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Naturally, the book reflects the author's interests and preferences, although these are never presented as truths above debate. In fact, Wolff reveals his willingness to revise his own traditional, Western preferences for rationality-based theoretical constructs devised (virtually solely) by those of the male gender. Objectivity, too, comes up for careful scrutiny and, ultimately, rejection as an appropriate property of an acceptable philosophical theory.
In the end, About Philosophy is both a highly personal, and yet, a highly accurate documentation of 2500 years of philosophical speculation and research. Its faults may include that, in spite of its thoroughness and clarity, it does not summarize the views of every philosopher and movement in the Western tradition. No volume, introductory or not, could accomplish this, but the ideas selected by Wolff are clearly among the
germinal springboards for the entirety of Western Civilization.
It's mainly useful for recording certain facts surrounding the 1990 election and for a largely positive spin -- in a superficial and biased view -- of Paul Wellstone.
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It's so hard to determine what the author had in mind. Certainly not the music of this duo. She spends more time on a plot synopsis of an Art Garfunkle movie than she does IN TOTAL on the creative process of the duo's groundbreaking albums. How they made their records, how the songs were created, life on the road - very little on their art is discussed. That seems not to be important to this amateur author.
Since she had such access to Garfunkle, that must be why the focus is on Artie-minutia (and then she should have called it that!). But if one wants insight into the actual career of this duo, to learn about their music, their muse and their legend...look elsewhere. Lord knows where that is...
It's a fast read, and a fun one, but the book isn't perfect. A good editor could have straightened this book out.
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The only problem with this book is that every piece of information can be gathered from MSDN.
If you are not sure what VBA is, or how you can use other Microsoft Products in you Visual Basic projects, then get this book. It will be a real eye-opener.
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In whole he forgets to describe (providing he saw any) women or children and their role in the whole system of religion in Moroco.
Thus, if read as an ethnography, the book is very faulty.
Questions of finding the outsider's insider (someone enough on the fringes to be willing to take you under their wing, but not so much that they don't have a good in-road into their own culture), of the purity of research (did you have to pay these people before they'd bother to talk to you? Were they expecting payment based on relations with other enthnographers?), and how much one can really understand a culture just by sitting a watching it (as opposed to participating, which threatens objectivity) are the issues Rabinow faced, and what he wrote about.
"Reflections on Fieldwork in Morocco" is just that, memoirs on the process of the research itself, not Rabinow's findings. There are interesting comments on Rabinow's interactions with his insiders, but rarely the sort that could go into a standard academic tome. This answer to the delima of objectivity, splitting one's experiences into an official report and a journal of sorts, is one I'd like to see more of.
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This book is really good for those of us who just have some questions and want to be able to understand how things work a little better. After reading this book, I realize I have more to learn.
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I attended the Jack the Ripper Conference in April and chatted with Donald Rumbelow, author of "Jack the Ripper: The Complete Casebook," as well as other Ripperologists. Don is of the opinion that the Ripper was "John Smith" or "Joe Schmoe," definitely no one famous, and his identity will never be discovered. I tend to agree with him.
I would recommend this book for its entertainment value but not for actual Ripper information.
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