it for 10 years now!
If you are considering purchasing this book - don't hesitate. It is THAT good.
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It is simply the "Bible" of golf.
Every golfer should own a copy and use it often.
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"I wrote the ending first," Paul once said, "after reading 'The Defence of Guenevre.' The book was written to lead to the ending."
Paul refers to the poem by William Morris. The Defence of Guenevre" The poem ends with Arthur's courtiers straining to hear an approaching sound:
"Her cheeks grew crimson, as the headlong speed
Of the roan charger drew all men to see
The knight who came was Launcelot in good need."
The deliberate understatement is stronger than any melodrama. Nor is anything more needed. Aside from the fact that Morris could count on his Victorian readers to know that Guenevre would be rescued, the arrival of a champion is enough to complete the poem. In her defence, Guenevre complains that she is unfairly damned because she was given a choice between two mighty lovers. Put on trial by one of those lovers, she is in despair. The coming of Launcelot, the second one, gives her hope.
With that in mind, can there truly be any doubt as to the outcome?
Book 2 introduces what is going to be the main storyline of the tetralogy, although the rape in the Bibighar Gardens will remain in the back of everyone's mind, and sometimes at the front, throughout. First of all there is Mohammed Ali Kasim, a respected Indian Congressman arrested by the British as a matter of course when Congress finalizes its "Quit India" resolution; and his son Ahmed, the dissolute intellectual who spends his time in one of the remaining Princely States of India. Second, the Layton family is introduced, a typical example of the British military in India. Sarah Layton, the elder of the two daughters, is exquisitely rendered and will become one of the series' most familiar and constant characters. Ronald Merrick, the police officer who victimized Hari Kumar during the Bibighar Gardens affair, slouches back into the story as the best man at Susan Layton's wedding, only to be made into an unlikely hero and martyr at the end of the novel.
The repercussions of the rape of Daphne Manners in the Bibighar Gardens continues to have their effect on various people, and not just on those who were involved directly in the aftermath of that incident. Scott begins to let his characters slowly unravel the truth behind the rape, but also examines the attitudes of both the British and the Indians towards the demise of the Raj and forthcoming Indian independence.
The British characters exhibit a deep ambiguity and unease (even guilt) towards their rôle in India - the current (and past) raison d'être of the Raj is unclear. Just why were they there and what legacy will they leave? More pertinently, what does the future hold for them, especially in Britain itself - if they return home, will they be fish-out-of-water, anachronisms?
The Indian characters see the Raj as moribund, but are uncertain about what to replace it with. Do they owe the British their loyalty and cooperation in the face of imminent invasion by the Japanese, or should they throw in their lot with the Japanese to get rid of the British? What kind of India will rise from the ashes of the Raj when religious and racial tensions seem so deeply entrenched?
Scott's view of this period seemed to me to be that the end of the Raj was a stumbling forward into history rather than a managed withdrawal from empire - a messy affair for both sides. A thoroughly interesting and stimulating read.
In book 1, JEWEL IN THE CROWN, Hari Kumar was wrongfully jailed by the wicked Ronald Merrick for the rape of Daphne Manners Hari's secret love. When Daphne refused to press charges Hari was detained as a political prisoner. In JEWEL, the story of Hari's life was told from the court proceedings and other second hand accounts. JEWEL covers a period of about fifty years.
In SCORPION, Hari tells the story of his life up to 1942. A large section of this 500 page volume reads like a court proceeding since Hari shares his story with Captain Rowan, who has been ordered by the Governor to interview Kumar in prison.
Lady Manners, Daphne aunt, is a secret witness to the interview. It is Lady Manners who has persuaded the British authorities to revisit the reasons for Hari's imprisonment. During the proceedings, Hari is told Daphne is dead. "Twin rivulets gleamed on his prison cheeks, and then the image became blurred and she felt a corresponding wetness on her own..."
I think it would be extremely hard to follow this book without having first read JEWEL IN THE CROWN. A large part of SCORPION is used to elaborate and further the plot introduced in JEWEL. Dipping into SCORPION without having first read JEWEL would be like trying to watch a serial after missing a few critical episodes.
In addition, the introduction of the Laytons and the Kasims might also seem disjointed unless one knows SCORPION is not a "stand alone" novel. In spite of these limitations, SCORPION is a wonderful book, and thus I have given it 5 stars.
In SCORPION, Sarah Layton takes on the central role. Sarah is the only Layton to have had contact with Lady Manners and be concerned about the events in Mayapore. Sarah has two long exchanges with Ronald Merrick, Hari Kumar's nemesis. Sarah meets Captain Rowan Hari's liberator. Sarah is struggling with her own issues surrounding the lives of the English in India. Sarah is the one to watch. And Sarah is an Aries. Her sister Susan is the Scorpio.
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A nice look into the Papago lifestyle of the '80s, some history, some desert lore, some naturalist bent.
A nice read, recommended.
Living in Seattle, when I long for open grey-white land, the shade of the palo verde, the shuffle of a zebra-tail, I go down to the basement and find this book. Pure magic! Culture, nature and philosophy, this book has it all.
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No The Nazis were monsters such total monsters that any costly resistance derserves honor. This is the best anti-Nazi book theis Jew has ever read.
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