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Doug and Paul have gone out of their way to search out appropriate examples for all three of their bungalow books together, ranging always from the garden shed to the Gamble house. This is the only in-print book I'd recommend for the topics of Arts & Crafts fencing, walls, paths, site integration etc.
Having seen many of these sites in person, I can say that photographer Doug Keister, has brought a focus that many would miss in person. My wisteria only blooms 4-5 weeks a year, but of course, they got it then.
My only complaint is that the photos are so compelling that many might never get to read all the text, which is what the book is all about.
There is some validity to the point above about a West-Coast bias to the topics, but when you consider that virtually every other A & C garden book has a English tilt, it seems less a problem. There is room for a knowledgeable Mid-Westerner to write a good book as well. "Outside the Bungalow" is not the last book that should be written on the topic, just the best, by far, so far.
The constant theme running through this book is the timeliness of the garden. The garden didn't come into being during the Arts & Crafts period, it simply became a tremendous complement to the home.
Don't be discouraged if you don't live in a Greene & Greene, the effort and love you put into the setting of your home, will give you the same level of pride in ownership. You may not be able to have the largest or most expensive home on the block, but you can have the most beautiful garden.
Many of the gardens in the book have multiple photographs which are cross-referenced to give the reader an almost 360 degree visualization. The only suggestion I would make is that the author include an overview of those superlative gardens and identify the various views to provide the reader with an even better understanding and appreciation of the home's surroundings.
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The look on Frere's face as he sits in his own Carrera (in the color photograph section of the book) says it all: the 911 is a singular automobile, and this is the author to tell its story.
Excelente !
Many times, I boarded taking a huge belt of Scotch in my belly !
Had been to a therapist with no results.
THIS BOOK HELPED ME GET RID OF MY FEAR OF FLYING!
Can't tell you I enjoy it...but at least, I can board the plane stone sober !
Este libro atiendo miedos específicos, como el temmor a las multitudes, a las alturas, a los insectos..Y TE ASEGURO, AMIGO, QUE NO HAY UN SOLO SER HUMANO QUE NO TENGA FOBIAS ( MIEDOS )
Por eso es tan importante !
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The images are detailed but not fussy. They are highly evocative of German Romanticism -- very moody, dreamy, somewhat melancholy, with an emphasis on the grandeur of Nature. If you enjoy the illustrations of Maurice Sendak, Edward Gorey, Arthur Rackham, et al., you will like this book.
Like Barrett's artwork, Poole's text tells the classic tale soberly, including the queen's botched attempts to strangle Snow White with silken laces and prick her with a poison comb. There is also more mention of Snow White's mother and father than in many retellings. This version is certainly more in line with magical/mystical/matriarchal imagery than Disney's.
Some of the images -- e.g., drops of blood -- and the story itself may be too intense for very young readers. For me, this book is a contemporary gem and is worth seeking out.
If you like this, also check out the same author/illustrator team's collaboration on "Joan of Arc."
The illustrations are beautiful without being frou-frou, serious without being creepy. Highly recommended for ages 4-8.
The reason I enjoyed this version of Snow White more than others that I have read was that is was not as much of a fairy tail like story and more of a darker approach to it. The seven dwarfs, for example, are not shown as happy little creatures that sing and dance all day long. They are merely shown as small, kind men. The illustrations in this book are so beautiful even though they are not the bright colors that would usually go along with this story.
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don't expect to find too much guided meditations in this handsomely bound ( and equally handsomely titled ) book . the basics were all there for me to start practicing , but its not a manual on meditation . its much more than that .
i liked the anecdotes , each a gem of wisdom . it verily beckons us to descend off the heady heights of the mountain to start practicing here and now , in the mundane grind of everyday life . this is where it all happens .
mr. kornfield must also be commended for a fine job of putting this book together . each little vignette isn't haphazardly thrown together . this is a book best read slowly , a few pages at a time .
highly recommend it for all those who are really serious about practice .
Achaan Chah was abbot of one of the largest monastery complexes in the Thai Forest tradition. He welcomed and trained many western seekers who later returned to the west, becoming influential dharma teachers in their own right.
In this book, Achaan Chah largely eschews "theory" in favor of encouraging his students to practice. Don't expect academic discourses on Buddhist psychology or other esoteric topics. These talks are short (rarely more than a couple of pages), direct, and very inspiring.
Take your time reading this book. If you allow yourself a little time to digest the meaning of each piece, you might experience more benefit than attempting to read the book through in one sitting.
The measure of any buddhist book meant for people who are practicing buddhists is whether it makes you want to get right back to meditation. This book is very inspiring in that regard. It's message is clear: (and I'm paraphrasing) "Put down this book! There are no answers in it! Go back to meditating!" He says this in a number of different ways, so it's hard to read more than a little bit of it at a time. It's good for when doubts about what you are doing arise. Or when you begin to feel distracted, and perhaps tempted to put your energies into trying to transform the world outside of yourself, or even into trying to transform yourself. Then, it makes you feel like you should stay on your path.
What I find most satisfying about this book is its directness and its deep wisdom about meditation practice. This isn't one of those new-age type buddhist meditation books; it doesn't harp incessantly on becoming one with the universe, and assume that you have already done so. This is buddhism at its finest--a repeated command to find out everything for yourself within yourself, to pay attention, to let it go. His entire teaching is summed up on page five: "Do not try to become anything. Do not make yourself into anything. Do not be a meditator. Do not become enlightened. When you sit, let it be. When you walk, let it be. Grasp at nothing. Resist nothing." Those of you who still remember the Beatles might see a similarity to their song: "There will be an answer. Let it be."
Achaan Chah was a monk in the Thai forest tradition, and perhaps the most famous one in the West. In case you are not familiar with the Thai Forest Tradition, it is a tradition that began in the late 1800's that combines the physical rigor of the Zen of the olden days, with strict observance of the precepts and some of the traditional "acetic" practices from the very olden days, such as receiving food by going on alms rounds, wandering in the most fearsome forests, and eating one meal a day. The Thai forest tradition emphasizes meditation for the development of calm and wisdom, as opposed to the study of texts, or other practices.
This book was admirably translated, and the selections carefully culled and arranged. It is one of those books that you will want to read very quickly at first, and then very slowly between times when you meditate, and also a book you will want to refer back to frequently. In my opinion, it is the only book you might really want to own if you are serious about "letting it be." Every time you feel like reading a book, it will tell you in a variety of ways, often warmhearted and humorous, that you are looking in the wrong place if you think there are any answers in books; or that if look for answers in a deliberate fashion, you will find any.
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Bob has encrypted the actual 'date of text.' In fact, within the Apocryphon are the architectural plans to the Ark of Noah, the Leaning Tower of Pizza (hold the anchovies), the Great Wall of China, the Ronald Reagan Presidential Library, and the electrical schematics for the Univac, the Cadillac, and the Rayovac--- all encrypted. Not to mention a fascinating 'Table of Elements' containing over 92 undiscovered elements and a killer Betty Cronkyte chocolate chip cookie recipe.
Bob knows, and perhaps with some basic instruction and years of grueling practice, you too could know. Keep in mind that the Apocryphon doubles as both a CPRRPMWPM and an MFCCOICSOIC manual. Having the knowledge, as Bob warns, is half the battle. Knowing just what to do with having the knowing of every aspect of everything and everything in-between everything in and of itself is besides the point. However, despite these dichotomic delemmic conundrums one must insist the practice itself is beyond the ability of even the most skilled novice. Therefore Bob suggests that perhaps the reading of the Apocryphon backward could produce more or less understanding of the meaninglessness of the attempt not to do so.
Using the Apocryphon I have gained enlightenment and understand that, had I not pursued these truths, I would have undoubtedly overcome. Thank you Bob for being there, even when I did not need you, and thank you also for your wisdom and arrogance.
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My opinion of this book is that it was pretty good, out of the stars i would rate this book a three out of five. This is because the book was hard to understand. I would recommend this book to everyone who loves journeys, because this book is such a journey and it's kind of hard to put the book down.