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Finishing the last page of this book, I was left with a feeling that I now had more questions than answers (which is most surely the purpose of this book).
Davies takes the concepts of modern physics and cosmology, like how the Universe started, quantum fluctuations in vacuo, etc., and elaborates on them, to show how the concept of God - in whatever form he may take - can be introduced in a theory for the whole Cosmos.
Davies shows how the beginning, the ongoing life, and the end of the Universe can be explained with or without the existence of a God, and why a God is or is not necessary for all these processes to take place.
However, Davies does not provide any direct or straight-forward answers, and it is not likely that he would. After touching and elaborating each of the aforementioned topics, he left me with a distinct impression that now I have so much more knowledge, and I should do my own thinking (and maybe believing) on whether there is a God and how he would fit into the Cosmos, as we know it today.
It certainly gives a great topic to talk about with friends, and it's a must-read for all you out there who are looking for answers to the greatest of the world's mysteries.
In his book 'God and the New Physics', Davies continues a new tradition in which physicists particularly and scientists more generally write about their fields in philosophical, nearly theological terms discussing first causes, ultimate meanings, and the place of God and humanity in the overall scheme of the universe. Our understanding of the universe has changed dramatically in the last century, having been a fairly stable image for the past several hundred years. This has understandably made the philosophic and anthropomorphic considerations of the universe change dramatically as well.
'Science and religion represent two great systems of human thought. For the majority of people on our planet, religion is the predominant influence over the conduct of their affairs. When science impinges on their lives, it does so not at the intellectual level, but practically, through technology.'
Davies explores first the idea of genesis of the universe, exploring the intricacies of the big bang theory. This is a theory that has difficulties philosophically, that a purely scientific approach does not have an answer to, not least of which because it isn't asking the same question. Essentially, according to the big bang theory, the universe began as a singularity, essentially an infinitely small point from which all space and time (and all that is in it) emerged in an explosion-like phenomenon. Davies explores problems associated with conventional thinking around this unconventional theory -- what is the first event? what is the first event after the big bang? what is the purpose? what is the cause?
It is a bizarre twist of quantum theories that causes and effects are not neatly, logically arranged along timelines which we have become accustomed to. Thus, can the universe be considered to be self-causing?
'The fact that modern cosmology has provided hard physical evidence for the creation is a matter of great satisfaction to religious thinkers. However, it is not enough that a creation simply occurred. The Bible tells us that God created the universe. Can science throw any light at all on what caused the big bang?'
Alas -- even with exotic causality strains and quantum mechanisms which may remove the need for a first cause (as Davies tends to argue, using modern science essentially to refute already largely-refuted cosmological arguments for the existence of God), it does not adequately explain why there is a universe at all, that would have as part of its nature not needing a first-cause.
In the course of his discussion of the ideas of theoretical physics and traditional religious views, Davies explores the mind/matter connexion, the nature and direction of time, the scientific and philosophic issues around free will and determinism, and the idea of what nature truly is (and isn't).
Near the end of the book, Davies recaps the argument thus far:
'In spite of the spectacular success of modern science, it would be foolish to suppose that the fundamental questions concerning the existence of God, the purpose of the universe, or the role of mankind in the natural and supernatural scheme has been answered by these advances. Indeed, scientists themselves have a wide range of religious beliefs.'
There are no easy answers here. This book is not intended to settle anything, but rather to help clarify the issues in the debate, particularly in an era where there is as much misconception over what modern science really means as there is over what religious interpretations really mean. This is not a book for the intellectually timid. There is a presumption of scientific literacy in all of Davies' work; one needn't be a rocket scientist (or theoretical physicist), but those intimidated at basic algebra will most likely not benefit from this volume.
'I am sometimes asked whether the insight which physicists have gained into the inner workings of nature through the study of fundamental processes throws any light on the nature of God's plan for the universe, or reveals the struggle between good and evil. It does not. There is nothing good or evil about the way quarks are united into protons and neutrons, or the absorption and emission of quanta, the bending of spacetime by matter, the abstract symmetries that unite the fundamental particles, and so on.'
That having been said, many of the philosophical and theological questions remain unanswered, but now have a new element to be considered. Davies' work helps to reframe questions.
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I am in middle school, and i bought this book because i wanted to be more educated on the war in Vietnam. I am so happy that I bought this book. It has shown me the dark sides of the Vietnam war, and almost made want to stop reading...thats how powerful it is.
The only thing i can relate this book to would be the movies, "Hamburger Hill", and "Full Metal Jacket." This book is a must have for anybody that wants a REAL education of the war in Vietnam.
Get this if you're interested in the mentality of the common soldier sent to Vietnam.
Mr. Ketwig wasn't a "snake eater" out on night patrols every night, nor was he an office clerk in Saigon. He was caught somewhere in between. Doing what he was sent to Vietnam to do. Just a typical guy stuck in surreal circumstances, just trying to get by and hope that he could return to some resemblance of a normal life once the war was over.
I hope Mr. Ketwig accomplished everything he set out to do emotionally and psychologically by writting this book.
This book is required reading for anyone trying to understand a painful part of the history of the latter half of this century!
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We have Winston "Tuffy" Foshay, the 300 pound neighborhood strongman turned politician from Spanish Harlem. His father, an aging Black Panther turned Poet. His mother-figure, a Japanese concentration-camp survivor turned radical activist. Tuffy's multiple sclerosis stricken sidekick. His mentor, a dreadlocked black rabi with a taste for easy listening music and imported lagers. Toss in the token ghetto white-boy and his bank robbing mother, Tuffy's street smart wife, a trio of Puerto Rican triplets (who happen to be cops) and a few of Japanese Sumo wrestlers for good measure and you have Paul Beatty's latest novel.
Not everything here works, but then again how could it? But this is an enjoyable novel with a highly authentic voice. Tuffy is a complex character; a tough-guy from the streets who happens to develop a taste for imported films. He is teetering on the verge of aspiring to higher things, and although he's not an altogether likeable character the reader finds himself pulling for him.
At times the book reads like a string of situation comedy episodes. Here's Tuffy's narrow escape from a drug hit. Then we get Tuffy in the City Council debate. Next: Tuffy sumo wrestles. Not everything ties together seamlessly.
But to save the novel we have Paul Beatty's excellent eye and authentic literary voice. An highly original novel, and entertaining in it's audaciousness.
The corpulent street-wise protagonist of TUFF, Winston "Tuffy" Foshay, is introduced as a young man without an obvious plan getting by with his wife and son through wits, brawn and an affinity for art house cinema. Immediately after a narrow escape from the hereafter while earning his keep as enforcer for drug dealers, Tuff surmises he needs an alternative future strategy. By default and convenience rather than commitment or geniune desire, he decides to run for City Council. Gradually, in spite of all of the numerable objections he is able to muster, you sense slowly but steadily Tuff is beginning to care about his environs.
As events unfold, you meet his eclectic assortment of friends, relatives and external influences, most prominently the multiply-challenged best friend Fariq, a hustler who under different circumstances would prosper downtown on Wall Street; Tuff's forever radical father; the opportunistic but incongruent "Big Brother" Rabbi Spencer Thockmorton; and surrogate mother/mentor Mrs. Nomuri.
At times farcical, primarily serious, and wholly relevant to any inner city - this time it happens to be NYC - TUFF is a "The Candidate" with a spin.
Beatty clearly understands sometimes less is indeed more, so the similes and metaphors so prominently dispensed in SHUFFLE are less evident, the erudite references are likewise diminished. However, from beginning to denouement the story has greater cohesion than his first novel with no loss of witticisms, sarcasm, cynicism or any shortage of astute observations.
Whereas SHUFFLE was a punch to the gut, TUFF is more of a tap on the chin.
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I thought the 70-210, 70-215 and 70-216 books were good, BUT the 70-217 book is terrible. Lots of mistakes, awful questions at the end of the chapter. I even found some incorrect answers within the questions provided.
I'm not sure if I'm going to use Sybex for any of the others.
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The central characters are old Trent, his granddaughter Nell, the moneylender Daniel Quilp, young Kit and the wonderful Richard Swiveller. Of these, the spotlessly pure Nell and the irredeemably evil Quilp are the moral opposites around which the book revolves, old Trent is rather a pathetic figure, while Kit's sturdy progress from poverty to respectability makes for happier reading. However, it is the moral journey of Swiveller, which perhaps reflects the geographic journey undertaken by Nell and her grandfather, which is the real joy of this book. He enters the book in the guise of a rogue, involved in dubious intrigues with Nell's no-good brother and also with the repulsive Quilp. However, from the time that Quilp gets him a job as a clerk in the office of Samson Brass and his sister, the awful Miss Brass, Swiveller's basic decency and natural good humour begin to reveal themselves, and his soliloquies and dialogue provide many hilarious moments from that point on. The Dick Swiveller who subsequently meets up with the hapless young girl kept prisoner by Miss Brass is funny, considerate, charming and kind, and a long way from the doubtful type of character that he at first appears to be.
The book proceeds along two different narrative lines; one which charts the progress of Nell and her grandfather on their long journey, and the other revolving around Swiveller, Quilp and Kit, and to a lesser extent the families of these latter two, as well as "the single gentleman" and the little girl memorably christened "The Marchioness" by Swiveller. One of the big faults I found with this dual structure is that the characters of one plot line have no contact with those in the other plot line for most of the novel, and it is left to the Quilp, Swiveller and Kit to act out most of the drama. Nell and her grandfather spend most of their time journeying through various scenes of early nineteenth century life in England. Nonetheless these all make for enjoyable reading. One particular scene where Nell and her grandfather sleep beside a furnace in the company of a wretched man who watches the flames is particularly memorable.
All in all, it's not exactly a page-turner, and the ending is not a happy one. I would not recommend this book as an introduction to Dickens, and is best read by people, like myself, who have already decided that anything by Dickens is worth reading. Also it focuses less on London than many Dickens novels, and gives an interesting view of rural, village and town life outside London in those times.
The central characters are old Trent, his granddaughter Nell, the moneylender Daniel Quilp, young Kit and the wonderful Richard Swiveller. Of these, the spotlessly pure Nell and the irredeemably evil Quilp are the moral opposites around which the book revolves, old Trent is rather a pathetic figure, while Kit's sturdy progress from poverty to respectability makes for happier reading. However, it is the moral journey of Swiveller, which perhaps reflects the geographic journey undertaken by Nell and her grandfather, which is the real joy of this book. He enters the book in the guise of a rogue, involved in dubious intrigues with Nell's no-good brother and also with the repulsive Quilp. However, from the time that Quilp gets him a job as a clerk in the office of Samson Brass and his sister, the awful Miss Brass, Swiveller's basic decency and natural good humour begin to reveal themselves, and his soliloquies and dialogue provide many hilarious moments from that point on. The Dick Swiveller who subsequently meets up with the hapless young girl kept prisoner by Miss Brass is funny, considerate, charming and kind, and a long way from the doubtful type of character that he at first appears to be.
The book proceeds along two different narrative lines; one which charts the progress of Nell and her grandfather on their long journey, and the other revolving around Swiveller, Quilp and Kit, and to a lesser extent the families of these latter two, as well as "the single gentleman" and the little girl memorably christened "The Marchioness" by Swiveller. One of the big faults I found with this dual structure is that the characters of one plot line have no contact with those in the other plot line for most of the novel, and it is left to the Quilp, Swiveller and Kit to act out most of the drama. Nell and her grandfather spend most of their time journeying through various scenes of early nineteenth century life in England. Nonetheless these all make for enjoyable reading. One particular scene where Nell and her grandfather sleep beside a furnace in the company of a wretched man who watches the flames is particularly memorable.
All in all, it's not exactly a page-turner, and the ending is not a happy one. I would not recommend this book as an introduction to Dickens, and is best read by people, like myself, who have already decided that anything by Dickens is worth reading. Also it focuses less on London than many Dickens novels, and gives an interesting view of rural, village and town life outside London in those times.
is rediscovering an old friend you haven't read for a while.
Many years ago I read all of Charles Dickens novels, but I
recently had occasion to re-read The Old Curiosity Shop, and
it is just as good as I remembered it the first time.
The story, like most of his plots, depends a great deal
on coincidences, so you have to suspend your scepticism to
enjoy it. Dickens begins by introducing us to one of the
most innocent little girls in literature, Little Nell, and
to her most unhappy grand-father. Quickly we discover that
instead of the old man taking care of the child, she is the
one responsible. We then meet one of Dickens' great villains
- the evil, corrupt, mean, and nasty Quilp - a man, if that
term can be used, who has absolutely no redeeming qualities,
one who finds pleasure in inflicting pain on all he meets.
Thinking that the old man has secret riches, Quilp
advances him money to support his gambling habit.
Unfortunately Nell's grandfather never wins, and the debt
grows ever larger. Finally Quilp forecloses on the curiosity
shop that the old man owns (thus the name of the book) and
tries to keep the two captive in order to discover the money
that he still believes is hidden somewhere. While the
household is asleep, however, Nell and her grandfather
escape and begin wandering across England in a search for
sanctuary.
On that journey, Dickens introduces us to a series of
minor characters who either befriend or try to take
advantage of our heroine. He's in no hurry to continue the
main story, so just sit back and enjoy the vivid
characterizations that are typical of any good Dickens
novel.
In the meantime, we follow the adventures of young Kit,
a boy who was one of Nell's best friends until Quilp turned
her grandfather against him. Here we find one of Dickens'
favorite sub-plots, the poor but honest boy who supports his
widowed mother and younger brother. Thanks to his honesty,
Kit finds a good position, but then evil Quilp enters the
picture and has him arrested as a thief!
Of course, we have the kind and mysterious elderly
gentlemen who take an interest in Kit and Nell for reasons
that we don't fully understand until the end of the book. We
are certain, however, that they will help ensure that
justice prevails in the end.
This is not a book for those in a hurry. Dickens tells
his stories in a meandering fashion, and the stops along the
way are just as important for your enjoyment as the journey itself. That can be frustrating at time, especially as you enter the second half and are anxious to see how things turn out. I try never to cheat by reading the end of a book before I finish, but it is tempting with Dickens. At times I wanted to tell him, "I don't want to meet anyone else; tell me what happens to Nell and Kit!" But I know the side journeys will prove rewarding, so I just have to be patient. Anyway, I am in better shape than his first readers; he wrote in weekly installments, so
they had to wait!
If you have and enjoyed other Dickens' novels, you will enjoy this one as well. If this is your first time (or perhaps the first time since you were in high school), you are in for a treat.
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I also enjoyed the book's exploration of the causes of the Iraqi situation. As an American, I found some of the author's conclusions offensive, but overall, I thought he did a good job of extrapolating some very plausible explanations out of what seemed like a limited amount of exposure (which is still infinite compared to mine). Profound and insightful conclusions were drawn out of what were often very ordinary situations, and the whole thing was woven together with an almost total lack of pretense.
Overall, I think I came away with a better understanding of Saddam Hussein, the Iraqi situation, and the similarities of human nature around the world. The humor, the realism, the disregard for authority, propaganda, and easy answers -- all of these factors made the book a pleasure to read.
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Lisa Fremont has a history that, if known, would probably disqualify her from working at the court. She was a teenage stripper in San Francisco, whose life was changed when Max Wanaker, president of Atlantica Airlines, took her off the streets and sent her tuition free to Stanford.
Max needs a favor from his star pupil. His airlines is in the midst of a multimillion dollar law suit that is going to come before the justices of the Supreme Court. The judges are evenly divided with Sam being the lone undecided and therefore swing vote. Lisa is to get into his bed and head (both of them) to insure that Max is paid in full.
9 SCORPIONS is an exciting legal th! ! riller that brings one of the justices of the Supreme Court into full focus. The book is at its best when it does that, and when it presents the inner sanctum and procedures of the court. Though fans of legal thrillers will want to read this fast-paced novel, the book becomes another run of the mill thriller when Sam and Lisa become the last action heroes and go on location to right a wrong. Paul Levine shows he has talent and hopefully will return to the highest court, but this time stay with the bench and provide readers with insight into all 9 SCORPIONS, who sit in its chambers.
Harriet Klausner
Justice Sam Truitt is honest and decent but has a weakness for women. Hmmm, could that ever happen in Washington? Lisa Fremont is a brilliant young law clerk with a secret in her past. Lisa is planted on the Court to sway Truitt's vote, and he must learn that the true meaning of justice isn't always found in the law books.
The writing is better than Grisham and so is the story!
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There are weak spots, however. I don't understand why he felt it necessary to relive his infidelities. I don't see what this added to the story (other than to cement in our minds one of their many arguments which he usually tended to incite) and what purpose it served other than as a confession for him. I expect that he is living with quite a bit of guilt, that of his lover's death, his infidelities, his frequent denials of the worries of his lover, and the chronic "what ifs" that must now haunt him.
The thoughts and questions that linger upon finishing Dark Wind are many. I recommend this not because it is sterling literature or has a deep plot (because it is not and does not), but it brings up many issues that are worth thinking about.
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The new characters and happenings in Iran are interesting and often tragic, but what really gives this book spice are the continuation and allusions to plots and characters from all the other Asian Series books. We find out what's happened to the Todas, Kasigis, Struans, Dunrosses et. all. Especially interesting to me were the little touches, like the fates of AMG, Riko, Roger Cross, etc. and the distant connection of John Ross. (Would have liked any hint on how/who was running Par-Con!)
The plot of modern day Noble House (Linbar, Profitable, and the Great Ian Dunross et. all) was quite good - but I felt given short shrift... the resolution is hinted at, very scantily so. There was so much intrique and hints of developments that could have made for a much more satisfying ending, but that was not to be. I mean, was Linbar just an ordinary birk, or much more sinister... was Profitable really engaged in a business with this inept buffoon, or was there another double cross pending? Ah well...in my imagination, rest assured, the villians have gotten their commupance!
Perhaps because I live in Hong Kong, I ache to read more on the Noble House. In Gai-Jin I wanted Tess to come on the scene, and in this book, I would have relished going along with Andy's return trip to Hong Kong... but not to be.
Anyhow, great beach/airplane reading and 1200 pages of dense plotting. Enjoy.
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Pressler is to conservative Southern Baptists what Ronald Reagan is to Republicans. In "A Hill on Which to Die," Pressler gives documentation of rampant liberalism throughout the convention. Pressler did not, as some liberals would have us believe, "Burn down the barn to get rid of a few rats." Liberalism was prevalent, and a conservative takeover was the only way to reclaim the seminaries and colleges.
The book offers countless surprises: how Adrian Rogers did not want the nomination the night before the 1979 convention opened; how and why Pressler watched the 1979 convention from a skybox; how the "Donahue" show helped the conservative movement; how former president W.A. Criswell, himself a conservative, had failed to make changes when he was president; how Pressler tried to make changes before 1979, only to get the cold-shoulder.
Throughout the book, Pressler tells how the conservative movement was misunderstood and misrepresented. The battle was not over the interpretation of Scripture, but rather its integrity and inerrancy. And, surprisingly, it was not very organized. Conservatives did not use countless vans and buses to get messengers to conventions, as liberals charge. Rather, it was mostly a grass-roots effort which began with conservative churches wanting to change the liberal establishment. The conservatives were in the majority throughout the churches, but were not being represented in the presidency and on the committees.
And, as some may claim, it was not a hate-filled movement. The book is filled with examples of Pressler's Christian love for all believers - liberals, moderates and conservatives. However, throughout the battle, Pressler's beliefs and motives were mischaracterized and spun by the opposition, leading to the negative opinions about him that abound today. Occasionally, there were even flat-out lies. Finally, he gets to respond.
Liberals will not want to read this book, but they should.
This should be required reading for all Southern Baptists.