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The text that accompanies the following forty color plates (a selection of paintings) is the calm, clear art criticism that Grohmann is so good at. The plates' reproduced colors are good but not great. What's best is that Grohmann is such an able teacher. He describes each painting straightforwardly, and then asks intelligent questions, suggests answers that seem well-thought-out, and inspires one to further thought and research. His friendship with Klee gave him some additional understanding of his friend's work and lifelong passions and motives.
A very worthwhile book on a great artist.
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I had commented earlier that Klee's work would be especially interesting to youngsters because a lot of what he did would be the sort of things kids would be doing in their art classes, combining water colors and pen work, for example. Raboff makes Klee's works even more accessible by writing the text in different color markers, giving the book the feel of a school project. By the time young readers finish this book they will understand Klee's belief that an artist must "learn how to look beyond the surface and get to the roots of things." That particular point is evidenced by Klee's entire body of work.
It is not like Klee does the same thing over and over again. "The Goldfish" is quite different from "Around the Fish" (see cover), although I clearly a preference for watercolor and pen artwork, such as "Carnival in the Mountains" and "Twittering Machine." My favorite is "Magic Garden" and I think the great attraction of Klee for young readers is that his artwork is pretty much something they can do in their own art classes or at home. As always, this book is illustrated with not only works by Klee, but by some of his closest contemporaries (which only helps to prove his superiority) as well as Venezia's cartoons, which emphasize key events or aspects of Klee's life (e.g., tracing patterns he saw in marble table tops at his Uncle Ernst's restaurant). I look forward to other volumes in this series about abstract artists, but I am pretty sure I am not going to change my mind about liking Klee best. Sorry guys.
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I had commented earlier that Klee's work would be especially interesting to youngsters because a lot of what he did would be the sort of things kids would be doing in their art classes, combining water colors and pen work, for example. Raboff makes Klee's works even more accessible by writing the text in different color markers, giving the book the feel of a school project. By the time young readers finish this book they will understand Klee's belief that an artist must "learn how to look beyond the surface and get to the roots of things." That particular point is evidenced by Klee's entire body of work.
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Consider this. A Gateau of Black Pudding, Onions and Cabbage. If that gets the juices going, then buy this book without hesitation!