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Lillian wanted a London season, and her brother Earl of Cardemore would do anything in his power to provide her that season in London, even if it meant blackmailing the handsomest bachelor in London. The Earl of Cardemore wanted Lily to be happy, and would do whatever he needed to make that happen. Her brother could make the gallant earl of Graydon, dance attendance on his sister, and he could even engineer the means to have them wed. What he couldn't prevent would be the devasted heartbreak if the truth be known.
This was a wonderful story of love against all odds. It showed that love has no boundaries and handicaps be dammed against the snobbish and uneducated feelings at the turn of the 18th century.
Definitely a superb book. I heartily recommend it!
Magnificent story with well-developed characters and views on how mutes and deaf-mutes were treated by Society. Highly recommended to historical and regency romance fans, particularly those who like a little depth to their romances.
The story is of Jacob and Eliza Knight, two children severed from their parents by masked gunmen with torches, as they fled their home being engulfed by flames. Finding themselves alone, they struggle to survive in the war-torn state of Missouri, where a bushwhacker's mask at night hides the smile of a lifelong neighbor by day. They're forced to take refuge in a home of an enemy sympathizer where Jacob learns through the bitterness of revenge the freedom of forgiveness.
Through Eliza and Jacob's trials, my children gained an understanding of both sides of the war along with a message of forgiveness and unity that is powerful and engaging.
My ten-year-old is studying the Civil War this year at school, and shared her copy of "The Bushwhacker" with her teacher. Her teacher not only enjoyed reading it herself, but has also added it to her class curriculum.
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What is essential about this book is that each poem comes with the bilingual translation in English and accompanied by the original works in Spanish. Two years of high school Spanish, as well as two years in college, has rendered me with a woefully inadequate ineptitude of all words and understanding of that language. But I don't think that the translation can ever capture the sound, the alliteration, the true tongue/la lingua and fluid language that Paz meant in his original Spanish. Even if I don't understand a lick of what's on the left side of the page in Spanish at least it can be read for it's beautiful sound. Listen to this, "Through the conduits of bone I night I water I forest that moves forward I tongue I body I sun-bone Through the conduits of night" and then on the even-numbered page, "Por el arcaduz de hueso yo noche yo agua yo bosque que avanza yo lengua yo cuerpo yo hueso de sol Por el arcaduz de noche."
What are you doing still sitting here reading my crappy writing when you could be reading Ocatavio Paz? Go get the book...you'll see.
Paz consistently suprises the reader with new ideas, form, language. Paz creates an atmosphere that is soothing, and enchanting. I would highly recommend this work.
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Much of the technical info can be found in basic photography books but Paul has emphasized certain points for macro work so it can actually double up as one to a certain extent. In fact the chapters are laid out much like a basic photography book.
Simple to understand and yet detailed enough to keep advanced amateurs reading but to really duplicate the efforts one really needs to have the luck and patience. In fact some of the images are micro techniques already.
Unfortunately it did not really enhanced my knowledge on macro (I give 5 stars for the superb presentation and usefulness to a beginner). If you want more technical info on macro like mixing accessories, then read up John Shaw's Closeups in Nature instead. This book is more focused on flora and is also excellent in its own right.
I found that this book is pegged at the intermmediate to advanced amateur level. The pictorials are lush and the explanation simple, yet giving reference to the more complicated concepts which was what I was looking for.
The pictures are an inspiration - making me want to go out and put in practice what I have learnt. This is the ultimate test of success in any book. Some excellent examples of this come from Art Wolfe, John Fielding, George Lepp ...
If I were asked to name 2 books that top my list (and I have bought or looked through almost all there is - since this is my passion!) which speak of macro, I would name John Shaw's and this one!
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Within a mere 126 pages, Elsschot humorously recounts the tale of Frans Laarmans, an ordinary clerk, who tries his hand vainly at the cheese business. Laarmans is a clerk with General Marine and Shipbuilding Company and is quite content to plod along until a friend prods him to delve into the cheese business. What follows is a wonderfully wry and funny look at business. Larmaans is quite unsure about what to do when ten thousand wheels of the red-rinded Edam cheeses arrive at his doorstep. He knows he has to sell them all, but would rather first set up his office with a proper desk and typewriter. In the end, his business collapses predictably, but Laarman's failure saddens the reader. One feels for the shy clerk right from the beginning to the end.
Elsschot had a wonderful gift for telling a story in just a few pages and "Cheese" is a wonderful example of it. I was tempted to read more by the author but sadly found out that most of the rest of his work is out of print. Special thanks then to Granta Books for republishing this one.
Other pluses for the book are the bright red jacket, the price, and the crisp writing style. I finished the book in one sitting at the beach.
"Cheese" is just as delectable as the full-cream Edams featured in it. Dig in!
It might be a good idea to send some copies to the Enron executives.
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