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Conservative politicians have long used racially tinged issues such as immigration, welfare, changing demographics, affirmative action, education, and crime to divide the people and to stroke middle-class whites' fear of change, culturally, morally, and ethnically. Republicans are very good at this, for they are the party of the status quo and the 'guardians' of white moral,racial, and cultural "purity". I hope this book be a wakeup call for America to change their presumptions of race and to demand a more equitable and undivided society as envisioned by the Founders of this nation.
Dr. Gilroy has not written a polemic so much as a comprehensive and authoritative survey of his topic. He has a utopian vision, but he is in command of the facts. He cites sources, references, and examples from literally all walks of life - pop culture to world history to cultural studies to genomics. It's an incredible ride.
The book is divided into three sections, and the chapters are each able to stand alone as insightful and original essays. In his first section, the foundation is laid with an essay on modernity, which traces the beginnings of 'race thinking' to the eighteenth century in Europe.
The second section deals with the frightening realities of modern fascism, and its considerable threat to society. Tangentially but not unimportantly, Dr. Gilroy includes a discussion of power, war, and the language, imagery, and culture of fascism, including advertising and promotions of mass movements.
In the third section, "Black to the Future," the author addresses a panoply of issues including sexism, race and guilt, success, the world of Black culture, and the considerable implications of cosmopolitanism - a unified world - as opposed to separateness.
No brief review can adequately discuss this important and erudite author's contribution. The book is dense, well-organized, and easily could form the text for a college-level course on this interesting and riveting topic. It is also totally readable and useful - out of the classroom. There are nearly 100 pages of notes, and a comprehensive index.
A must-read for anyone with an interest in the multitude of topics he explores - or anyone looking for a set of good reasons to work to better the world. It has a wealth of information - and deserves more than five stars.
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"I feel STRETCHED", Bilbo Baggins after having the One Ring for a while.
Thus, Foucault's occasional essays, covering academic journals, popular press, lectures, introductions, and so on, serve to clue us, the readers, as to where Foucault is coming from, and, furthermore, in which direction his thought is heading.
This edition, covering Foucault's superb writings on literature, his mentors, music, as well as other philosophical movements, situates a thinker within an intellectual context from his very own words. In "The Archaeology of Knowledge" Foucault begins by saying "do not ask me who I am..." To be sure, with this volume, we can begin to better understand Foucault without the interface of commentators and scholars. Directness of discourse is an important element in Foucault's thought...
Although much of the pieces that appear here have been previously translated and released in a variety of formats, I predict that any scholar or occasional reader would be pleased to accept this redundancy for the very convenience that this collection presents.
Some most interesting pieces include, the previously hard to find Foucault's response to Derrida's reading of "Madness and Civilization"; Foucault's responses to the Epistemology circle; and an illuminating interview in which Foucault situates his thought in 20th Century French intellectual life. In addition, this collection includes popular 'staple' such as "Theatrum Philosophicum," "Nietzsche, Freud, Marx," and "Nietzsche, Genealogy, History," all of which provide endless insight into Foucault even despite numerous re-readings.
While serious followers of Foucault's works would benefit greatly from this collection, this would also serve as a good introduction to Foucault--maybe second only to the cartoon books on Foucault!
And to close: if Nietzsche was the greatest philosophical stylist, this collection demonstrates conclusively that Foucault was a close second...