I have to say from the outset that I used to think the whole "inner child" thing was a bunch of psychobabble nonsense. Then, I was confronted with some issues in my life that proved me wrong. As is my wont, I immediately began to research "inner child work" and to do some. This book was the most helpful of all that I read. The author talks about the importance of integrating the "child" inside all of us with the "adult" -- bringing the emotional side of our lives into contact with the rational side. I can honestly say that following this author's suggestions has had a huge, positive impact on my life.

Margie Paul's Inner Bonding concepts and theory is a difficult BUT worthwhile journey. You've got to learn to love the one you're with AND that one is YOU! Don't let the Inner Child and Loving Adult throw you off, keep at it, it works!

As both a clinical therapist, and a person searching for continued growth-I found this book easy to read, insighful and applicable to real life situations. I read a lot of books, and this was one of the better ones.

I first noticed this book during the time that I spent at UC Berkeley as an undergraduate applied mathematics major. It was being used for Stat 101, and though I was not taking that course, I bought it because it looked even from casual inspection to be very well laid out, covering important and interesting issues in basic probability.

The strongest feature of this book from my point of view is its conciseness. Much is presented in as short a time as possible, and because of that the book is much more readable than many others of its level. In addition to conciseness, the authors (in my edition Hoel, Port, and Stone) have made a commendable effort to present the reader with clear and concrete definitions, compact theorems (many proven), and abundant useful examples. In the back of the book nearly all of the solutions of the chapter exercises are given, unlike many books where answers to only the odd problems are given. I believe that this book is ideal for self-study, and that much use of it could also be made as a textbook for an undergraduate course in probability. The exercises are not very difficult, but they are by no means trivial, and much can be learned from them. At the end of a close study of this book the reader would be ready to enter into a program of undergraduate level mathematical statistics, or into a further study of probability with the confidence inspired by a firm understanding of the most fundamental and key concepts in probability theory.

This was the book used in the standard upper-division probability course at UC Berkeley when I took it 18 years ago. In my opinion it is still the best. I have since taught the subject myself and was forced to use other books, with many more pages and fancy pictures than Hoel's book. Yet those books do not do anywhere near as good a job of teaching probabilistic *thinking* as well as Hoel. This is what causes the most problems for students of probability, and Hoel does it the right way in Chapters 1 and 2, which are key. The basic explanations are clear and concise, with many instructive examples.

My professor back then told us that if we want to learn probability, then do every exercise in this book. She was absolutely right. The exercises are excellent. Do them, and you will learn a lot.

This used to be *the* book on elementary calculus-based probability theory at most universities. I don't understand why it seems to have fallen out of favor. Perhaps because of its size (it is fairly compact, as it should be) and age, though I fear that it may be because it is a bit more demanding (but worth it) than many of the newer books.

This classical text is complete and detailed. I'm an undergraduate and used the book after acquiring the basics of multiple integration as an introduction to the calculus of probability. Plenty of exercises (answers provided) which not only help you understanding the theory but are also complementary to the text. (This is a "non-measure" text on probability theory.) Well written!!!! (see also Hoel at al., 'Int. to Stochastic Processes', and Taylor, 'An Int. to Measure and Probability',(Springer-Verlag)).

Fine stories of men's world
By ERIC MILES WILLIAMSON

ISLANDS, WOMEN, AND GOD.
By Paul Ruffin.
Browder Springs, $24.95 hardcover,
$16.95 paperback.

PAUL Ruffin, poet, short-story writer and professor at Sam Houston State University in Huntsville, writes about Texas and the Gulf Coast so well that his new story collection is likely to define the literary territory for many years to come.

The 17 stories in the collection are about common people, folks from Texas and Mississippi who live quiet and humble lives -- factory workers, farmers, fishermen, husbands and wives and youngsters and oldsters. Although the characters are common people, the book is not. These stories are masterful, every line honed and tight and true, the sentences spoken by the characters in phrases we've often before heard but never before seen on the page.

Ruffin's work has been compared with that of William Faulkner and Flannery O'Connor, but his stories are not derivative. Rather, they're part of the new wave of Southern fiction generally and Texas fiction specifically, a wave that includes Southerners such as Barry Hannah, Padgett Powell, Chris Offutt and Charlie Smith, and Texas writers such as Glenn Blake and Tracy Daugherty. Not insignificantly, Ruffin occasionally pays tribute to Cormac McCarthy, a Southerner-turned-Texan like Ruffin himself.

Islands, Women, and God is a man's book about the world of men. The stories center on the conflicts inherent in the stifled, brutal and often senseless world of masculinity.

Manhunt, the opening story, is about the apprehension of an escaped convict. The hunters of the convict are local men who normally spend their days selling cars and working for insurance companies, these otherwise calm men turned into bloodthirsty bigots and would-be killers, the manhunt a legal excuse to do what they would be doing were there not the constructs of "civil" society. Underpinning our culture is a violence that needs very little to turn supposedly peaceful family men into primordial beasts, Ruffin seems to say.

In Tattered Coat Upon a Stick, Ruffin writes of an aging man who, rather than live out his days in senility and helplessness, emasculated, chooses to return to the family property in the country and end his life properly and with dignity. His end is far from morbid or maudlin, but instead glorious and beautiful.

Interloper relates the tale of a family man who discovers a burglar in his house and takes care of him. Just before the protagonist of the story meets the burglar, Ruffin writes,

No, it is nothing that would warrant calling the police or awakening your wife, nothing to justify wrenching off a table leg and swinging it wildly through the dark. But it is more than simply nothing. So you must summon whatever resolve you are capable of and go down the stairs into the cold darkness of what a few hours earlier was your warm and well-lit den. You are in charge -- it is your house, your domain, and while your wife and children sleep you must stand watch if there is a threat. This is the law. A very old one.

When Ruffin's men pop, when their natures surface, he is there with some of the most perceptive and powerful observations in American literature, or any literature for that matter.

One of the best stories in the collection, The Sign, shows the brutality of father to son and son to father. At the beginning of the story we find a description of the father beating his son:

"I will beat your skin off, boy. You hold still." And the belt came down time and time again on his back, lapping around his protruding ribs like a devil's tongue, then curling about his legs, snapping until all the feeling went away and there was only sound, only sound -- and he could feel the warm of his blood trailing down from the welts, seeking its way, gathering and dripping. He stood like something carved of wax, not feeling the belt but feeling the blood. He would not cry. He clenched his eyes and teeth, but he would not cry.

The story centers on the father's wedding anniversary and a family reunion. The son returns home for only the second time in 40 years for the event. The father is dying of cancer, and the son exacts his revenge in spectacular and appropriate fashion, not by killing the father but by doing something far worse and more enduring.

The title and final story of the collection, Islands, Women, and God, is about a man named Ray who fakes his own death and deserts his wife and children to live on the barrier islands of the Gulf Coast. He is discovered by a former co-worker and friend, and the story gives occasion for Ruffin to present a sad and unfortunately viable solution to the condition of men: solitude and atavism, regression into an animal state in nature. Ray says, "I'm in harmony, man, with this island, with this Gulf. I got everything I need out here to live, and everything's in balance." Later he explains that every man is called to this state of being:

"It comes for every man. ... Every man. Only most don't know what they're seeing or feeling, or they don't know what to do about it. I'm telling you, Roger, an old man over there [in society] is, as Yeats says, just a scarecrow. Out here he's more. He's everything. He's a skull full of lightning. He's -- he's God, or he's soon going to be, because God is all of this."

We leave the book with Ray on his island and Roger back in civilization, longing to be living on an island of his own, afraid to do so yet wanting to do so.

Islands, Women, and God is an astonishing book. Every page is beautifully written, splendidly rendered and bold. Where weaker writers grow timid and shrivel, Ruffin burrows deep into truths we know but don't admit to knowing. In a time when American writers seem to strive to either shock or soothe, Ruffin instead gives us an honest vision of what lies beneath the veneer of manners and society. He is a master of language and a peerless teller of tales, and he will surely be known as one of the best writers of his generation.

Eric Miles Williamson is the author of the novel East Bay Grease and a graduate of the University of Houston's Creative Writing Program. He lives in Missouri and is at work on his second novel.

Islands, Women, and God. By Paul Ruffin. In Islands, Women, and God, Paul Ruffin returns to the Alabama, Mississippi and Texas regions he rendered so memorable in his 1993 critically acclaimed short story collection The Man Who Would Be God. They are tales of passion, suspense, violence, racial injustice, renewal, and the inexorable human quest for meaning and identity, laced with flashes of humor. Ruffin's ear for dialogue is impeccable, and his narratives are ripped, pulsing and breathing, from the unmistakable fabric of reality. The author wastes no time engaging the reader's attention. On page one of "Manhunt," the first story of section I, in searing prose pungent as the smell of burning flesh, Ruffin drops his reader deep into the pit of human violence. "The Pond" features Gerald Roper, an aging man who trespasses across Mr. Earl Palmer's pasture to fish in an artesian-fed fishpond. During his fishing expedition, Roper snags a great white thing rolling "like a dumpling in oil as the hook pulled loose and the bobber whistled past his head and clattered onto the gravel behind him, and two eyeless sockets in a white face, cradled by trembling reeds, looked right past him toward the ghostly moon." Next the reader finds Roper questioned by a deputy to whom he has gone to confess his shocking finding. Though the deputy, after viewing the "catch" and recognizing what it is, tries to convince Roper he's hooked a pig, Roper adamantly insists that what he snagged was the bloated body of his former mistress. Among the male protagonists of the other stories in section I are Mr. Turner of "Tattered Coat Upon a Stick," who, terminally ill, returns to his beloved Texas hill country to face his own death; Johnny of "The Sign," who, brutally physically abused during his childhood by his father, returns to his home after a lengthy absence and exacts his sweet revenge; the two graduate students of "Corn-Silver" who are hilariously duped by an illiterate, white-trash kid; and Buddy of "The Dog," a tragic figure who, in saving a dog caught up in a trotline, has his nose bitten off by the very beast whose life he saves, only to end up so monstrous in appearance he's abandoned even by his wife and kids, assuming a huge and dark presence "like some kind of old imagined or remembered sin." "The Dog," tragic though it is, is balanced with a moment of hilarity characteristic of Ruffin's brilliant humor. In section II, "woman" takes center stage: woman as "Nature," the mirror of mortality, the instrument of renewal, and seducer. Ruffin bares the hearts and minds of his female characters with a dispassionate clarity reminiscent of the late Eudora Welty. In "Peaches," one of the most sensual stories in the collection, a white woman misinterprets the remark of a black man who tells her that she has "nice peaches." She and her husband, Murle, are peach orchard keepers, and sell peaches in cardboard boxes by the road. Having packed his pistol and journeyed deep into the woods to the black man's cabin to address the presumed insult, he finds him on his porch steps fondling the exposed breasts of his lover. She sees Murle and rushes inside their shack, standing just inside the doorway. Upon repeated questioning by Murle as to what he meant when he said Sally had "nice peaches," Cliff insistently assures him he was only referring to the actual peaches they were selling. Meanwhile, Cliff's lover, realizing his trouble with the white man, seduces him and relieves Murle of his frustration. During the intimacy which ensues, Murle overhears an animal shrieking in the barn. She assures him that it's "just that mule," and that Cliff will stay in the barn until they're finished. Later, after Murle receives the sexual fulfillment he's so long desired, he changes his demeanor toward Cliff completely, feeling like they're friends or brothers. The "gods" revealed in the collection are as multifarious as the men and women who turn to them in their hours of darkness. There's the Great Spirit of the Kiowa in "Tattered Coat Upon a Stick;" the wrathful God of "The Sign;" the jealous God of "Peaches;" the comforting God Buddy turned to in his huge and dark loneliness; and the God of Nature of "The Drought," "April Treason" and "Islands, Women, and God." In many ways, "Islands, Women, and God," the final and title story of the collection, is a brilliant summation of the men and women who dominate the stories preceding it. Ray, the story's protagonist, fakes his death at sea to live out the rest of his life alone on a barrier island off the coast of Mississippi. Philosophizing with his friend, Roger, who "finds" him but swears to keep the find a secret between the two of them so Ray's wife can collect his life insurance, Ray says: "About women. I'm gon' tell you something else about women, some more gospel, long's I got your attention. Women are a hell of a lot closer to the center of things than men are or ever were. They're closer to the Godhead. Women are Nature. Like this island. Man, they got dark currents in them, deeper than ours run, and their bodies and minds are a great mystery, which is why men will never understand'm. They're in synch with the motion of the universe. Men are just dreams, or worse, just half dreams, but women are real. Men look for the reasons, but women are the Reason." With his second collection of stories, Ruffin makes another significant contribution to Southern and American letters. In spare, muscular prose seamless as a tendril of kudzu, Ruffin probes, with haunting insight, the light, darkness and yearning of the human heart. --Larry D. Thomas, author of Amazing Grace

Islands, Women, and God, Stories by Paul Ruffin. Browder Springs Press, 2001. 237 pp. These seventeen stories play themselves out in the Deep South, East Texas, and West Texas, three areas as dissimilar--in geography, social mores, and philosophy--as, say, Iceland, Bolivia, and Ethiopia. And while Paul Ruffin does employ his considerable skill to give vivid descriptions of these places, his poet's eye and voice and heart focuses tighter and truer on his characters, who, as credible characters must be, are spit-polished mirrors of people everywhere. And what a parade of individuals he sends forth. There's Sam, who undertakes, with a tunnel vision worthy of Ahab, to capture an enormous manta ray in "Devilfish". And Mitchell, in "Tattered Coat Upon a Stick", who wants nothing more than to have his ashes scattered among the mesquite bushes and rocks of the place where he grew up, rather than end up planted in the upscale, manicured cemetery that his children insist upon. And Loretta, perhaps the most haunting of the bunch, who uses the only tool at her disposal to save her husband in "Peaches." Loretta, who is black, has to make her unique sacrifice in the unrelenting era of racial inequality. A young insurance salesman, in "Manhunt", must make his among kudzu-draped backwoods. In "The Interloper", a husband and father must seek out something in the dark rather than lose his family to it, and characters in two of the tales choose to face their final darkness on their own terms. Sacrifice and reconciliation abound. Several of the stories chip away at the old, hard strata of established society in their various settings, and prejudice and cruelty and pomposity are served up in equal measure with love and trust and devotion. In "Corn Silver", a haughty graduate student is duped by an ignorant boy; in "The Sign," a middle aged man whose greatest accomplishment was to move permanently away from his harsh, Mississippi delta upbringing must go back to finally confront it. They were his people only in biological fact. From the eldest to the ones in diapers, they were an illiterate lot, mostly day laborers, fundamentalist in their worship and ultra-conservative in whatever politics they followed. If evolution had had a hand in improving the line over the decades, he could not imagine what they must have been like a century before - he doubted that the generations had witnessed much more than a gradual separation of forehead from cheekbones and thinning of hair from the backs and shoulders of the males. And on and on, in trailer parks, at fishing holes, on wide front porches of bourbon swilling lawyers, the themes of facing death, and, perhaps more importantly, facing life, weave their way through. And it is refreshing to read a writer who chooses not to veil his work in deep symbolism and puzzling time shifts. Every offering in Islands, Women, and God is told carefully and beautifully and forthrightly. Like the works of O'Conner and Welty, they don't have be worked at, but simply enjoyed. Whether the situations are humorous--especially when the author's letter perfect use of regional dialect runs rampant--or intense, or sad, the characters ring always true, and might just be the lady you find yourself standing behind in a grocery line. The man leaning over his bacon and eggs down the counter. The little boy not paying attention two pews up. There's a comfort level that comes with recognizing folks--be they lovable or detestable or anywhere in between--and it is as beneficial when reading good fiction as it is when stepping into a crowded room. Some reviewers have said that Ruffin is at his best when writing about fishing, a pursuit that he loves, and is good at. He's managed to work it into his poems and stories countless times and, I agree, it makes for fine reading. But I hold that he shines brightest when dealing with average people facing the daily dilemmas that life and fate just plop down in their paths. In "Drought", a couple of city dwellers have sunk all of their savings into a farm, only to be dealt a stunning setback by nature. In bed that night they listen as frogs and crickets drum and chirp around the ponds and down along the creek. The air is fresh smelling, almost cool. They lie across the bed with their heads at the open window. "I suppose," he says, "that we'll get over this." "Oh, yes, we always do." "Still, wouldn't it be good just once to get something without having to give something up?" "Somehow," she says, "it usually seems to work that way." And it usually does. In stories and in everyday life. Facing each day as it comes. Giving things up. Getting over something. And Ruffin chronicles the delicate dance nicely. In "The Pond", an old man has fallen hopelessly, headlong in love. There were times when but for the fact that he had not a dram of creative blood in him he would have gotten up and written her a poem, so deep was his passion for her. Such is the depth of Paul Ruffin's passion for the ongoing drama of living. And the reader benefits greatly from the fact that his creativity far surpasses a dram. --Ron Rozelle, author of Into That Good Night, The Windows of Heaven, and A Place Apart

I wasn't sure what to expect when i bought this book - after all the title does seem a little generic and it is a pretty small book, but i was pleasantly surprised. Varley's style is incredibly terse yet still very accessible. He deals with Japanese culture chronologically, giving the reader a clear picture of the state of the country at the time any major cultural events took place, although avoiding any unecessarily long forays into the history of Japan which do not relate to cultural happenings. Overall, an extremely diverse and useful introduction to Japanese culture which could provide a thorough grounding in the subject prior to further study, or equally serve as a useful reference book to anyone with a casual interest in the culture of Japan

This book is fantastic for a thorough introduction to Japanese culture. It was a pleasure to read. This was the textbook used for my Japanese Life and Culture university class, and I was extremely pleased with it. Varley's writing style is straightforward and extremely interesting. What I especially liked about the book was its mixture of history and all aspects of Japanese culture, from the literature to the art to the religions. I can't recommend this book highly enough for anyone interested in learning about Japanese culture.

This is an outstanding text, the best I have encountered in its straightforward writing style and depth of information.

This is another book in the American Girls series about Josefina Montoya, a ten-year-old girl living in the New Mexico of 1824. In this book, Josefina and her sisters prepare for Christmas, a grand celebration in New Mexico, made all the more special by the towns use of the Christmas altar cloth made by Josefina's late mother. However, when the altar cloth is brought it, they find out that the flood (Josefina Learns a Lesson) damaged the cloth. The girls rally round to fix the cloth...and perhaps fix themselves at the same time.

The final chapter of this wonderful book is a highly informative look at Christmas in New Mexico in 1824. Jean-Paul Tibbles' excellent illustrations complement the story nicely, and add a great deal to the joy of reading this book.

This is a wonderful story, with some excellent lessons. I liked the way the family pulled together, and worked hard towards something beyond themselves. Also, I like how the family's religion is worked into the book in a warm and inspiring way. This is another excellent American Girls book, one that my daughter and I recommend to you.

In this book Josefina gets to be Maria in the Christmas play. She has a happy Christmas.

Josefina Montoya is a nine-year-old girl growing up on her family's rancho near Santa Fe, New Mexico, in 1824. Mama died last year, and since then, life for Josefina, her father, and her older sisters, Ana, Clara, and Francisca. Even though things have been better since Mama's sister, Tia Dolores, came to help out, the Montoyas still grieve. Josefina feels that celebrating the Christmas traditions will make her miss Mama more - but they bring her peace and happiness. And one special night gives Josefina courage and hope for the future, and brings Josefina an unexpected gift. This book was very good and I learned a lot about the traditions of Mexican families living on the Southwest frontier in the 1820s.

My (10 year old) daughter got interested in '20,000 leagues' after reading the "Wishbone" version (go ahead and laugh). I went searching for the real thing to read with her, and came across this edition. With all of the missing content recovered, plus the annotations to fill in all sorts of additional information, the result is fascinating for adult readers. If you read the usual (butchered) version as a kid, you really owe yourself this one. All of the critiques of Verne over the years that tried to belittle his knowledge of science turn out to have been based on translations that whacked out what Verne really said -- they thought it was too dry and boring. Reading what he really said, plus the extensive footnotes that describe the state of knowledge at the time, make Verne's brilliance tripling astonishing. Just consider that he wrote about the Nautilus at a time when the Hunley was the state of the art!

One of the great problems with Jules Verne is that in the English speaking world he is relagated to the category of "Boys' Own Adventures". On the Continent, however, he is considered a brilliant social commentator, and biting satirist, AND a man who predicted the future. This is a volume that helps set matters to the right.

If you know of "20,000 Leagues" already, you will find little different at first. The plot is still the plot. Nemo is still Nemo, Prof. Aronnax is still pompous and fascinated by the Nautilus and Ned Land....

Ned Land is a flaming socialist.

This is one of the major shifts between the original French and the "cleaned up" English editions. Most of the science of the day was pulled out as a "dull read" and all the Socialism, anti-English remarks, and other commentaries of a "questionable nature" were excised. We Americans have unfortunately been until only very recently only able to find these poor early translations, or translations based on these poor translations. There is much more to Verne than submarines and diving suits. He is a man with a vision of his times, both scientific and political, and his books underline this strongly.

English readers, demand your Verne well-translated! Do not allow yourself to be fobbed off with bowlderized versions! To be able to read as he wrote himself (well, in English, for those of us who don't read French...) is a greater pleasure than merely an amusing old science-fiction story from the 19th century. Reading this book, as Verne /meant/ it to be read, if a pleasure, but also a struggle to understand ourselves and our relationship to the oceans themselves.

The best translation in English. Satisfies the intellect and imagination. Translated to show the truly beautiful qualities of Verne's writing that no other version can equal. The adventure comes alive by not omitting the breadth and depth of Verne's aesthetic ability originally entrenched within this masterpiece.

This book discusses key post-Soviet archival discoveries and discusses a critical historical issue -- the COORDINATION OF THE GESTAPO AND NKVD in liquidating the Polish elites as part of the 1939 Pact and invasion. That was more than enough to get me intrigued enough to buy this book. There's a lot more that I learned from the author's research -- even as an analyst in this field (former, now with the Cold War over).

The world still knows very little about the Katyn Massacre, and until recently many people believed that the massacre had been committed by the Germans, so effective was the propaganda machine of the Soviet Union and its supporters and collaborators the worldover. Today we know the truth. The other major event was Great Ukrainian Famine of 1932-33, instituted by Stalin and the communist regime, which the Soviet government was able to keep hidden for decades, and which is only now beginning to be acknowledged.

Yes. The Katyn massacre is a grim reminder of what the Soviet Union and its supporters and sympathizers were all about. Like the Great Ukrainian Famine of 1932-33, the Katyn Massacre has been kept hidden by the Soviet Union until its disintegration. Both are still not widely known - unlike the Jewish Holocaust. Far too little information has been brought to light on either subject. More needs to be done. "Katyn" is a must book for those who want to understand the brutality of the former Soviet Union.

This book is well organized. It lays out the options together with the pros and cons. It seems to cover the major areas and issues in phiosophy. It's written as a textbook for use in introductory courses in christian schools. I highly recommend it for any christian wanting a survey of the problems and issues in philosophy.

Even though this book is written as a textbook, I found it very useful. The first chapter shows the reader what philosophy is about and its value. Of particular note, is the half page section titled, "The Christian Challenge." Here the authors state their position on the relationship between Christianity and philosophy:

"Christianity can stand up to the intellectual challenge mounted against it. The result of such a challenge should not be the loss of faith, but the priceless possession of a well-reasoned and mature faith." (page 22)

Before the authors embark on the specific fields of philosophy, a quick sketch is provided of some of the major fields (e.g. ethics, political philosophy, and logic) and the tools of philosophy. This discussion of logic and argumentation includes induction vs. deduction, the existential method, the phenomenological method and the analytic method.

Two of the most important chapters for the new philosopher are, "The Tools of Philosophy," and, "The Challenge of Philosophy." The Tools chapter is a discussion of how arguments are constructed and how to evaluate them. The Challenge chapter discusses the goals of philosophy and the role the philosophy plays for the Christian (including "The Biblical Basis for Christian Philosophy")

Following this are Parts that focus on the main branches of philosophy:
Epistemology (What is Knowledge? How can we know?)
Metaphysics (What is reality? Is man free? Does man survive death?)
Philosophy of Religion (Does God exist? The Problem of Evil)
Ethics (What is the right? Is the Right Universal? Do Moral Duties ever conflict?)

The authors general approach is to explain a view point, explain its supporting arguments and then the criticism that have been laid against it. Occasionally, the authors include an explicitly Christian viewpoint that incorporates all the previous views into one comprehensive whole.

The best example in the book of a Christian synthesis is the chapter entitled, "What is the Right?" In this chapter, the authors construct a Christian definition for the right, that is both philosophically sophisticated and true to the Bible. This discussion explains how the Christian definition depends on general revelation (i.e. natural law) and special revelation (i.e. the Bible).

Two other chapters stand out as well, "Does God exist?" and, "The Problem of Evil." In the, "Does God exist," chapter, the authors evaluate atheism (the view that God does not exist), agnosticism (the view that God's existence is unknown or unknowable) and theism (the view that God exists). Readers of Geisler's other works (notably Christian Apologetics and the Baker Encyclopedia of Christian Apologetics) will recognize Geisler's superb arguments. He puts all the arguments in a clear, precise form, which makes the arguments easier to analyze. The chapter concludes with the following heading, "We have sufficient reason to believe in God."

"The Problem of Evil," chapter follows the typical example of explaining the differing viewpoints and evaluating them but it also includes the precise, step-by-step formulation that makes complex arguments accessible. From both of these chapters, it is clear that the only real argument that atheism can muster against theism is the argument from evil. But, after reading this chapter and reading other excellent Christian philosophers like William Lane Craig, it becomes obvious that this objection has been refuted.

The authors include a glossary, which provides quick definitions for terms such as: Logic, non sequitur, theism, accident, antinomy, deontology etc... There is also an index.

My only serious criticism of the book is similar to what I wrote about Geisler's "Christian Apologetics." At the end of every chapter, the authors list, "Suggested Readings." However, these are almost always primary readings (e.g. Plato, Kant etc...) or from books that are out of print. It would be helpful if the authors had included more contemporary books. Lastly, the lack of an annotated bibliography is noted.

Comprehensive Introduction

As can be seen from a previous reviewer's reproduction of the table of contents, this book is a fairly comprehensive introduction to the subject of philosophy.

To further your education on the topics presented in this book, I recommend "Metaphysics," "Epistemology," "Ethics," and "Philosophy of Religion" from the Contours of Christian Philosophy series....Vincent Cheung's "On Good and Evil" is also highly recommended.