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It's not a great cookbook -- Julia has written three or four of those -- but if nothing else it's an archaeological gem of the culinary world. Organized not by recipe category but by episode, what we have here is a sort of reconstruction of a studio notebook on how to create a cooking show. An introduction describes the process of putting the show together, an occasionally-harrowing story of borrowed kitchens, technical challenges, and accidental stardom, while the recipes (first thirteen shows long since missing, sadly) give not just instructions but themes, even menus, the way Julia and her staff concieved them.
Yes, there are many good recipes in here, but that's not the main reason to buy this book. This book interested me because I'm putting together a cooking show of my own, and buying it just before taping my first episode served as inspiration and even a bit of a how-to book on the oddities of mixing TV production and food. Julia has written many books since, and much of what's in here can be found in more effective form in those books, but this is one of the few TV cookbooks I've seen that is truly a record of a cooking show, as opposed to a cookbook that happened to be written by the host of a show. For the price, it's certainly a worthwhile purchase.
But...if you want the most often asked-for French classics like Lobster Thermidor, Cassoulet and the classic desserts to use for your elegant dinner parties, this is a BETTER choice. It is slimmed-down, modernized, has photos and is the best of the best.
So it's easy to choose; want to learn and read about French cooking, I like the Mastering series better (even better than Jacques Pepin's book.) Want a handy reference for classic dishes for occasional forays into French cuisine? Choose this one.
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Also, there seems to be a warm climate bias. Many of the plants (not just annuals) are for zones 8 and up. I think northern gardeners would find this a frustrating book to use.
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She is forthright and frank about her experiences with a man she had been "in love" with. I am proud of this book because as a schizophrenic myself, living in Pennsylvania, I'd always been led to assume that schizophrenics are NOT beautiful and smart, but Christina proves otherwise with her book. I would like to read more about Christina's life experiences. I enjoyed reading words of someone who has gone through similar experiences as I.
A French "schizophrenic"
Why 'was'? Well, the correspondence that takes up most of this book is funny, personal, warm and caring. If you're looking for clarification of the thinkers, look elsewhere. Each letter will start "Dearest Imre/Paul, I just got your last article and am going to send you one of mine. Let's get together in Boston next week. By the way, I've something nasty to say about Popper/Kuhn/Searle. Take care, Imre/Paul." Not very insightful. To be sure, these letters ARE EXTREMELY ENTERTAINING and insightful into each thinker's personality. For instance, from reading this, it is easy to see that a large reason Feyarabend was a scientific 'anarchist' is because he loved to disagree with everyone and taking sides meant he had to agree with someone, thus spoil his devilish fun. In Lakatos, I see someone who wished he could be Feyerabend but could never shake that bugbear called common sense. As I said - insightful into each personality, not each philosophy.
There were, however, other parts of the book. The most educational was the opening dialogue (actually written by Matteo Matterlinski) where Feyerabend and Lakatos lay out their views and criticize the other's. Next, we have the Lakatos lectures which spend 7/8ths of the time reviewing other people's views and only then explaining his own (very badly, I may add). The two appendices were interesting. Lakatos and Feyerabend wrote on their views towards academic freedom. As one may expect, Lakatos is the more conservative here.
Still, I must give three stars as the correspondence was a treat to read. It will have you laughing, shaking your head and oddly enough, coming away with HUGE amounts of respect for both thinkers as their playful intellectual jabs at eachother and willingness to be on the recieving, as well as the giving, end, exemplify how all sciences should conduct themselves.
The Lakatos-Feyerabend correspondence is interesting. These were surely very special guys. Feyerabend, strange as it may seem, stands out as the meeker of the two; for Lakatos is pure cunning. Their exchange of opinions and invectives over Feyerabend's "Against Method" are worth reading ("Against Method" is worth reading along with this book, as a matter of fact).
Feyerabend compares the trio Popper-Lakatos-Feyerabend with Kant-Hegel-Lenin. I guess Popper himself might have thought this comparison quite fair.
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This book, like the previous two I've read, is very good. This author has an incredible ability to "paint" a picture of the characters and scenery that almost makes you believe you're there. You can almost feel the biting winter winds, as the characters trudge through the snow in search of food and shelter. You feel their pain and despair as they find themselves faced with cruelty from other people and danger from the elements and animals they hunt to live.
By the time you finish with the first of these books, you'll feel as if Torka and Lonit and the host of other characters are old friends.
And to make things even better, the author leaves you no time to get bored because there's always something going on...both good and bad.
Even though this type of novel (historical) is not the typical type of book I read, this series has left me hungering for more books covering this time period, or at a minimum, other authors with the writing talent that Sarabande has.
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I have read a fair amount of Foucault, and consider myself to have a strong grasp of his ideas. I stubbornly kept on through the dense and boring texts, until I finally understood it. I had heard some people talking about Deleuze with awe in their voices, as if he was some kind of god, so I figured he was an intersting/important philosopher. I picked up this book, and boy was I disappointed.
First of all, Deleuze seems incapable of writing a coherent sentence. The grammar and spelling in this text were atrocious. This may be a function of the translation, but somehow I doubt it. Secondly, Deleuze never really SAYS anything. It is all masturbatory talk. Now that I consider it, so is Foucault. So perhaps my title should instead be "the masturbatory by the masturbatory".
And as for the comments below me, by Nathan, you are far too kind to the book. "[I]t is nonetheless brilliant and intellectually rigorous". Excuse me? This was perhaps the least interesting or stimulating book I have read in the last 5 years! And for you to say that this book is a philosophical masterpiece is simply ridiculous. Philosophical Grammer is a philosophical masterpiece. Being and Time is a philosophical masterpiece. Beyond Good and Evil is a philosophical masterpiece. This is not. In conclusion, this is most certainly NOT a treat.
DON'T BUY THIS BOOK!
But this book is really, really hard. It's not a matter of having trouble reading it - you'll either get it or you won't. This is NOT a good introduction to Foucault. It should be read only after one has acquired a deep knowledge of Foucault's work, and a knowledge of Deleuze is helpful as well. Without this background knowledge, this book will not only be incomprehensible, but also entirely uninteresting.
Depending on your background, you'll love this book or think it was a waste of money.
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Luckily the author anticipates these gross shortcomings and, given the lack of a substantial ideological foundation from which to build, leaves it to the reader to "find his or her own path." This book may be an adequate primer for someone who reads very little and may understand less. The story and dialogue is literally at a sixth to eight grade reading level at its best moments. This is not a book for thoughtful, questioning, analytical, and educated discerning adults.
For a more interesting and dynamic exploration on the nature of work and how it affects our lives one might turn to Walden, Fight Club, Notes From The Underground, Steppenwolf, or just about any counter-capitalist thought to name a few. Then one might discover that transcending work roles rather than defining ones' self by them is the true nature of an individual path.
The good news is that the principles behind such a marvelous atmosphere to work in apply to workplaces in any industry. It is important to Find IT, Be IT and Coach IT.
At the end, I realized that the personal tragedy Steve Ludin (author) suffered has had its impact on the story. The loss of Beth, his thirty-one year old daughter in a car accident to whom this book is dedicated. Beth lived a full life true to the spirit of Fish!. In her memory, I rededicate my commitment to Fish!