List price: $19.95 (that's 30% off!)
I started out by nestling with the book into our oversized, down-filled sofa - and ended up traveling through one of the best reads of my life. Several times, I startled my husband with cries of "No kidding...Wow...I didn't know that...Ohmigod..." as I discovered new places in the hearts of my favorite authors. And delved into the lives of others I knew little about.
Literary Trips probes into the past, yet is formatted for the present. We're all used to reading in chunks now - short, self-contained sections that are complete, independent modules. And this book is totally "today" in that respect. Each chapter, written by a different person, is a complete story - gift-wrapped with its own special signature. Each has its own flavor, its own style, its own finds. Every writer has unearthed amusing tidbits and lively tales that add richness and depth to well researched and beautifully written prose.
The book is also an excellent travel guide for following in those famous footsteps. Each module contains a practical reference section listing hotels and other stomping grounds of famous feet ("Literary Sites"; "Literary Sleeps"). Each section also describes how to get to those grounds and provides useful tips and background information.
My favorite parts are the little surprises throughout. For example, did you know that: §Hemingway dedicated his Nobel Prize for literature to the patron saint of the basilica in Santiago de Cuba? § Ian Fleming wrote the James Bond novels at Goldeneye, his home in Jamaica, and named 007 after the local author of a book on birds? §When Ayn Rand was writing Atlas Shrugged, which took 12 years, she didn't leave her apartment for an entire month?
Another of the book's delightful dimensions is a smattering of recipes that could form a menu for a literary memorial party. You could honor D.H. Lawrence with his dandelion wine; Hemingway with double daiquiris; Mistry with Dhansak; and Sinclair Lewis with his "Sinful Christmas Cookies".
I'm always looking for inspiration for my own writing, and Lit Trips provides it on many fronts. Much of it comes from seeing so many authors "under one cover" - an excellent way to compare styles, to link lives, to see how they made their magic. But I was no less inspired by the talent of the book's contributing writers.
Rabbit is concerned that Hedgehog will not miss or remember him during the long winter. Hedgehog plainly states that he won't miss Rabbit because he'll be sleeping. While Rabbit says he'll miss his friend, Hedgehog is bothered by the fact that he doesn't know what winter IS-he sleeps through it!
Hedgehog asks Rabbit to "save a bit of winter for me" and writes a note on the bark of a tree to help Rabbit remember. Problems arise when winter hits and Rabbit, who usually eats pink clover and green grass is reduced to eating brown things--including bark off trees with MESSAGES written on them!
Well, fortunately, while Rabbit may be scatterbrained, he remembers what Hedgehog wanted him to save, and manages, with a bit of forest ingenuity, to save some winter for his sleeping friend.
"A Little Bit of Winter" is a testament to friendship. The precise illustrations and depth of expression make the characters feel so very REAL, to children as well as adults. One can simply FEEL Rabbit's sadness and frustration at having to eat brown stuff, dig through mountains of snow AND be lonely on top of everything else. The joy both Hedgehog and Rabbit feel when spring comes and they get to be together again is infectious and radiant.
An excellent book, highly recommended. Even if you DON'T have children to give the book to, buy it and give it to YOURSELF.
List price: $19.95 (that's 30% off!)
A well done volume which goes beyond the basic repetitive kendo books which have been "done before". What a delight that this volume was finally reprinted! Enjoy!
List price: $49.95 (that's 30% off!)
Second, Verhaeghe provides a wide-ranging and well-argued cultural analysis of a number of fascinating questions that the reader might never have thought to ask--simply because our "culture" is, by definition, that which we take for granted. Why do we tell mother-in-law jokes? Why was Abraham asked to sacrifice his son Isaac? Why is the divorce rate so high? What do we fall in love? The answers are in Verhaeghe's book.
Third, the book answers the question, "What is living and what is dead in psychoanalysis?" One hundred years after the publication of Freud's "Interpretation of Dreams," what is still vital in psychoanalysis are the concepts of Freud and French analyst Jacques Lacan, upon which Verhaeghe draws. These concepts exert a explanatory power that goes far beyond facile "social science" answers to life's question. What is dead in psychoanalysis is a reading public familiar with those concepts--but Verhaeghe's book might help to change that. The book provides a kind of "introduction to psychoanalysis," but not the usual kind. Without jargon or tedious academic prose, Verhaeghe brings psychoanalytic concepts to life.
Fourth, "Love in a Time of Loneliness" provides the psychoanalytic and academic audience with a well-developed argument for the continuing relevance of psychoanalysis. The book challenges the traditional model of "applied psychoanalysis." Psychoanalysis is not something that can be "applied" to culture like icing on a cake. Psychoanlaysis takes on its importance at the structural level. Thus culture--in its many different flavors--is the "icing" that obscures the structural cake. Verhaeghe's book, with its structural emphasis, provides an example of the right way to do cultural studies.
Straightforward enough for laypeople, serious enough for scholars and psychoanalysts, "Love in a Time of Loneliness" is a book that should not be ignored. It deserves to be widely read and discussed.
Second, Verhaeghe provides a wide-ranging and well-argued cultural analysis of a number of fascinating questions that the reader might never have thought to ask--simply because our culture is, by definition, that which we take for granted. Why do we tell mother-in-law jokes? Why was Abraham asked to sacrifice his son Isaac? Why is the divorce rate so high? What is love? The answers are in Verhaeghe's book.
Third, the book answers the question, "What is living and what is dead in psychoanalysis?" One hundred years after the publication of Freud's "Interpretation of Dreams," what is still vital in psychoanalysis are the concepts of Freud and French analyst Jacques Lacan, upon which Verhaeghe draws. These concepts exert a explanatory power that goes far beyond facile "social science" answers to life's question. What is dead in psychoanalysis is a reading public familiar with psychoanalytic concepts--but Verhaeghe's book might help to change that. The book provides a kind of introduction to psychoanalysis, but not the usual kind. Without jargon or tedious academic prose, Verhaeghe brings psychoanalytic concepts to life.
Fourth, "Love in a Time of Loneliness" provides the psychoanalytic and academic audience with a well-developed argument for the continuing relevance of psychoanalysis. The book challenges the traditional model of "applied psychoanalysis." Psychoanalysis is not something that can be "applied" to culture like icing on a cake. Psychoanlaysis takes on its importance at the structural level. Thus culture--in its many different flavors--is the "icing" that covers the structural cake. Verhaeghe's book, with its emphasis on structure, provides an example of the right way to do cultural studies.
Straightforward enough for laypeople, serious enough for scholars and psychoanalysts, "Love in a Time of Loneliness" is a book that should not be ignored. It deserves to be widely read and discussed.
List price: $14.00 (that's 20% off!)
Paul's journey to understand how Jesus loved others is well written with a vulnerability and transparency that lets you know it's okay to be on the path of learning to know and understand God. It's an eternal path, and one that doesn't come easily. We have to set aside all of our preconceived notions about others, "crucify" the very voices of our inner being that cry out to be right, to be loved the most, not to be inconvenienced or misunderstood, and instead to love as Jesus loved.
If you want a good read and some insight into Jesus, you will want to read this book!
Scott Rassoulian, Brookine, MA.
Dr. Edward Deevy, North Andover, Massachusetts.
"Loving the Church" is a series of meditations on the Church given as a Lenten retreat(1966) to the Holy Father and his staff. The aim of the book(retreat) is to instill a more profound sense of Church(that's our reason for reading the book). I can imagine the difficulty of retaining a sense of mystery in the Church when such as a papal staff is unceasingly confronted with the practical, day to day, sometimes mundane requirements of a visibile and functioning organization. Yet the Church is fundamentally a mystery, founded in the mystery of Christ himself, human and divine. We are put into communion with this mystery through communion with Christ. I believe this to be a fundamental point for our author, Christoph Cardinal Schonborn.
Although the whole is always the sum of all its parts, two "chapters" alone are worth the price of the book. In "The Mysteries of the Life of Christ," Schonborn anchors us in God's plan for us; to be united to himself in the Son's humanity. That humanity, in Schonborn's view is "radically filial" not "sevile". By God's design we are to become "sons(daughters) in the Son". In the words of the Fathers of the Church, "divinized". For Schonborn becoming Church means, at its deepest level, this very participation in the Sonship of Jesus.
The other "chapter" which excels is "The Communion of Saints". Its key understanding is that "the Church does not come to an end at the threshold of death." In Christoph Schonborn's words, "She(the Church) is the communion of ALL who live in Christ." A more compelling explanation on the communion of saints than in this meditation will be hard to find anywhere.
A repeated emphasis found in "Loving the Church" is that our participation in the Mystery of the Church is reality and not theological theory. It is based on fact, the fact of the Incarnation of the very Son of God in the real womb of a very real woman approximately two thousand years ago, Mary.
Though I found the first part of the book a little slow. That may just be me or the fact that the Cardinal was preparing the ground, tilling the soil as it were. However, no one will come away from this book without having been abundantly enriched.
A must read!
The Catechism of the Catholic Church can be a heady book, very long, a bit technical for the layman. But it will spring to life for you in reading these spiritual exercises. This book taught me not just how to read the Catechism, but how to pray it.
Cardinal Schonborn's great gift is the intense spirituality of his writing, which is deeply rooted in traditional Catholic theology and ancient Catholic scriptural exigesis. Christoph Schonborn will teach you to see the Church as she sees herself, as Bride, as victim, as the great cloud of witnesses which is the mystical Body of her Divine Spouse; in short you will see the Church as the communion of saints in Holy communion with the Lord. You will see the Church as Christ sees her--and if you're a convert, as I am, you will fall in love with her all over again.
Philip Haldane, our hero, and his half-sister Helen are orphans. Helen has been Philip's sister, teacher and playmate for what seemed like all his life, and there wasn't a shadow of a doubt in his mind that this would go on for ever; he wanted it to. But the unimaginable happens -- Helen marries and goes honeymooning around Europe, leaving Philip at his new residence, friendless and bitter. But soon his new, seemingly dreary life is changed by his embarking on an exciting adventure, so splendid and picturesque that he never would have dreamed that he had built it with his own hands. You see, Philip had always played building games, and he built not with plain old building blocks but with...well, everything -- everything from ink-wells to bronze Egyptian figurines! And it was while he was in the depths of his misery and pining harder than ever to see his sister again that he, the Creator, discovered it -- his Magic City -- and its delightful secrets.
Now, to look at it from a Harry Potter fan's viewpoint. I shouldn't be giving any clues, you really should have read this book at least once before comparing it with HP, but I'll just say...Philip is of course the Harry Potter of this book, but he is also the Ron Weasley because of his initial malice towards his new stepsister, Lucy -- the Hermoine Granger of this book. The Grey Nurse is the Snape/Malfoy/Voldermort figure of this book. The Great Sloth is rather like Scabbers, and Polly is somewhat Hedwig-like. And Mr. Noah is almost EXACTLY like Professor Dumbledore; if you look at the part of the book when he goes to visit the prison, you'll know what I mean :)
If that still doesn't grab the average Potter fan's attention, how about this: J.K. Rowling favours E. Nesbit as one of her must-reads! Enjoy...
This is her best book. A boy dreams and finds himself in an equally real world, made up of the pretend cities he's made while awake.
I read The Magic City back in 1989 and spent years searching in second hand books stores for my own copy until I tracked it down on amazon.com!