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When the couple becomes engaged, Edward's family draws the line and encourages him to consider his burgeoning political career and instead marry Elspeth, the far more suitable and proper young woman they have selected for him. Edward finally relents after Alice's father, a radical publisher, is taken to court for public obscenity after publishing an erotic sex manual. Heartbroken and pregnant, Alice accepts an offer to become a governess for a wealthy Russian baron and leaves the country.
When Alice's new employer, the charming and dashing Baron Rettenberg, discovers her pregnancy, he helps change her identity to conceal her shame and Alice becomes a French widow named Mademoiselle Chabon. Time passes and Alice and the baron tentatively begin to fall in love. But when the Russian Revolution forces Rettenberg to flee his manor, Alice is left alone to fend for herself and her young son. Not long after the baron's departure, Alice and her son find the danger too great and also escape.
Meanwhile, Edward's marriage to Elspeth falls apart and he sets forth in war torn Europe in search of Alice, whom he now believes to be the love of his life. In an exhilarating climax, Alice is forced to choose between the two men --- one is her first love and the father of her son, while the other is a man who loves her unconditionally but obsessively.
ALICE IN EXILE is a beautifully moving love story played out in a world ravaged by war. Meticulously researched and loaded with moral and emotional conflict, this story of lovers forced apart by differing social backgrounds and dire circumstances should appeal to fans of both the historical and the romantic.
--- Reviewed by Melissa Morgan
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You certainly have a different idea of the Vietnam War after reading the book no matter what ideology you carried before you read the book. Understanding the feelings, thoughts and actions of people who experienced the war first hand gives you insight to their frustrations regarding a limited war managed by politicians. You also get a feel for why the politicians and military brass so valued the statistics collected from the War.
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What I can judge is the section on wood. Although eminently qualified to treat the topic, the authors, in spite of having scraped the barrel in coming up with out-of-the-way references cannot really hide that there has been very little research on Ancient Egyptian wooden objects. Although they are too nice to say so it becomes apparent that Egyptology very much is a backward area.
All in all, a great start, and excellent first novel...not a work of genuis yet, but shows promise for future works. Speaking of which, after visiting the six gallery press web page, it seems a new work will come out spring 2003 called Clockwerk also done by Paul M Jessup (no period in his middle name? who does he think he is? e.e. cummings?) that looks promising. Hopefully it keeps the same level of writing and expands upon it, showing the genuis that seems to be only hinted at here.
Whether you prefer the dreary, concentration-camp scenes in the first half (which includes the soon-to-be-famous scene of Ophelia eating her dead child Thanatos in the throes of misery) or its life-affirming wander through America in the second half, as a whole it shows life entire: from the worst moments of suffering to the simple rapture of being with friends in an involved conversation, from discussions on the nature of time and dream and art to even the end of the world--"Angelwings" has it all.
Add to all of this a mastery of style and language and wordplay (along with an innovative and experimental structure) and what we have is perhaps the first classic of the new century. Now certainly I am biased towards this book because I am its publisher, but to be honest anyone who reads "Angelwings" will realize the hundreds of good reasons why I chose to publish it. Rather than simply be all-style, the book is overflowing with substance and feeling; and rather than be bogged down in its weighty substance, the entire work is supported by a glorious style. What more can you ask for from a book than it not only make you think and become engaged in the lives of its characters than to have it all presented in some of the most holy writing you'll ever read?
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but almost no one reads. Apes of God has all the trappings of a masterpiece: iconoclastic prose style, heavy-duty intellectual content, penetrating psychology and a shadowy and mythic, bombastic and possibly insane authour.
The book however, has 2 serious faults IMHO
The first could also be an advantage, depending on your point of view. Wyndham Lewis was a very, very bad man. He shared Ezra Pound's addiction to Fascism and had, in the words of Hemingway "the eyes of an unsuccesful rapist."
His "right-wing" politics were/are the reason he is not generally taught in universities or colleges. He is called a mysogynist, and indeed his female charaters are all exceptionally shallow and stupid. I happen to like the brilliant vitriol and Lewis makes no claim to objectivity.
Secondly Apes of God is too long and exceptionally boring in parts. The long satires of the artsy-fartsy social scene accomplish their goal, but personally I don't find reading about the insipidity of dinner parties very titillating. My biggest gripe however is The Sex. Sexual tension holds the plot together, but Lewis has a strangely victorian inability to write about the act itself. The Socratic homosexual relationship between Dan and the Protaganist Zagreus is rendered in a totally sterile manner.
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If you need a pocket guide to carry to conventions, it's perfect. If you want something to help you figure out how much to bid on E-Bay, it's perfect. Otherwise, just get it for the vibrant color pictures (No black & white) , which strangly have dolls that haven't even been released yet.
The author attempts to play with the social and moral beliefs of London immediately prior to WW1. Alice is well-educated, and her beliefs tend to be slightly bohemian. Edward, her first love, falls deeply for her, sleeps with her, and proposes. His upper-class parents are dismayed at his choice, and are relieved when Edward breaks off the engagement when Alice's father, a publisher, is involved in a sexual scandal over a book he published. Heart broken and pregnant, Alice accepts a job as a governess in Russia for the lecherous Barron Rettenberg. This sets up the trials of Alice, her son, and the Ruttenberg family as they are involved in both WWI and the Russian civil war (1918-1921) that erupted during this period of time.
Some of the biggest leaps of faith in the novel include believing that Alice could fall for her employer. As the reader we see a side that Alice does not see--such as when he considers raping her as she sleeps--and his transformation into believing Alice to be the love of his life does not ring true. The ending is too-pat and unbelievable; and the relationships between most of the characters is not very well developed. The author perhaps spends too much time telling the reader about the characters that he doesn't take enough to develop the characters on the page so that they seem like breathing, tangible people.
The best parts of this book include the struggles of Alice during the Russian Civil War, especially considering her attachment to a landed family in Russia.