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most influential efforts to bring together a marxist focus on macro-social dynamics, a symbolic interactionist focus on micro-social interactions, and a phenomenological focus on individual consicousness into a single study of class reproduction. It is a classic in every sense.
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How often, on your morning commute in to work, do you see someone on the train reading a bright pink book? It doesn't happen very often, especially if the reader is over the age of, say, eight. Thanks to "Mad Dogs and Englishmen", you too can witness the impossible, if you happen to share your commute with a "Doctor Who" fan. I have to admit that one of the reasons I read this book in a ridiculously fast three days was so I could minimize the amount of time people would see me, an attorney at law, reading a bright pink novel with a pink, cigarette-smoking and pistol-packing poodle, on the cover.
For all that, is it any good?
"Mad Dogs and Englishmen", even though it's the next book in the series after the intense, moody, arc-changing "Adventuress of Henrietta Street", is lighter than air and less serious than a Leslie Nielsen movie. At one point I tried to keep track of notable lines, but quickly ran out of room. The whole thing's a broad satire of the sci-fi fandom culture -- broad riffs on J.R.R. Tolkien, George Lucas, and Ray Harryhausen dominate the book. Noel Coward's also in it. Several times. The book jumps breezily from 1942 London to 1960 Las Vegas to 1978 Los Angeles to Outer Space, and more than gets away with it.
Now, this book is by Paul Magrs, one of the more divisive "Doctor Who" novel writers. Most of his books are parodies, not satires (there's a fine line) of "Doctor Who", and revolve around his own pet character Iris Wildthyme. Not so this book -- in fact, the word "Wildthyme" doesn't appear anywhere within its four corners. Yes, there are the broad pokes at DW stories (the Doctor's descriptions of some of his 1970s TV adventures are drop-dead funny), but this time, Magrs doesn't seem to be trying to show off his Immense Literary Cleverness to the audience. Like I said, it's the broadest and lightest of his books to date and I think even those readers dead set against him, will at the worst be only slightly amused.
And, even though it's light on the arc (the Doctor does still have his goatee), it's the second "fake history" novel in a row -- referring to all sorts of Earth events that, well, never happened. Something very odd is happening with time -- if not necessarily with Wildthyme -- in the 8th Doctor's universe...
Personally, I think the cover is one of the most killingly funny things I've even seen on the front of the book in a very long time. On the other hand, I have absolutely no wish to persuade that of anyone who happens to think that it is the most garish and ugly work that they've ever seen in their life (I would probably only mention the fact that they seem to be completely missing the point). The extreme pinkness of the cover is something that someone is going to either love or abhor and there's absolutely no reason to try to dissuade a person from their opinion on that. While fans will forever be divided on that subject, the book itself is quite a lot of fun. It is the epitome of romp. It is the embodiment of camp. It is the quintessence of silliness. It's great.
For those readers who thought that all books following THE ADVENTURESS OF HENRIETTA STREET would end up being massively heavy books, have no fear. MAD DOGS is possibly one of the lightest books that the Doctor Who range has ever produced. The novel is so light that while I put the book aside during breaks in reading, if it was not for the weight of the bookmark that I shoved into its pages, I would be in eternal fear of the novel being caught on a stray current of air and floating away to some unknown destination. (For any overly sensitive review-reader who is worried about the fate of my copy now that the bookmark has been removed from MAD DOGS' innards need fret no more. My copy is now resting comfortably on my bookshelf next to a copy of ADVENTURESS, and the gravitational pull of that tome will keep MAD DOGS securely anchored to the Earth for many many years to come.)
In addition to be a delightfully quick book to read, it's also a terribly funny one. MAD DOGS is one of the few Doctor Who stories where virtually every joke or bad pun creates a laugh. Not a book to be taken seriously, it succeeds largely because it's written in such a fun and quick style. Paul Magrs' prose style is incredibly engaging; it's Terrance Dicks with a real sense of poetry. While some books get humor all wrong by dwelling too much on the outrageousness of the situational comedy, MAD DOG quickly moves from one insane setup to another. There are some wonderfully described passages that will have you chuckling to yourself for weeks. It's fluffy, but it's not insultingly so. It's vaguely clever enough that I certainly didn't feel that I had wasted my time on something inconsequential. It's amazingly entertaining, and while I wouldn't want to read an entire series of books like this, as a one-off it succeeds magnificently.
MAD DOGS works as a great standalone romp through the weird and wacky world of Who. If you're someone who doesn't like your Who to be horribly serious at all times, then in all likelihood you'll adore this one. But then, you probably realized the lack of inherent seriousness present in the text when you threw your hands over your face to protect yourself from the intense radioactive blast of a cover.
Yes, camp is the word of the day to describe this one. Reginald Tyler (J.R.R. Tolkein, very obviously) has devoted his life to the writing of his master work, The True History of Planets. It is a large story about elves, trolls, goblins, etc. At least, that's the book that the Doctor has always known. However, after arriving at a science-fiction convention in the early 21st century, he discovers that the book is no longer about such fantastical creatures, but instead it's a book about the true events on Dogworld, where the Queen is overthrown and a new Emperor has taken over. A movie has been made of the book, which will make the situation on Dogworld even worse. Thus, the Doctor, Anji and Fitz have to figure out what's going on and how to stop it. They pick up some friends along the way and separate into the time stream in order to do this. The Doctor and one poodle go to the 1940's and infiltrate the Smudgelings, Tyler's elite Cambridge writing group. Fitz and Flossie (another acquisition) go to the 1960's and fall in with the flamboyant torch singer, Brenda Soobie, who's also more than what she seems. Finally, Anji and another poodle go to the 1970's, where work on the film is beginning. What follows is truly, truly...well, bizarre is probably the best way to describe it.
However, this is bizarre in a good way, rather than the weird events of Henrietta Street, the previous book. Paul Magrs has written a very broad comedy, with wonderful parodies of Tolkein, C.S. Lewis, and even George Lucas in a very over the top manner (he acts out his scenes by playing with his toys). There's even a comment on the decline of stop-motion animation and the rise of computer graphics in movies. In fact, that's a major plot point. And you'll never look at Noel Coward the same way again after reading this book.
But is it any good? Oh yeah, it's good. The plot is a bit too thin for this to be a 5-star book and the characters are fairly two-dimensional, but it is definitely up there. The Eighth Doctor series really needed this break in tone after Henrietta Street. It's funny, makes a couple of interesting points and fulfills the promise of the cover. The comedy is so broad that the characters can't help but be two-dimensional. There are no deep thoughts, the regulars don't develop at all, and the plot is flimsy. But that's hardly the point in this book. This is Dr. Who that doesn't take itself seriously, and where's the problem with that once in awhile?
Paul Magrs has written three other Dr. Who books, and each one has been infested (yes, that's the right word) with his character, Iris Wildthyme. This one has her too, but she's not that intrusive or annoying in this book. Thus, it's Magrs' best book of the lot. She's very subdued, or at least she is once you find out who she is. Magrs has also avoided doing some of his literary tricks that he did with his previous books that annoyed me. This book has an ending, for one thing. He has played with the English language, how it's used, and how literature is written in his previous ones, and they've left me cold in the process. However, this time he plays with tone instead, and he's much better for it.
You will laugh at this book. You will laugh *with* this book. You will glory in the wonders of Dogworld, sympathize with some of the poodles, while cursing at the other poodles. You will laugh at an aphid named Professor Alid Jag, who is involved in a wonderful gag right at the beginning of the book. I hope you won't be embarrassed by the cover as you read it on the bus to work. I wasn't. But I'm not easily embarrassed. It is, shall we say, garish. But that's ok. It's well worth it.
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If the author gets this mesage, please email me (sercolano@home.com) a response. Is there another book that has the answers ? Without the answers the bok is worthless.
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But apparently the layout of Sample Test #2 was changed, but the publisher neglected to change the answer key and answer explanations accordingly. For example, question 3 mates up with answer 5, and question 5 mates up with answer 3.
And there are a couple of spots where the Practice Questions in one chapter conflict with the text in another chapter. An example there is where the text says all license types can use multiple-floppy distribution, while the question on the same topic in another chapter says ISPs cannot use multiple floppy, and practice exam 1 says ISPs *can* use multiple floppy, but Corporate Admins cannot.
Those errors are not to disparage the work as a whole, but there are some significant quirks that make this difficult to consider a sole source of material.
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This is an excellent Animal Ark Pets book.
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The book is divided into different areas of the paranormal, and in each area, Chambers presents us with a figure of history who best exemplifies this area. For instance, when talking of vampirism, he tells us of Arnold Paole, and when talking of cryptozoology, he tells us of Frank Hansen and the Minnesota Iceman. In each area, a brief explanation of the phenomenon leads us into the presentation of each character.
With each character, we are not given a lot of information. Basically, he tells us the story and then explains his thoughts and the thoughts of subsequent studies into the phenomenon. The only problem is that some new characters are mentioned here, but never explained. For instance, Uri Geller is mentioned a couple of times, but the reader is assumed to be already familiar with Uri.
This does not mean the book is without merit. Chambers raises some very good points in the study of the paranormal. The study is filled with extremists on both sides and these extremists prevent serious study from advancing. For instance, if one fraud is found in levitation, the assumption becomes all levitation is fraudulent. Likewise, if levitation is proved false in one instance, true believers claim that there is a conspiracy to keep levitation a secret from the people. Chambers points out several cases where we should revisit the studies.
Although there are more books that go into more detail, I would recommend this book as a beginning study of the paranormal. The bibliography in the back provides further reading.
"...It was designed with hypertext in mind - that is, an electronic version which would enbale the reader to access from the screen explanations of characters or of grammar points in the displayed text."
In other words, it was created for a MBA course at Kings College and was meant to be used on computers. However, hypertext obviously doesn't work in the book and no CD is included. This means that the lessons start out with a majorly difficult story in Kanji and then you get explanations later on of what the Kanji mean and how they are formed. I personally learn better from flash cards (or just from reading the subway signs). I have lived in Japan for 3+ years, and I personally would not recommend this book.
The only reason I gave it more than 1 star is because the few Kanji explanations I saw (after struggling through the text) were somewhat informative.