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While I don't really think you'd need to read "Devil By the Deed" first, I think it would really give you the big-picture of the relationship between the characters and the context in which each of the short stories take place in. You should be able to find "Devil by the Deed" for around ..., so it couldn't hurt to pick it up at least in addition to "Black, White, and Red".
The first story in the TPB is "Devil's Advocate". I liked it so much I was really excited about the rest of the stories. Only later did I find out that it had in fact won an Eisner Award in 1999 for Best Short Story. While the rest of the stories are good, they pale in comparison to "Devil's Advocate". If nothing else you should pick up "Black, White, and Red" #1 just so you can read the first story in the TPB. Depending on how much you like the other material, you can pick up the entire series.
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My first problem is that many of the characters are black and white, and behave in an incredibly predictable manner. Abeleyn, for example, was faiarly interesting during the first book but falls into the cliched "young prince grows into kingship" mould. What makes this worse is that the author repeatedly has both Abeleyn and other characters make this observation. Rather than allow his character's actiosn to speak for themselves, Mr Kearney takes a much less subtle rout.
Secondly, I have problems with the plot, because it too is slipping into a predictable groove. Very little happens during this book that an average reader would not anticipate. There are no complete surprises such as those in George RR Martin's Song of Ice and Fire series. I never felt truly worried about the protagonists, because they were never in any real danger.
All that being said, Heretic Kings has a unique and imaginative environment that sets it apart from most other fantasy books. The Renaissance-era technology is well-implemented and believable, as is the nature of magic in Mr. Kearney's world.
Although the aura of suspense is somewhatlacking (Kearney gives away secrets much too freely), I would still reccomend this book to anyone who is intrigued by the setting and doesn't mind the intermittantly bad writing.
Many questions will be answered in this book including these: What will happen to the people that Ricard Hawkwood has lead across the Great Western Ocean? What is going on in Charibon? In Abrusio? What is happening to all of your favorite characters? In addition to the answers that will help resolve your anxiousness to know what is happening you will be riveted due to new plots.
Paul Kearney gives you great characters. The characters in "The Heretic Kings" are not cheesy, one-sided people that you could just tear apart and make fun of. Every character is interesting and can be cared for. From King Abelyn to Corfe, all of the characters are people that you wish that you could know.
There are multiple plot lines and many characters to this great story, but don't let that interfere with your enjoyment of this. Once you are into this you will be hooked and you'll have this novel done very quickly. Before you read this second novel in this series make sure that you have read book one of "The Monarchies of God," titled "Hawkwood's Voyage." "The Heretic Kings" will definitely thrill people that have read book one and you will enjoy this novel even more than the first one. This is an epic fantasy must read.
Happy Reading!
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As a Romantic debauchee lusting for poetic description with the kind of wit that bites its object of desire in the middle of the back, my only complaint of such a work as Carus's lies here. Those searching for the blasphemous variety need not turn to necromancy to evoke such animated literature as some precious few remain miraculously in print ( Eliphas Levi, Montague Summers,and Grillot de Givry, respectively, all relative contemporaries of Carus---1860, 1926 & 1931---serve excellent examples). Carus however was unconcerned with novelistic delights and concentrated upon discovering underlying formations of principles and morality within a cultural context; his establishing of historical factual sources, verifiable and in most cases evident, posits him upon a high mount of scholarly regard in the lands of comparative religions.
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This is a great addition to the Animal Ark Pets book series.
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However, if you need a good reference to various aspects of this subject, it's pretty good. Some of the material is slightly out-of-date, but for the most part, it serves well when there's a small detail that's bugging you, or you need to just refresh your memory about something.
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The suggestions in this book fall into 3 categories. (1) the obvious: movie, window shopping, dinner, etc., (2) the silly (lunch at a hot dog stand--do you really need instructions?) and (3) the ones you wish, like share a bath. Hint: if you and your date are taking baths together this book is superfluous.
Of course there is the usual, film festival, wine festival, bike ride and so on. But you can get this out of the sunday paper.
Not only are the ideas mentioned, but also background information about them. For example, the author lists playing pool as a date idea and then lists the different types of pool games there are. I never knew that. This is one book that I know I can refer to the next time I meet some nice lady and want to do something other than a movie.
Now it's just a matter of finding nice women to go out with!
I would also recommend for more creative and unusual date to go to 300creativedates. com -- I loved what I found there and more importantly so has my girlfriend.
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First of all, if you are nonfan and not familiar with Grendel/Hunter Rose, those stories whose purpose is mainly to flesh out his history are not very meaningful. You get a glimpse at his story, but that's it. Secondly, if you are a fan familiar with the characters, the fact that they were only around for a extremely brief, although brilliant run and are now a long dead and forgotten part of the mythos in more recent stories also renders the increased background of Hunter Rose less meaningful (and no new insight into the Grendel entity itself is offered). It is not unlike the black character in Kubrick's version of the Shining: sure, he was interesting in the beginning, but there was no point bringing him back into the story just to get killed by an axe. Mayber Wagner will prove me wrong when he finally takes back control of the series.
Fortunately, I believe it is still possible for readers, even casual ones, to get caught up in the short stories whose focus are more upon nonrecurring characters (thus we get their complete story). However, while those stories are effective examples of noir literature, they are all too brief for the reader to get as tied up with the characters as one would wish and the supernatural/superhero aspects of these stories also take away from their effectiveness.
Matt Wagner covered noir territory far more effectively in his Sandman Mystery Theatre series. Still, this collection is a rather handsome volume.