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Each of these questions is addressed in "Lost Gods of Albion", an excellent overview of the mysterious chalk drawings of Britain. Including the Giant (who graces the dust jacket in all of his unrestrained virility), the Uffington White Horse (as old as Stonehenge and even more enigmatic)and many other ancient hillside drwaings, this book studies their history, meaning and relationship to one another. While the writing style can become a bit academic at times, the book nevertheless provides a wonderful overview and introduction to the subject.
By the way, if you're in Southern England, check out the Cerne Giant in person. He's off the beaten path (about a two-hour drive from Stonehenge) but he makes for an intriguing sight. Just don't be shocked!
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Tillich does not believe that one can speak of self-love in anything more than a metaphorical sense. After all, if love is the drive toward the reunion of the separated, it is difficult to speak meaningfully of self-love.
In his exposition of the nature of power Tillich notes that love is the foundation, not the negation, of power. Love is the ultimate principle of justice, although justice preserves what love unites. "The basic assertion about the relation of God to love, power and justice is made, if one says that God is Being-itself" (109). However, everything that one says about Being-itself, must be said symbolically.
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This book is neither historical nor biographical in focus, but you will learn a great deal of technical information.