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I recently reread The Thomas Street Horror because I had finally finished a book about the crime that this novel was based on: The Murder of Helen Jewett by Patricia Cohen. Helen Jewett (AKA Dorcas Doyen and many other pseudonyms) was a young popular prostitute working in New York City. Early on the morning of April 10, 1836 she was discovered murdered in her smouldering bed. Suspicion fell on one of her clients, a young clerk, who was eventually tried for the murder. Cohen's book deals not just with the crime and trial but also the attitudes toward prostitution, tabloid journalism (the murder became a nationwide sensation) and the criminal justice system. While the book is very interesting, it is also hard going at times because the author would pause the narrative to delve into the fine points of various aspects of life during the period-- for instance I learned a lot more about the state of Maine than I would normally be interested in. I actually put it down for several months before I finished it.
The Thomas Street Horror is a much livelier, if fictionalized, account of the murder. The veiwpoint character is a young reporter who has just arrived in New York City in November 1835 with a letter of introduction to the proprieter of the journal, the Sun, Benjamin Day. New York journalism at the time was not concerned as much with reporting the news as garnering readers by any method available including elaborate hoaxes and pandering to mob mentality. And the competition between the papers becomes red hot, as they choose up sides as to whether or not Helen Jewett was a wronged woman driven into her way of life or a degraded harpy who preyed on her young clients and was the young clerk accused of her murder guilty or not? David Cordor (the journalist) is caught up in the center of events, both reporting on and participating in what was happening. The fictional investigation into the events surrounding the murder is lead by Lon Quincannon, Paul's Irish attorney-detective who first made his appearance in The Tragedy at Tiverton. Quincannon finds himself not just defending his client against the state, whose minions have no qualms about manufacturing evidence to support their case, but also against public opinion.
If you enjoy 19th century mayhem then I would definitely urge you to try this book.
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Perhaps we should be most grateful to Pierre Joris, the only translator I know of to tackle whole books by Celan, rather than making selections (such as the very fine selection by Michael Hamburger). Not only does Joris take on the complete books, but he has taken on two of the most difficult books -- Breathturn and, now, Threadsuns.
His translation of Breathturn was a stunning accomplishment, for he managed to stay both accurate and readable, or at least as readable as the original was to the average reader of German when it first appeared. All of the great qualities displayed in Breathturn are also on display in Threadsuns.
Joris provides a comprehensive introduction to the book and many helpful notes along the way. The German originals of the poems are provided on the left-hand pages. The production quality is high -- the book is beautifully designed. This is not the best introduction to Celan (for that, see either Michael Hamburger's or John Felstiner's selections from his complete works), but if you want to get to know Celan better, and if you want to really sink your mind's teeth into the marrow of his dreamworlds, then Joris's translations are what you want to read.