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What Stern does is look at a variety of ways that people break through the wall (originating in the rejection of the child's emotional life by the parent) that blocks them from their feelings. One such way is psychosis, where the blocked feelings pour out in a psychotic break, so intense that it seems to come from someone else. Another person may resort to violence: in the midst of a barroom fight, an intense emotional attachment, or an experience of vividness of life may emerge, whereas at other times life reverts to the black-and-white tedium of emotional deadness. Others may use LSD to break through this wall and feel more vivid aliveness.
Stern explores how these, and other, forms of madness may actually be beneficial, a way in which the unconscious is forcing the conscious mind to acknowledge and deal with these hidden, rejected and lost feelings. It is a remarkable and novel way of looking at the inner emotional terrain and "solutions" the psyche uses to solve this particular type of problem.
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In an age of self-vaunted and pretentious autobiographies and personnal essays Mr. Moser's writing is a uniquely refreshing departure that is immenently cogent, down-to-earth, humoress at times, and sprinkled with wit that has endeared him to readers, and collectors of art and fine press books from his Pennyroyal Press imprints such as the Alice books, Frankenstein, The Wizard of Oz and his most recent magnum opus The Pennyroyal /Caxton Bible complete with over two hundred engraved prints illustrate painted speech at its best.
The array of subjects and incidents discussed by the author in his book have touches of Goethe, old Huck himself, and James Thurber with an emphasis on life's daily affairs and an honest sharing of the creative output of others whom have provided sources of inspiration and introspection in his work,
The publisher, David Godine, has again given us a fine publication for everyman.
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The books in which she incorporates her theatre background would stand out for that reason alone, (to me, at least) even if they didn't possess all the other star qualities necessary to produce a first-rate, entertaining book.
This quirky book is no exception, with former stage director Gillian Clifford, now a theatre-museum director, as the main protagonist. In her younger days, she had been married, all-too-briefly, to Stuart Decker, younger brother of the renowned venture capitalist Raymond. Stuart was the victim of a hit-and-run driver. The male Deckers, along with twin sisters, Michelle and Annette, comprise the current generation of a Boston family, which will immediately bring to mind other noted New England families, in more than one respect.
Raymond and his wife Connie, had one son, Theo; Annette, married to Tom Henry, a son, Ike; Michelle, married to Rob Kurland, Raymond's partner, had two sons, Bobby and Joel. Uncle Oscar and Aunt Elinor Ferguson had a daughter, Lynn. Theo had been the first to die, some years earlier, during a botched kidnapping attempt. But now, just in the last three months, Ike, Bobby and Lynn had all died, too, in apparent accidents. The final death was Raymond himself, in a fire at his home on Martha's Vineyard. "Whom the gods smile upon . . ."
While reading her Chicago newspaper, Gillian stumbles over the death notice for Raymond, and is compelled to travel to Boston, to re-visit the family of which she was once a member. The family, however, thinks differently. Once a Decker, always a Decker. In many more ways than one, it would appear.
Connie thinks Raymond was murdered, and in a short time, convinces Gillian to agree with her. From then on, it's no holds barred, as Gillian allies herself first with one, then another of the Deckers to get to the bottom of this murderous marry-go-round. Delicious!
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