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The tips are categorized by chapter: inspiration, characterization, dialogue, plot, style, technique, writer's block, editing, marketing, the business of writing, reading & writing and the writing life. There is an index to help you find valuable passages again.
THIS IS A GREAT GIFT for yourself or for the writeaholic who is making your (co-dependent) life miserable.
As the author of 113 books (including revisions and foreign-language editions) and over 500 magazine articles, I recommend this book to writers. DanPoynter@ParaPublishing.com.
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Does it shock people that even from the earliest beginnings of mankind, the prediliction for war and fighting existed? Some of the pictures are shocking in that our 'civilization' views the religious ceremonies of other ancient civilizations as cruel and obscene from our point of view. And of course, they are, because we would never do such a thing as put a child at risk...right? If anyone believes that no one puts children at risk in modern society has not had contact with the pharmaceutical companies who are pushing to test drugs on children with no benefit to the children. But I digress....
Anthropology was not one of the sciences I got a lot of information in at college in biology and neuroscience. Yet it is interesting that some of the previously held views concerning brain capacity (size of the cranium) are being turned upside-down by findings in anthropology. I had no idea either that the Chinese also were as good at preserving bodies as the ancient Egyptians. I think the saddest parts of the whole book is the information on the 'bog bodies'. Life was cruel, and the inability of man to understand the cruelty of life often led to 'sacrifices' to appease the Gods of nature.
I probably wouldn't recommend giving this book out to immature kids below 10th grade. Like the other reviewer commented...some of the pictures and the information is very dark, and very morbid. For those mature teenagers interested in going into science, and specifically anthropology and archaeology, this is a great and fascinating book.
From the suspected "massacre" at Mohenjo Daro to real ones in Vilnius and Beacon Island, Bahn relates the finds and what they mean. The contorted skeletons of Mohenjo Daro appear to have met violent deaths during a conquest. The real cause was due to a combination of flooding, tainted water and successive waves of building. Other mysteries, such as whether Pharaoh Tutankhamen was murdered, remain unsolved. Mummies from the Western Hemisphere, have proven more expressive. Bahn evokes our sympathy for the Inca children found on Andean peaks. There's clearly more feeling aroused at the sight of a nearly perfectly preserved ancient child than occurs with anonymous skeletons. Even stronger feelings arise when you encounter the image of a young man wearing a helmet - and a rope around his throat. Why was he murdered? Even more poignant is the blindfolded girl with partially shaved head. She was purposely drowned.
Even where the deaths were likely natural, Bahn gives us glimpses of inexplicable burial practices. Many cultures have cremated their dead, but to pack the remains in urns placed in straw models of the living is unique. For many centuries various societies disarticulated skeletons, choosing some bones for internment while discarding others. Leg, arm and other large bones may be found but toes, fingers and ribs were thrown away. The skull, of course, retained prominence, sometimes collected in large numbers. Respect doesn't necessarily mean stability - many skulls seem to have been transported from place to place. According to Bahn this suggests the living may have hoped to invoke the accumulated wisdom of the departed even if the external environment forced relocation.
As indicated, much of this book is devoted to images. The photography is excellent, with images ranging from broad vistas to close-up analysis of disease-damaged bones. Some of the illustrations depict reconstructions of faces built up from skulls. Star Trek buffs will find the image on page 82 startling! There are also many good drawings that amplify the photographs. In fact, the only missing element in this book is maps. Another near-omission is Bahn's bibliography. There are references to specific sites and topics, all deeply academic. For the general reader, the obvious target of this book, some additional general recommended reading might have helped enlarge the picture. "Gray's Anatomy", while highly informative, is unlikely to occupy a place on your shelf. These are minimal aspects of a truly worthwhile book. Bahn's choices and presentation is a fine accomplishment at many levels. Much of our past is revealed and questions needing attention are detailed. There's more digging and analysis to do. Start with this book to see what's been done. [stephen a. haines - Ottawa, Canada]
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The chapters on debugging and error handling alone were worth ten times the price of this book, and have significantly added to the robustness of our applications. We used this book in 1995 to support a Linux hosted Motif implementation - our first under X - and found this by far the most useful volume.
The detailed descriptions of the Motif widgets take a little navigating to start with, but are compact and useful descriptions of complex objects.
This book does not cover the new features of X11R6.3 (printing and other extensions) which were released after the book was published, but I look forward to a new edition that includes them.
While Kimball's book is not always an easy read, this is dictated by the complex subject matter, which he tackles with competence and completeness. Highly recommended.
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Your survival guide for the music industry
A two-volume set - the master volume and Junior, our travel guide
Includes direct phone numbers, fax and email addresses for listings. Two books, one low price!
The master volume includes the following catagories:
Broadcast group owners * Broadcast consultants Network & program producers Major Labels * Major Distribution Music Retail one-stops * Music Retailers Independent Distribution * Independent Labels * Independent Promotion Artist Management * Performing Rights Societies Entertainment Lawyers * Talent Buyers Talent Agents * CD Manufacturers New Media Services * Music Publishers Recording Studios * Video Programs Video Producers * Music Press Public Relations * Radio Stations in seven formats
Junior has 36 cities across the USA and Canada, with phone numbers, addresses and descriptions of restaurants, hotels, clubs, night life, taxi services and much more for each city.
A must have if you want to know who's who and who's where in the music industry.
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The title is deceptive. I expected definitions of Yiddishkeit in the workplace (who knew that "glitch" came from Yiddish) but the book,in about 125 pages, covers life,love, food and a broad range of the Jewish experience.
I would have liked a pronuouncation key, next to each word. Without it, one has to guess whether the acccent is on the first or second syllable.
But who's complaining? It's fun to read and a good resource. I plan to give it as gifts instead of "ruggalah".
The title is misleading. This is hardly a businessmen's guide. It is a guide for everyone (with the exception o the chapter on curse words. This is R-rated).
You don't have to be Jewish to read and enjoy this book. It has an index to Yiddish words, and could use a similar index for English words and phrases. Small gripes for a book that provides a fun jaunt to your bubbe's world, or neighbor's bubbe.
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I am not a fan of any method of reading Proust that degenerates into a study of Proust's life, that is more concerned with figuring out who the "real" Odette or Albertine or Saint-Loup was. The "real" Odette was a fictional creation by a literary genius of the first rank, and she cannot be found in any of these photographs. Not even in gazing at a photography of Robert de Montesquiou do we see Baron de Charlus, despite our knowledge that he was Proust's most important model for Charlus. But looking at these photographs breaks down the distance between Proust's world and our own. Odette may be based on several real life models, but it is helpful to know what the women that Proust knew looked like in forming our own mental picture of Odette or Gilberte or Oriane or Saint-Loup. I also find it much easier to imagine visually Proust's world after seeing precisely how those members of his social set dressed.
The book also has a great deal to teach about portrait photography in late 19th and early 20th century Paris, at least in an upper class studio. The range of photographs is fascinating, not merely in the posed photos with the subjects dressed in their finest clothes, but in the ones where various individuals appeared "in costume." This includes not merely a series of marvelous photographs of Sarah Bernhardt dressed as various characters, but men and especially women appearing in amateur theatricals. One section features a many of the more celebrated individuals of the time whom Proust either met or loosely based some of his characters on, such as Bernhardt (La Berma), Anatole France (Bergotte), Faure (Vinteuil, though only musically), and Claude Monet (one of several models for Elstir).
Physically, the book resembles a well-produced art book, with a cloth binding, high quality paper, and the highest quality reproductions. It is easily the most attractive book on Proust I have in my rather large collection of Proust titles. Not just a great book on Proust, but a beautiful one as well.