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However, having book in hand, I was immediately drawn into Fussell's examination and analysis of literature, essays, poetry, letters home, theater and culture on the front and in England during WWI in order to paint a picture of the British soldiers' experience during WWI. It is a fascinating book on many levels and examines war, in this instance The Great War, from a completely different aspect than I have ever seen before. Fussell illuminates much more clearly what happened to the boys/men in the trenches than anything I have ever read before. For instance, has any other book captured so vividly the oppressiveness of being in a trench for days when all you see is a sliver of sky and the horrific irony of morning and evening stand-to's? I don't think I have read a book that made me sympathize and empathize with the WWI soldier more than this book. It is a deeply moving and touching book and really drives home the futility of war.
I know that this book will not appeal to everyone (as I said earlier, it probably wouldn't have appealed to me had I picked it up in a bookstore), but I believe that most people will find it fascinating if they just put their minds to it. Fussell's book will reward those seeking a deeper understanding of the WWI soldiers' experience.
It is hard to overpraise this book. I read the paperback in the late 1980s and reread it again last week. It is first and foremost a World War I British intellectual (literary) history but much, much more. Fussell is at home with the British literary heritage, which he shares with the poets and writers of the early 20th century. He covers in detail the memoirs of Siegfried Sassoon, Edmund Blunden, Robert Graves (of I, Claudius fame) and the poetry of Wilfred Owen, along with many others.
We return to 1914, when there was no radio, no TV, no movies to speak of, and when the populace had implicit faith in their press, their King and "progress." The central irony of this book was that the population rushed to support the war in order to support these 19th century ideals, ideals which would be shattered in the war that gave birth to the twentieth century. Fussell documents how World War I gave us the standardized form, the wristwatch, daylight savings time, civilian censorship and bureaucratic euphemism--and for the first time, despair that technology was driving civilization into perpetual war.
So The Great War and Modern Memory is not just a literary anthology; it has elements of political and social history and even (in the chapter titled "Soldier Boys" and for lack of a better term) what would come to be called Gay Studies. It is no accident that Fussell was a soldier himself (in World War II) and his sympathies lie with the common "grunt"; he does not mince words.
This is a wonderful book and it's hard to come away without learning something. The book introduced me to writers I wasn't familiar with; it also broadened my knowledge of the Great War and fleshed out my rather la-di-da, "Upstairs Downstairs" view of Edwardian England. Most important, it got under my skin--I've thought about the book on and off for the past 14 years. Few books do that to me--I would rank this up there with Ann Douglas' The Feminization of American Culture as a milestone of intellectual history and, like her work, you don't have to accept the central thesis to have a great time reading it.
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Before I read this book, I used to think that business and the environment were inherently at odds. But then I realized that this doesn't have to be the case. According to Hawken, the problem lies in our economic system's design, and no amount of management or programs is going to change that. In order to make things better, we're going to have to rethink our economic structure, and in that possibility is where Mr. Hawken finds hope. As he so eloquently put it:
"To create an enduring society, we will need a system of commerce and production where each and every act is inherently sustainable and restorative...Just as every action in an industrial society leads to environmental degradation, regardless of intention, we must design a system where the opposite is true, where doing good is like falling off a log, where the natural, everyday acts of work and life accumulate into a better world as a matter of course, not as a matter of conscious altruism." (Hawken, p. xiv)
The Ecology of Commerce is dedicated to envisioning such a system, and discussing how we can get from here to there. The restorative economy contemplated by Hawken may seem like a long shot, but he demonstrates that it IS possible because his approach is to work WITH natural processes, not against them. That not only includes those processes existing in ecosystems, but also the ones present in ourselves, like our unique ability to innovate. You see, what makes these ideas inspiringly hopeful, and what I love most about this book, is the author's willingness not just to acknowledge the way things really are, but also to use them to our advantage. For example, he's smart enough to know that any system, program, or law that asks people to sacrifice happiness, comfort, or convenience ISN'T sustainable because ultimately, it just won't work. "Humans want to flourish and prosper," he explains, "and they will eventually reject any system of conservation that interferes with these desires...[A sustainable society] will only come about through the accumulated effects of daily acts of billions of eager participants" (Hawken, p. xv).
This is the kind of book I'd encourage you to buy if you are even remotely concerned about the state of our environment, which is intimately tangled with our own. On a personal level, it's one of the most motivating books I've ever read--in fact, its concepts form the foundation for my website, SustainableWays.com. My copy is now riddled with highlighter marks, astericks, and dog ears. It's just one of those books you come back to again and again and again, every time learning something new.
this is one of shakespeare's best plays. the story of the rebellion is intriguing, and the adventures of hal and falstaff are laugh-out-loud hilarious. the culmination of the two stories in the final battle scene is wonderful. this is a fitting sequel to richard ii.
note that there are some historical inaccuracies and even outright inventions in this play. foremost is the character of falstaff who is pure invention (and genius). the story of hal's adventures stems from his reputation, enhanced by legend, as a playboy. falstaff was the perfect foil for a carousing prince. the biggest inaccuracy is hotspur's age. he was actually of the generation of henry iv, and not as young as he's depicted in the play. shakespeare made him younger to enhance, maybe even create, the rivalry with hal. there are other inaccuracies here, but better for the reader to consult 'shakespeare's kings', an excellent book by saccio that explains the history of the period and the discrepancies in the play.
We also get to see the contrast between these young men in temperament and character. King Henry wishes his son were more like Hotspur. Prince Hal realizes his own weaknesses and seems to try to assure himself (and us) that when the time comes he will change and all his youthful foolishness will be forgotten. Wouldn't that be a luxury we wish we could all have afforded when we were young?
Of course, Prince Hal's guide through the world of the cutpurse and highwayman is the Lord of Misrule, the incomparable Falstaff. His wit and gut are featured in full. When Prince Hal and Poins double-cross Falstaff & company, the follow on scenes are funny, but full of consequence even into the next play.
But, you certainly don't need me to tell you anything about Shakespeare. Like millions of other folks, I am in love with the writing. However, as all of us who read Shakespeare know, it isn't a simple issue. Most of us need help in understanding the text. There are many plays on words, many words no longer current in English and, besides, Shakespeare's vocabulary is richer than almost everyone else's who ever lived. There is also the issue of historical context, and the variations of text since the plays were never published in their author's lifetime.
For those of us who need that help and want to dig a bit deeper, the Arden editions of Shakespeare are just wonderful.
-Before the text of the play we get very readable and helpful essays discussing the sources and themes and other important issues about the play.
-In the text of the play we get as authoritative a text as exists with helpful notes about textual variations in other sources. We also get many many footnotes explaining unusual words or word plays or thematic points that would likely not be known by us reading in the 21st century.
-After the text we get excerpts from likely source materials used by Shakespeare and more background material to help us enrich our understanding and enjoyment of the play.
However, these extras are only available in the individual editions. If you buy the "Complete Plays" you get text and notes, but not the before and after material which add so much! Plus, the individual editions are easier to read from and handier to carry around.
Falstaff is undoubtedly the most infamously famous literary comic character in the history of English literature. The scenes of him being robbed by Prince Hal, feigning his death, stabbing the already deceased Hotspur in the leg while claiming victory, and his employment of beggars as his foot soldiers galvanize the comic aspect of the play and make for a hilarious & farcical sublot. Interestingly, in the bar in Eastcheap, Prince Hal alludes to his future persecution of Falstaff when he is crowned king.
I strongly recommend Henry IV Part I to all Shakespeare aficionados seeing as I deem it in the top five of all Shakespeare's works along with Hamlet, Julius Caesar, Macbeth, & Henry V. Now on to Part II. Adieu.
"The better part of valor is discretion." - Falstaff
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always say John wrote good lyrics and Paul wrote good music.
But I found out Paul could write very good lyrics and poems.
They are just simple and beautiful, such as "Ivan", "Dinner Tickets", "Eleanor Rigby", "Yesterday", and etc. They are just
fantastic words no matter you read or sing them. One thing I only can say is Paul should include more his poems and song lyrics in this book, such as "All My Loving", "Get Back", ......
I recommend everyone likes music or literature should read this book - "Blackbird Singing". What a wonderful book! Thanks Paul!
Paul McCartney, a gifted artist whose talents span several different media (composing, musical prowess, painting/drawing, ability to play several musical instruments, singing and writing) as this book plainly demonstrates.
His voice is a strong and lyrical one; it is interesting to note that he has included several of his songs in this collection as well. Stripping the songs of the melody and notes, one can imagine the rhythm and flow of the words. A master communicator, Paul McCartney writes poetry in the manner of the true virtuoso. He plays upon the full range of senses and his work elicits the full range of emotions. One poem in particular about a good friend who was born the same day as he was and who died young stands in poignant contrast to many of the other works included in this collection.
This is truly a rare and valuable gem. This book commands respect. It is definitely a must have.
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Dosadi is an artificially populated planet with a dark, dark secret. Jorg X. McKie, who was introduced in a companion novel "Whipping Star" is sent to investigate the goings-on on Dosadi, an assignment that could very well lead to his destruction.
Dosadi is a toxic planet, where survivors live either in an overpopulated fortress of a city and survive on their wits, or struggle to live on the poisonous Rim, where the very soil and plants are enemies. The people of Dosadi are tough indeed, but they are a lot more than just tough survivors. They hold a desperate secret that could upset the balance of the rest of the galaxy.
McKie's struggle to survive and to discover Dosadi's secrets make for a really exciting tale. The characters are vivid, creative (all kinds of sentient species) and very interesting. If you love good science fiction, this is a must-read.
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That said, this book provides excellent accounts of Bill Gates as a person and Bill Gates as Microsoft. The emphasis is on how Bill Gates ran Microsoft as a business, how he interfacted with his employees, business allies and competitors. If you are looking for information on how Windows 3.0 or Flight Simulator was designed, this is not the place. But if you want to know how Microsoft really got started, how Gates allegedly "screwed" Apple, or how Gates started dating Melinda French, you'll find it right here.
Stephen Manes has been a long-time critic of Microsoft's producty quality (and rightly so, IMHO), and the book comes across as quite critical of Gates' business tactics ("bullying", "anti-competitive", etc.) and personal idiosyncracies (both selfish and selfless, intolerant, etc.). At the same time the authors show admiration for the Gator as a technical and business genius. But because the authors evidently believe that Microsoft has done lots of evil, every conflict Microsoft had with a competitor would be Microsoft's fault.
In summary, this book is easy to read, generally objective (Gates was interviewed extensive for this "unauthorized" biography), and informative. I highly recommend it to anyone fascinated by Bill Gates and Microsoft.
It even has a lot of inside detail on the development of the Apple Macintosh. I recently read "Accidental Empires" (the basis for the TV documentary "Triumph of the Nerds"), and found Gates to be a far better and more readable history of the PC's startup.
The book is packed with interviews and amusing or interesting anecdotes. It's well written and well edited. One drawback for some people will be that it hasn't been updated since 1995, but for the two main things that have happened since then - the anti-trust suit against Microsoft and the rise of the Internet - there are plenty of other sources.
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I had the added benefit of a local friend to make suggestions, as well as the guidebook. Some destinations (which are well worth a visit) are not included in the book, but it didn't stop me from shark diving, whale watching, hiking (tramping as the locals call it), and otherwise running around the country.
This guide gives a fundamental, non-commercial impression on what, where, and how to get there. It also offers some historical/cultural information, and a lot of information about towns, attractions, restaurants, hotels (of various price ranges), and a few rough maps.
As an added bonus, when I got back, the book became a memento of the trip. My bookcase contains LP travel guides from the countries I have visited, and when nostalgia strikes, I have been known to pull it down.
I highly recommend this book for anyone who is about to travel to New Zealand for the first time, or anyone planning a trip.
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GoLive 6 Magic was especially timely for me because our User Group web site is being remodeled. Two of the new features we want to incorporate are included in the book: collapsible DHTML menus using ID actions and creating an action to display random images. Collapsible menus afford you to display many items in a limited space. When you roll over a main menu item, it displays a sub-menu of more items with links.
The CD contains all the necessary files to perform the various customizable exercises as well as demo versions of related software. The CD opens by double-clicking. I tried the exercise to create collapsible DHTML menus with sub-menus using ID actions. Wow! It was so easy. The book walks you step by step through each project and also displays an accompanying screen shot. I set up the CSS files (Cascading Style Sheets) once and customized my font display. This is better than doing each link one at a time. I used a font family such as: Arial, Helvetica, Geneva and SunSans Regular. Although you can assign any font on your computer to a CSS style, your page's viewers can only see the fonts installed on their computers. You tailor your web page so that all the fonts look good on the page. If the viewer does not have Arial on his computer, it will default to Helvetica if installed and so on. A web designer stays with the fonts that most everyone has installed on both platforms. Well, the project turned out just as it was supposed to and it was easy besides. Besides tips there also were explanations for why you do a certain thing. I'm sold, this book is a definite winner!
Golive is a very powerful web authoring program and Golive 6 Magic is very good in showing some of the features that I might have never duscovered on my own.
Text macros, Quicktime and Flash sniffer techniques, creating Quicktime sprites and skins, cool DHTML projects (I like the online calender), authoring your own javascript actions, getting into the SDK, setting up your own Dynamic database content management system with PHP and MySQL are some of the 14 projects included.
There is a companion CD that has all the data for Golive 6 to use when you follow along with the book.
Some of the projects seemed a bit intimidating to an intermediate user like myself, but the book is layed out so clearly that it was fun to delve into the projects.
I have set up my own MySQL,PHP database for the first time thanks to Golive 6 magic ( a sample database is included).
This is a needed addition to the Golive library.
I was relieved to read GoLive 6 Magic because it's the graduation present for our readers: many topics on which we can touch briefly or offer a simple overview are presented across several pages with illustrations and accompanying examples on CD-ROM.
You learn not only how to use advanced graphics tools, but how to modify GoLive Actions (plug-in JavaScripts) and build rich dynamic content.
Far be it from me to suggest you buy both this book and my book, but they're a nice complement to each other. If you've sucked the marrow dry of beginner and intermediate sources, buy this book: it'll help you master the rest of the program.
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