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Speaking of fireflies, book lice, and honeybees, Fleischman shows the unique perspective of each. At times his poems are hilarious, with the worker ant complaining in time to the languid satisfaction of the queen; some are poignant enough to touch your heart and make you think twice about that caterpillar you shuddered at the other day.
What makes these poems truly wonderful, however, is the fact that they are "for two voices". For full effect, they *must* be read aloud by two people, sometimes in chorus, sometimes speaking alone, and other times echoing each other. In such a manner, the already-delightful poetry becomes alive.
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It may even be a legal requirement, as we see from the chapters that explain the legal issues in not provide an accessible site - it could be very expensive. These legal issues may scare some site designers, but in reality it's the moral issue that's at stake. We should be ashamed for excluding, or making it difficult for, people access to sites when they can't use the standard browsers.
Buy this book now - it's enlightening.
It starts with an insight into the legal area of accessibility and moves on to look at common myths such as having a text only alternative to a site. Then it shows you how you can present your content, navigation and data input in the most assessable way, and then shows you ways on how you test your site, making sure everyone can enjoy your online efforts!
What I love about this book is the explanation behind it. Not only does it show you the practices, it backs them up with clear and concise reasons on why these techniques can make your web site easy to use for anyone, including those who may have disabilities. It is a major eye opener and it will be a book that sits on my desk day in, day out, whilst I program web sites. I can't recommend it highly enough, and it is an absolute must read for all those who program on the web and those who use the web to display and gather information."
Constructing Accessible Web Sites will be extremely useful to the nuts-and-bolts people who actually design and code sites, but, as importantly (if not moreso), it gives an excellent overview of current laws and standards for the higher-ups who authorize and budget for site design. The chapter on organizational strategies for accessibility is a must-read for anyone who has any responsibilities regarding web design, implementation, or retrofitting sites to meet legal (and moral) obligations for accessibility.
The book is loaded with code samples, screen shots, and useful commentary on why things don't work for those with disabilites, and how to fix them so they work better for everyone. Particularly useful is a scorecard comparing authoring and design tools' accessibility authoring functionality and compliance with standards (Section 508, WCAG).
If you are involved in the design, creation, or maintenance of web sites, and you have clients -- and that would be just about every site, whether your site is an intranet, extranet, or public Internet site -- you really need this book. You owe it to yourself to own this book and make your life -- and the lives of web users with disabilities -- much, much easier. Highly recommended.
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THE JEWEL IN THE CROWN is Book I in the series written by Paul Scott known as the Raj Quartet. JEWEL is a complete novel, but it also lays the groundwork for the three other books in the series. The later books elaborate the story laid out in Book 1. Although Hari is absent from large sections of the text in Books 2-4, he is the main character from the beginning to the end. He is the invisible presence who haunts the other characters. He may symbolize India, but As Daphne Manners says in her journal, he is his own simile.
JEWEL takes place in 1942, mostly in India. Hari's story is a composite developed from many viewpoints--court depositions, recorded hearing proceedings, journals, and the personal remembrances of those who him. The narrator piecing the story together appears to be a writer or reporter describing the so-called Mayapore riots of 1942 and their aftermath in the years following. Pandit Baba, an Indian scholar, says in a Book 2 that the word "riot" is a misnomer. The English say it was a riot but the Indians say it was a lawful protest by a people who had suffered outrage and wanted Independance.
The Raj Quartet reminds me of Jane Austin's novels --especially her later books MANSFIELD PARK and EMMA. Like Austin, Scott has a keen understanding of human nature. His characterizations of Harry and Daphne are flawless. He builds them one fine layer at a time until the reader is convinced they must have been "real" people. Scott also describes an historical place and the people who lived in it with what the reader can only believe is verismilitude. Like Austin, Scott brings an exquisite sense of timing to his storyline. The near misses and plot twists leave the reader breathless. And,like Austin, Scott's sense of irony is so deftly incorporated one can only wonder at the various possible interpretations of the text.
JEWEL like India is difficult to understand. Scott has written his book in English, and as Hari Kumar's father said, English is a beautiful language but "it cannot be called truthful because its subtleties are infinite. It is the language of a people who have probably earned their reputation for perfidy."
The main story through which everything evolves is the love affair between a somewhat awkward English woman and a British top-school educated Indian, who has trouble finding his place in an India he does not know. Their relationship is looked upon with disgust, above all from the Police Inspector Merrick, one of the other leading characters through the four books. Merrick also has a soft spot for the English woman, Ms Manners, and is outraged and humiliated by the fact that she would prefer this Indian, Hari Kumar. His anger is naturally strengthened by Kumar's superior education and upbringing, his speaking English with a received pronuciation whereas Merrick himself has a working-class background he desperately tries to hide.
But this is only one of the stories that the books describe; there are many different characters and families that interact somewhat, we leap forward and backward, some people meet each other, some don't -but it is all beautifully tied together to the backdrop of the political instability that would eventually lead to the end of British rule. The books give, apart from superb story-telling and interesting characters, a profound lesson in modern history in this part of the world. Scott is very objective and as a reader you develop both warm and resentful feelings to the British and the Indians alike. A superb read deeply recommended.
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While the background of the 1940's made the presentation difficult for someone in their early teens in the 1960’s, the descriptions of baseball more than made up for it. Roy Tucker is the title character and an excellent pitcher. However, immediately after one of his best games, he slips and cracks his pitching elbow. This finishes him as a pitcher and the main theme becomes his quest to come back as an outfielder.
He is initially very effective and believes success is assured. However, he soon begins to struggle and doubts creep in. The description of all of this is a combination of one of the best baseball stories as well as one of triumph as a combination of talent, hard work and persistence lead to his success. I still remember the scene where his manager comes to his room and tells him the problem is that he is playing for himself and not for his team.
John Tunis is one of the best writers of sports fiction that has ever lived. He makes baseball exciting, even when all the action is taking place off the field. While our society has moved on to a point quite different from the time period of the story, baseball is still a game where strategy, preparation and dedication can triumph over athletic ability. That has not changed, and the descriptions in this book will continue to keep the attention of baseball fans for decades to come.
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I happend to notice the title of this book at a donated book sale at our local library.... I picked it and others up and proceeded to add it to the pile of books I would some day scan. On a long business flight I started to read this book.
I could not stop. As the authors laid out their ideas I covered the pages with notes.
Finaly a logical explanation of why change, even obviously necessary change, fails. Even more the begining of a method on how to make it work.
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Along the way, Park invents some delightfully quirky characters! Mrs. Russell, Skelly's nurse, was my favorite...
"'This stupid hat isn't even his, I bet! And even if it was his, there are a million ways it could have gotten to the edge of the water. Like the wind could have blown it. Or a dog might have carried it down there. Or---'
'OR A WHOOPING CRANE COULD HAVE FLOWN IT!' she shrieked.
I stopped jumping and just stood there. I mean, that's the whole trouble with Mrs. Russell. Just when you think that you may have made a connection, she goes and says something so freaky it scares you."
-The Graduation Of Jake Moon, by Barbara Park
One of the great moments! Hilarious and touching. You must read this book.
To the kids: Meet Jake Moon - a regular kid (just like you) who loves his family, but, Boy! They sure can be a pain sometimes (just like yours)! Especially his grandfather, Skelly, who USED to be so great to live with. Now that Skelly is sick, Jake has to babysit him. And Skelly does the most embarassing things all the time! How can Jake get on with being a regular kid with all this going on his life? The Graduation of Jake Moon is funny, truthful, and a story you will remember for a long, long time. Be prepared to root for both Jake and Skelly, because you'll love them both!
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Both scenes involve the author's dead friend, Jonathan Wright, once a professional photographer and mountaineer who was tragically killed by an unpredicted avalanche.
The author, Rick Ridgeway, is asked by Wright's daughter to take her back to the grave site of her father on the flanks of Minya Konka in "wild Tibet." While hiking the well-worn trail to Tengbocke Monastery, Ridgeway describes himself identifying the white-capped river chat on the banks of the Dudh Kosi. He is perhaps a few hundred yards of Asia Wright, the dead climber's daughter. Ridgeway is suddenly reminded of doing the same identification some twenty years earlier when Jonathan came upon Ridgeway at the river's edge. Back then, they together thumbed through the bird book until they indentified it as the same one they were looking at. Now years later, in almost the exact same spot, Asia Wright comes up the trail, and seeing Ridgeway squatting next to the river, stoops and says, "What are you looking at?" Dizzying deja-vu.
The second motif occurs at the end (don't read this if you don't want to know the surprise). Here, Ridgeway has found the grave site where twenty years before he had buried Jonathan after the fatal avalanche. He approaches the tumbled stones that still partially cover the body. He shifts a rock and sees the hair of his friend. Ridgeway reaches down and holds the strands between his fingers, rubbing them slowly and gently. Years before, Ridgeway had done the same right before Jonathan had died. Ridgeway held Jonathan in his arms. He remembers when he moved his fingers through his hair while Jonathan's lips changed color and suddenly his face paled and something "went out of him," and he died.
These scenes are lasting memories for Ridgeway. I connect with the author as he connects with his past. Below Another Sky is a touching account of an aging mountaineer with a rich heritage and valuable advice to those of us too timid to climb mountains and risk our lives.
This is a moving story of not only the loss of Rick Ridgeway's friend and climbing buddy in an avalanche in the himalayas where he also almost died but an account of his return voyage with the friend's twenty year old daughter to where the avalanche had occurred some 18 years before. It is a travel narrative, mountaineering book, great insights on Nepal and Tibet with interesting sidetrips through his memories, trips to Patagonia, being in a Panamanian jail when he was but twenty and what it taught him...etc. You have got to like this guy! A perfect read for the introspective armchair adventure traveller who loves Asia; which is the name of the twenty year old girl who finds her father's grave and her way in life on this trip.
They're difficult questions and Ridgeway does as credible a job of the philosophical answers as anyone can, with his acceptance of life and death, and change. However, his denouement at the end, that we should live each day as if it were our only one, felt flat. We've heard it before and it's been boiled done to a kitchen plaque cliché that I've always found irritating when it's not further explained. I don't think I'd plan on spending my only day on earth wondering if the roof should be redone this year or next and booking dental cleanings, as I'm doing today. My grudge with the cliché is that it seems to imply that we should regret whatever it is we've been doing up to now, rather than accepting that some days are simply going to be filled with the mundane details of living. It also holds an inherent suggestion that we should seek pleasure. But the kind of pleasure that makes life worth living is an elusive phantom and comes only after we've sought experience. Pain or regret may also result, regardless of our intentions. We have to embrace the experience regardless of outcome; if it's pleasurable, it's a bonus and we've earned it. Jonathon tried to focus on the experience rather than the goal or glory at the end, and I think that's what was meant in the book, but perhaps each of us sees it differently.
But Jonathon's effect on people was the result of more than what he did, it was the result of his personality, and Jonathon simply being Jonathon. We all affect the people we contact each day. Whether it's for good or ill is up to us. Partly because of his own innate goodness and partly because of his efforts, Jonathon had a positive effect on the people who know him. The lesson I would take from his life is that we could all have a similar impact if we made the effort to be nice - and I apologize for the lackluster word, but there it is - nice. The circumstances in which I first met him was one where egos could become inflated, inflamed, or deflated in an instant, and the silly posturing and puffy tempers certainly were a contrast to Jonathon's calmness. It's an odd thing, given that I didn't know him that well and it's been a long time, but I am still influenced by him and try (not always successfully!) to behave in difficult situations as he would have. Our lives do indeed affect others.
The book focuses on personalities, and that gives it a heart and poignancy which are often lacking in adventure stories. As for his journey with Asia Wright, it begins in Nepal, continues on to Mount Kailas, across the Chang Tang Plateau in Tibet, and ends at Asia's father's grave. The book is nicely-written and over-all the description is strong enough, although there were places where it lacked the vitality that would really bring an area to life for me. I will say (and this truly is surprising, since he recounts a fair number of disasters, not to mention numerous other assorted miseries) that Rick Ridgeway managed the impossible - he made mountain-climbing sound appealing even to me.
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