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To be fair, it's not always an easy read (there's a lot of theory and some math/physics to wade through), but it's worth the effort. I saw the difference in the next roll I shot. I only wish I had found this book a few years ago...
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The story itself is a twist on the "Connecticut Yankee in King Arthur's Court" idea. Though in this story, the modern man is taken into a fantastical world where magic works and the forces of Chaos are rallying to strike against the world of Law (humans). The modern man is Holger Carlsen, a Danish engineer who goes home to join the resistance in World War II. During a crucial fight against Nazis he loses consciousness and wakes up in a world where he is a great knight fighting on the side of Law (which equates to good in this book). Opposing him is an assortment of magical foes, and at his side is Hugi, the hill dwarf, and Alianora, the swan-may.
Carlsen, or Sir Holger as he is called in this fantasy world, approaches the magic around him with an engineer's eye. He reasons out the mechanics and laws governing certain aspects of the magical world, and identifies a couple of scientific reasons for the superstitions prevalent there. Though he wavers sometimes in the purity of his thoughts, he is the archetypical paladin, a good guy through and through. Soon after arriving in this fantasy world, he figures out what he must do and pursues that quest with unwavering sureness. The supporting characters are fairly well drawn out for such a short novel. It's a little hard to follow Hugi's brogue in the beginning, but you get used to it, so it doesn't really detract from the story.
Holger draws parallels between the magical world, with Law at war against Chaos, and our own, in his time at war against the Nazis. The causes for war are simplified in the fantasy world to the fact that Chaos more or less equates to evil, and Law is nearly synonymous with good. But Holger's quest remains the same: to defeat evil. A simplistic motivation, but it makes for a highly enjoyable story. In the tradition of Arthurian legend, Holger's quest takes him across the countryside, from adventure to adventure, meeting friends and enemies on the way. Because of its common themes, it can be enjoyed by readers of all ages.
If you give this book to any fantasy reader, it's sure to become one of their favorites.
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This is a good yarn. The narrator, Paul Weidekind, and his girlfriend Suleika are fishermen in North Eastern USA. Their apparently honest, hardworking life on the sea is turned upside down by the appearance on shore of someone for Weidekind's past who he thought he had left behind long ago. I don't want to detail the plot here as that would spoil it. Suffice to say this is a great thriller.
Watkins' own experience on a deep sea trawler in North Eastern USA have clearly lent to his detailed descriptions of a fishermans' life. Watkins' also chooses historical contexts in many of his novels, as this one does.
In short, I read this book in about two days. I recommend it wholeheartedly. You won't be disappointed.
This story packs just a little too much action into too small a space for me. Its pace is a bit frenetic. However, the depth of character and prose lyricism remains strong as in all Watkins' books.
To give you an idea, before the story even opens, our hero, the East German Paul Wedekind has been a promising engineering student who has been recruited (coerced) by the secret police to spy on his friend, has served in Afghanistan, has been taken prisoner by the Afghans and has at last come to America as a spy for the Russians. Whew! And before dinner, too!.
But that's only the intro: the real story is about his work in America. The Cold War is over and he hopes he has been forgotten but that's overly optimistic. The adventure is grand and utterly amazing, but that's okay, because you love the story anyway.
His crisp and disciplined prose continues to delight me and I predict the day will come when folks quit comparing him to Hemingway and begin compariing Hemingway to him.
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Repairman Jack returns in another great story by F. Paul Wilson. This time he must get the best of a haunted house, as well as a mysterious and powerful group of thirteen men who sacrifice young children in order to achieve longevity. Jack also delves into the world of the psychics and their scams.
This is no doubt a gripping and sometime scary novel that will keep you riveted to its pages. The reason I didn't give it 5 stars was because of the editing. Being filled with quite a few errors, Guantlet Publications should be blamed for this.
Still highly recommended.
Jack is a great creation, sort of the Equalizer crossed with the X-Files, and if you haven't experienced this series yet, you owe it to yourself to seek it out (other titles are _The Tomb_, _Legacies_, _Conspiracies_, _All the Rage_, and _Hosts_).
I fully understand why there is a discomforture with the evolution of Jack from a force for mindless vengence, to a fully fleshed out character confronting choices and responsibilities, I am happy to see this character involved in a mature relationship and friendships that defy convention.
Like Joe Landsdale, Wilson is far too good a writer to be tied down to the cliches of male oriented pulp adventure, and the Repairman Jack series is always full of wonderful surprises.
Not surprisingly, the introduction of Lyle and Charlie, who bust every stereotype in their dialogue on skepticism vs. belief and their overly decency, makes one hope they become part of the RJ ensemble of players.
This book is totally delightful, funny, smart, and action packed.
And it is smart...about people, ideas, and the unknown.
A great treat, and fast read....dispite the the print size.
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The first few chapters recount Orwell's experience in a working-class boarding house and then underground with coal miners...and they are fascinating. Orwell's deft talent for recounting the subtle is well demonstrated in these compelling and often hilarious early chapters...
and then it happens.
Orwell's insights into class distiction are well known, and way too often shared, especially here. Orwell cheaps out by prattling on about why he thinks no one really wants true socialism and blah, blah, blah.
Even cheaper(!), Orwell constantly references already written works to demonstrate his point. So much so, that any reader would be vastly better off reading Orwell's fabulous semi-biographical "Down and Out in Paris and London" instead.
If you decided to read this book, I think you can guiltlessly toss it aside after the coal mining recallections.
The second half of the book is a long argument by Orwell of the negative aspects of socialism. He does this in order to provoke a serious discussion over how socialism can be implemented in our society. He understood well, as demonstrated in 1984, that many political parties use propaganda as a means of convincing the public that theirs is the right way. But, by taking the opposing view and criticising his own beliefs, he is able to bring the issues of the party into an open forum to consider implementations of change rather than party rhetoric. He does this most sincerely and in no way tries to hide the faults of the socialist political system of thought. In doing so he proves himself to be quite dignified in his system of beliefs. The juxtaposition of these two sections provides a striking idea of the immediate need for political reformation. He did not need to defend socialism because the need for a political change that could effect the lives of the lower class he investigated was obvious. This showed that Orwell's political ideas didn't exist on some ideological utopian plain, but were firmly rooted in the immense danger a political system could inflict upon a large population. It would be wise to remember this in reading the more popular 1984 and Animal Farm as well.
This book is compelling not just for people interested in politics, but also for anyone interested in history and the human condition. It is something you will be able to learn much from and provide you with inspiration.
I've thought about Road to Wigan Pier many times in the intervening years, and I just recently re-read it. It is still just as powerful and despairing. The non-fiction beats the fiction any day. I have an insig! ! htful teacher to thank for recommending this book.
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I find it stimulating and useful to have these two pieces, linked in theme but separated by centuries, together in one volume. Each is a great text on its own, but having them together may help the reader to see each piece in a different light. One of the things I find most striking as one moves from R&J to WSS is how the latter text adds the element of ethnic tension to the fundamental story of "star-crossed lovers."
R&J is more than just a classic piece of literature; it's also a touchstone of pop culture (hey, it's even been incorporated into a "Brady Bunch" episode!). Despite the passage of centuries, I find Shakespeare's portrayal of the joy and pain of forbidden love to remain relevant and compelling. And R&J holds up as a reader's text, even with the availability of filmed versions. I think that WSS, being a musical play, naturally loses some impact as a text strictly on the page, but nevertheless I found it a rewarding reader's text also. One might try listening to a CD of WSS's songs as an accompaniment to reading the text.
To supplement WSS's portrayal of urban Puerto Ricans, I recommend that interested readers seek out some writings by "Nuyorican" authors; to start with, try Roberto Santiago's illuminating anthology "Boricuas: Influential Puerto Rican Writings."
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They concentrate on the size of light sources, the types of reflections produced by various subjects, and how to manage those reflections in a way that will add significant elements to your technique.
The discussions about lighting glass alone are worth the price of the book.
After you have read it, you will be seeing and using new knowledge both on the street and in the studio.
Their sections on electronic flash need to be updated to include modern TTL systems and upper end flash meters, but there is a lot of good information about using flashes.
It is important to [photograph] their examples for yourself to learn the techniques. The time will be well-invested.