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However, as he soon discovers, elephants have a lot of personality, and he quickly falls in love with his. The pleasure of the book is not its travelogue description of the sights and sounds along the way (although these do break things up), but the mischievous antics of the elephant and the discovery of its personality as a loving and lovable creature. Tara, the elephant, displays remarkable intelligence and wit over the course of the journey, although at times Shand does veer into anthropomorphizing her. While he doesn't go deep into the role of the elephant in Indian and Hindu culture, it's clear from his travels that they are widely revered as symbols of Ganesh, as bystanders often often small prayers and alms to Tara.
Shand's own lessons in becoming a "mahoot", one who is versed in the ways of elephants and able to ride/guide one, is an equally fascinating and touching story. An older and younger mahoot are along to train him, as is a photographer friend and two rascally drivers with a support Jeep. It's a fun adventure, with a suspiciously fortuitous climax at the market, when Shand discovers he can't bear to sell his elephant for use as a moneymaking curiosity. It's a touching book in many ways, although some readers may be put off by the notion of a Westerner traipsing around a poor country on an elephant, especially given India's colonial past. Still whatever one may think of that, Shand's love for the animal is clearly genuine. He's written a followup book (Queen of the Elephants), that's apparently not as good.
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I was hoping for a bit more detailed history on all the instruments, but it does provide a good overview of the history.
The high quality pictures are a sight to behold. This is a great coffee table book.
This book is full of pictures and descriptions of a lot of guitars. The book is divided by guitar type, from acoustic, archtop, solid-body electics, semi-solid electrics and basses. The descrptions are short and give way to the pictures, but the guitars that demand, by respect, more description are given more pages.
The guitars shown are from all over the world and thus aren't limited to a specific market. Its cool to see how a russian guitar is made.
The only thing I would have liked is a timeline, but the book isn't formatted this way and its fine.
All in all a very fun book to have. No theory, nothing to tell you "practice damn it!", just enjoy.
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The narrative follows their discussion as they read, with Christopher asking questions that any child might typically ask -- "How do we know Jesus was really God?" "Why did they hang people on crosses, Dad?" "But if Jesus had a solid body and wasn't a ghost, how did he get through the walls?" Maier's format works well in this setting. Quotations from Luke tell the story, but the discussion between Christopher and his Dad explain the Easter story in a way that seems natural and easy to understand.
While the text of this book is quite good, what makes this book a excellent addition to the Easter collection is the outstanding artwork of Francisco Ordaz. Beautiful, full page pictures take up the right hand side of each spread. These realistic and detailed illustrations do a superb job of furthering the viewer's understanding of the Easter story. Especially well done is a portrayal of Jesus praying in the garden of Gethsemane and an illustration showing the women standing in amazement before the empty tomb. The Very First Easter is an wonderful book to share with a child, or anyone, who wonders what more there is to Easter than bunnies and painted eggs.
It is a must read for anyone who works in this industry or has a card.
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I am not luddite, but my favourite quote from the book is this: "We are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing to communicate". Does this say something about the Internet, newsmedia and our contemporary information overload, or what?
I liked the introduction and footnotes of Meyer. Just enough to provide context and explanation, but never intrusive. This book is as relevant today as it was during Thoreau's lifetime. Highly recommended.
Disobedience is the shorter of the texts, but probably more important. It is an attempt to justify moral anarchism and a call to act on individual judgements about justice.
Walden can be interpreted as an important treatise against consumerism and the dangers of specialization, as well as an appreciation of the natural environment. Those interested in anti-globalization/anti-free trade movements would do well to read Walden to gain an understanding of where anti-consumerism came from and an examination of its ethical implications. However, it also pays to remember that Walden is a failed experiment and, in the end, Thoreau returns to Cambridge.
Thoreau, as political philosophy, has certain problems. Moral anarchy and denial of the social contract is difficult to replace in civil society--Thoreau makes no more than the most vague references as to what could replace it, seeming to rely on the fact that his personal sense of justice is universal.
Nevertheless, Thoreau's conscience has resonance and is as relevant today as ever. His rejection of consumerism as the basis for society and its stratification also teaches important lessons.
Thoreau represents that first step in understanding the other part of American political thought--extremely different from that of the Constitution and Federalist Papers--but with profound connections to the work of Dr. Martin Luther King.
One small quibble: the ironic thing about his stories of loss are that he was 99% there most of the time- if he hadn't of let the bean oil get back to zero he could have walked away with at least a couple hundred grand in profits, if he hadn't let the stock options bot for 1/8 or whatever it was go to zero after seeing them hit $4 he could have had six figures in profit there again, etc.... I almost got the impression that even the big downfalls in this book were actually more success stories with "oops" endings tacked on. I didn't understand the blurbs on the back of the book talking about how it shows you the perils of the trading game. What perils? The perils of not taking a huge, monster profit when it is sitting in front of your face? Which is why I have to think that the book will probably just reinforce the ideas that the readers already had when they pick it up. Someone with a big ego and a small mind could still easily read this book and think in the back of his mind "Nice story, Jim- good thing I won't make the same mistakes you made because while you just thought you were the man I actually AM the man, heh heh..." But hey, who can reach that kind anyway?
The last half of the book reads almost like someone else wrote it, and has some very good points. I really liked the way he took comments from a bunch of the "pros"- traders who have won big and kept their winnings- and juxtaposed their ideas to show how their thought processes were totally different and often contradicted each other. It really hammers home the point that there are multiple paths up the profit mountain, and that discipline and defense are often the only common elements among diverse strategies. I also thought he made a really great point about odds- that the reward to risk ratio on a trade has nothing to do with the overall probability of success for that trade.
An entertaining book worth a weekend read.
Dr. Drake enriches the content of his dictionary with abbreviations, full phrases, colloquialisms, military expressions, Latin legal terms, and newly-coined words. Interspersed throughout the 334-page volume are black and white illustrations as well as inserts containing fold-out exhibits of early handwriting. In addition to simple definitions, Dr. Drake includes examples of most of the terms as used in complete sentences.
One does not normally consider reading a dictionary as entertaining. This reviewer read the work with rapt attention and wry amusement in many instances, appreciating the evolution of meaning over time and context.
Dr. Drake has fashioned a valuable tool, useful not only to historians and genealogists; but also to writers in every genre.~