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The photos in this collection are not the best work of Bowen, to judge from the Szrovy book, which concentrates only on turbine-powered aircraft.
Who picked the shots? They're bland and predictable, except for one picture of a Lear climbing nearly vertically into the sky.
There are few full-bleed pictures, so why is this book so expensive?
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Coming from a bizarre family, he was maladjusted and socially inept, and so he lived in the world of books. No wonder he thought and wrote such strange things: he didn't have a clue about how to live as a normal person. Then, in the part not covered in the book, he built a brilliant career as an independent yet professional intellectual from his obsessions. If this kind of thing is your cup of tea - and if you buy into the myth of Sartre's genius - then you will like this book. I approached on its own terms as a literary work, without a fascination for this little toad, and I was left unimpressed. Not even the writing, which a French pal praised to me and which I read in the original, is very good.
As I put it down, I felt, "so what." Sartre was just a self-obsessed, bright twerp of a kid.
I can appreciate your not liking Sartrean philosophy. It is limited, self-refuting, and one-sided. When Sartre says "man is what he wills himself to be" we tend to agree. But Sartre goes on to say that "consiousness is afraid of its own spontenaity." In fact, he argues that there is no "I" behind consciousness. In other words, we aren't really "free" after all. Not to mention his neglect of mysticism and peak experiences, which to me have more validity than "nausea."
So far so good. You're right: people have made Sartre a trend. However, your criticisms of his youth are bogously 'out of line.' Calling him names ("twirp," "abnormal") is immature at best. You show no sympathy for the young boy Jean-Paul Sartre. It seems to me that you display a jealousy to Sartre's intelligence. You put him down because you cannot relate to him. And to cover this up, you try to say that Sartre had no genious in the first place. Obviously you never read his novels, which got him a Nobel Prize. Even you cannot deny that Sartre is one of the only philosophers to be a "writer" too.
Even if Sartre was "maladjusted," as you so unbrilliantly point out, how is this Sartre's fault? His devotion to books was the best thing for him to do. Had he not done so, he would never have become the most famous thinker (next to Freud) of the 20th century. While you were dating shallow girls, young Sartre was seeking truth. While you were getting drunk, young Sartre was being an individual and thinking for himself. Keep that in mind, if you have the courage.
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As he recalled his adventure, readers would see Paul Chavasse, who had 3 years before successfully smuggled the Dalai Lama out of Tibet, return in order to extract a 70-year old sickly mathematician. His mission almost ended the moment it began, running into a group of Chinese soldiers and Russian journalist who happened to be passing by as he landed in the remote wilderness of Tibet. His mission was made even harder with the presence of a beautiful Russian house helper Katya in the home of the mathematician, and the relentless diabolically shrewd Colonel Li, commander of the regional Chinese garrison.
Betrayal, torture, deception met Chavasse at every turn. How was he going to return with a sickly geriatric over such long distances of inhospitable terrain at Himalayan altitudes ?
Readers may not get a treat of how harshly beautiful Tibet is, but there is no shortage of excitement as Chavasse fought to remain true to his mission. Unlike other books where the adversaries are depicted rather one-dimensionally, Colonel Li posed as a most worthy foe, Jack Higgins being able to portray him as having realistic mind of his own.
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I would always recommend buying a book with CD because unless you can sight read music you really benefit from the play along with the tracks. This book in particular teaches classic riffs that are still current (3 doors down, collective soul, creed).
The licks are easy to follow but sound authentic and professional.
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