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Willard Espy is a true master - creative, erudite, knowledgeable, and howlingly funny. His Higgledy-Piddledy about Dorothy Thompson is burned into my brain for good. His ability to make the language dance is unequaled by any other writer I have read. Safire, Lederer, and Newman are articulate, yes, but not half as goofily inventive or funny, and they take themselves very much more seriously than Espy does, which is not at all. This man disproves the adage that no one is great all the time - he is.
Having said all that, I must confess that I haven't seen this Compilation - my comments are based on the absolute conviction that any compilation of brilliant material must, of necessity, be equally brilliant. I have spent the past 20 years lending out my copies of the two originals from which this volume is drawn, listening to people giggle over the cubicle walls, and plotting diabolical conseqences when they weren't returned. They are both ragged and bulging with yellow stickies - my own quick-reference system - so I can easily find and re-delight in my favorites when I need an Espyfix.
The man is gone from our midst now, so there will be no more crazy pleasure from him, and his original books are long out of print. So buy this one, I say, and prepare to laugh and be awed all at once by this explosion of sheer linquistic virtuosity.
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The essays on early liturgies, Christian art (i.e. iconography) and martyrs are probably the best in the collection, but those on asceticism and the use of the Bible by the early Bishops of the Church such as Iranaeus of Lyon are quite good as well.
Despite the price, this is a "must have" for any serious student of Church History or the Bible.
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So well written and illustrated. It is forwarded
by Vladimir Ashkenazy. The book starts with a section
about music in non-western civilizations, there it
explains the role of music in early cultures of the world,
From Ancient Egypt, to China; from the Ancient American
cultures, to Africa; and from Oceania to the near east to
the Holy Roman Empire, this section of the book has it all.
Then the book is divided in by order of musical periods
thru the ages. Starting with the medieval era, it lists
key events of this period, starting in the 800's. It mentions
and tells about the great names of the era in music,
including de Vitry(1291-1361) and Machaut(1300-1377).
It also explains such teaching devices as the 'Guidonian Hand'.
Then comes the Renaissance, here, it explains the rise
of humanism, it speaks also of major events of the time.
It also tells a bit about the Reinassance courts of Europe
and the composers of the time:Cristobal de Morales(1500-53)
Thomas Morley(1557-1602), Orlande de Lasuss(1532-94). This
section also speaks of the rise of instruments.
One to the Baroque where the where we are start seeing the
the start of new musical forms and procedures, sucha as the
masque, the music drama, the French grand motet.Also music in tenary form etc. The section on the classical period again famous
composers and musicians, explinations of classicism, rococco, and the instruments of the time.More on composers, specially Mozart and Beethoven.On to the the romantic period where we start
to see development in musical instruments, and styles, we also
see how the orchestra gets bigger. Finally, the book comes to
the early and late 20th century. The book does a wonderful job, pictures and tales of 20th century composers. This is the first
book that I have where I find a picture of John Adams and Sofia Gubaidulina in in the same book, in this book, for the first time also, our contemporary composers are treated with great respect, and as equal to their counterparts of the bygone ages. I picture that I like very much is in PG.324 where Cage, and Boulez shake hands in fron of Massien. The art work is of the best quality.This is indeed a good book that I recomend to every classical music lover, and friend. The amazon.com price is so
affordable, and competitive.
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The book presents a detailed description and account of the theory of numerous techniques including absorption and emmission spectroscopy, NMR, CD, crystallography, chromatography, electrophoresis and many other methods.
Although the authors claim that readers need not have any experience in physical chemistry I think this is a little far fetched. Having just taken a course in quantum mechanics, I still struggled through some of the derivations. I think this is a good book for people who either have had prior experience with the field of biophysics, or have a strong mathematical background. This book is not a walk through the park. There are many equations and at times more advanced mathematical techniques such as fourier analysis or matrix algebra are used. If you want an introduction to biophysics, you're better off using an easier, less mathematically rigourous book. For example, if you're interested in spectroscopy, there is a simpler book called Biological Spectroscopy by Campbell and Dwek. However, if you are interested in the theory behind these important techniques and don't mind a little math, this is the book for you. Biophysics is an ever expanding and exciting field; this book can show you why!