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Placing the only extant ancient Greek satyr play, Cyclops, at the end, Roche supplies the needed comic relief of Odysseus among the randy, wine-craving satyrs who toil away for the famed one-eyed Polyphemus.
Roche's introductory material is short, clear and useful, especially will thought out his method of translating Greek meters into English verse. Each play has a brief introduction as well.
The translations are vigorous, modern, and to this reader both lyrical and moving. Roche's poetical gifts are obvious and put to effective use.
Let Paul Roche be ivy-crowned, son of Semele, son of Zeus!
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I seldom read a book cover-to-cover, but Chamberlain's narrative caught me and held me captive until I finished the book. But I must warn you, as someone still working his way through all the attendant issues (religious, social, philosophical and emotional), the first half of the book provides an emotionally swaying presentation of the case for physician-assisted suicide. While reading it, I kept wondering "What I would do -- if I was the one dying, or if I was the one asked to help a friend die?"
The second half of the book engages the many arguments in favor of euthanasia in a thoughtful, but never shallow, fashion. Here one will encounter a real struggle over suffering -- but viewed from the perspective of one informed by the facts, engaged in the drama, and influenced by sound religious, philosophical and social principles.
I enthusiastically recommend this book as an introduction to the subject by an author well-informed in all the facets of the issue. For more information, I would recommend the reader visit The Center for Bioethics and Human Dignity (www.cbhd.org).
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I agree with another reviewer that the book can at times wander, but I always found the prose engaging.
I would recommend this book to anyone wanting to get a thorough introduction to the early church.
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The over-all tone of the book is very "noir-ish." In other words, the author works to portray Evita as a "spooky" figure, rather than just recount her life as it was. The reason Evita can seem "spooky" in some ways is because of cultural misunderstandings. For example, the spectacle of her dramatized "dying in public" and her funeral falls well in line with the Hispanic preoccupation with death; in Hispanic culture, death is not something that is swept up under the rug. In Hispanic culture, death is often associated with a form of dignity. It is common in some Hispanic cultures, for example, for people to commemorate the death of loved ones by actually having picnics on their graves; this is not something you see in Anglo Saxon-based cultures. Without bridging the gap between the cultures, a biographer runs a risk of succumbing to what Robert D. Crassweller terms "the legacy of incomprehension," or "the inability of one ethos truly to understand another."
The second half of the book illustrates just how strong Evita's power was. Juan, a pedophile, shopped for mistresses in the school system. He was unable to control his staff, and the people revolted. His hold over the Argentine people was released, and he was forced into exile.
There are many books about Eva Peron. This book paints a better picture than others I have read; it also casts Juan Peron in a more unfavorable light. "Eva, Evita" goes into depth about the embalming and preservation of Evita's corpse, its theft, and the doctor who spent three years preserving her for posterity. These sections are incredibly morbid, but are important to the history of the legend of Eva Duarte de Peron. There was a bit more political background than I expected; however, this gave me a more broad view of everything surrounding the events that led to Juan Peron's election and fall from grace.
The Perons were merely opportunist thugs. They and their associates got into power by force, then systematically looted Argentina's wealth. Propaganda forced everyone to pretend to admire them, and force required that everyone obey them.
Evita's life, according to this book, generally follows the path portrayed in the Webber/Rice musical, but differed significantly along the way. The musical version integrated apochryphal information, legendary stories, rather than employing hard fact. A major example is "the first man to be of use to Eva Duarte." In the musical it was a popular tango singer named Augustin Migaldi -- as it was so in Evita's accepted local legend, since Migaldi was a relatively prominent performer. The real guy, though, was a second-tier fellow named Armani, who helped Eva settle in the big city then pretty much vanished from history.
I wish the book had delved into more detail regarding more of Eva's specific activities -- such as the mechanisms/laws enacted to take over all the British holdings in Argentina -- but it was a good overview, a good foundation for moving on to other explorations of that blonde thug's puny excuse for a life.
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Read it.
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Even taking this work on its own terms, there are many omissions among "warrior peoples;" only the best-known are included, such as Gurkhas in the Indian or British Army, or Zulus from South Africa. Others who have ben labeled in this fashion, such as the Ila of Zambia or the Ngoni of Malawi and Mozambique, simply aren't here. But the Sikhs are included, despite their assigned role in British India as police, not soldiers. So it is conceived in vague, even misleading terms.
The grossest flaw, however, is that "warrior peoples" simply do not exist, except in the colonial mindset that pigeonholed and then drafted/enlisted them. The term is presumably updated from "warrior races," which is archaic to say the least. But no peoples are naturally more suited to be warriors than others; their history or circumstances may impel them or compel them to combat, but not heredity. People may resemble a warrior race if one looks only at the warriors, but this slights the full range of human endeavor pursued by all human groups.
There are also some factual errors which tend to limit the book's value for reference, and the deceptively long bibliography omits key works which might aid readers (and the authors) in critically analyzing their preconceptions. Cf. Cynthia Enloe's book "Ethnic Soldiers," and Anthony Kirk-Greene's article "Damnosa Hereditas," in Ethnic and Racial Studies.
Though this book has been recommended by reviewers for high-school students and other readers, it may actually interfere with their understanding by encouraging them to think in terms of ethnic and racial stereotypes. For those willing to think critically, rather than stereotypically, about warfare's relation to forms of group identity, this book is simply not satisfactory.