We love to sit and watch the moths bees and butterflys come to our bushes (we actually have 7). With this book we have been able to identify the moths and butterflies.

This introductory field guide is much, much better than the old Little Golden Guide" that beginning Lepidoptrists (butterfly lovers) have relied on in the past. I wish I had had the new First Guide version a kid! It shows accurate color drawings of the most common species, along with the food plants and, in some cases, the other life stages such as larvae and pupae.

I especially like the fact that it includes so many moths -- not just the showy ones like Cecropias and Lunas that beginners dream about but seldom find -- but some of the little gray and brown ones, too, such as might show up any evening around your yard light. Plus, I finally found out that a grayish day-flying moth with a metallic-blue body that I see around here all the tiime is callled a "Southern Ctenucha."

As a Master Gardener volunteer, I currently recommend this to 4H-ers (and adults, too) who are just getting started in entomology. It's easy to use, and the light pocket size makes it nice for children to carry on field trips. Buy it along with "First Guide to Caterpillars" in the same series (which I have also reviewed here on Amazon).

'Phaedrus' is the first work ever to provide an explanation to how we organise our ideas, speeches and use our knowledge in a general sense. It explains the basics of an arguing and convincing, within the context of Greek politics and society.

As I said, it's division and gathering that is evident in all of our arguments. We make our claims based upon the similarities and differences in things, and this is the core of argumentation.

In his dialogue style, Plato talks about many other things, that range from what makes a good writing a good one, to the heritance of knowledge. How should knowledge be attained from others? How should we present our knowledge for new generations to understand us? These are some of the questions that come up in Phaedrus.

Plato, one of the clearest writers in philosophy, wrote yet another beautiful work. I've started reading Plato when I was thirteen, and I really enjoy reading his works, which just flow.

I recommend not only this book, but almost any book of Plato's, for all philosophy lovers out there, and all those that would like to make their first attempt in understanding some philosophical issues, which build the base of our living.

In Phaedrus, Plato records the conversation of love and rhetoric between Socrates and Phaedrus. Socrates uses love as a metaphor for rhetoric by categorizing the differences between love and lust, as well as the differences between a philosopher who pursues divine truth, and a poet who forgoes truth for ostentations. Then Socrates and Phaedrus eventually conclude the requirements for being a dialectician. In the course of defending proper love and truth, Socrates pointes out that beauty and truth are divine. Whoever pursues reality would worship beauty and truth with reverence, and his admirations of divinities yield pleasures. Then in order to receive the blessing from gods, the proper lover and the philosopher must overcome desires with reasoning. Conversely, those commoners who are tempted by earthy imitations of the reality would be trapped by carnal or linguistic pleasures, as the improper lover and the poet, who lack reasoning would drown in the momentary enjoyments of their own wantonness.

Doctor Blanshard has been criticized for not being a very original thinker. Whatever one thinks about original thought, one must admire a philosopher who expends the effort necessary to be understood and never hides in obscurity. Blanshard wrote a book 'On philosophical Style' and a better example of excellence in writing style cannot be found than this book edited by Paul Arthur Schilpp. As a student of philosophy I always found it difficult to locate material that could present philosophy alive and allow one to study it as though taking part in the ideas. As each philosopher presents Blanshard with his/her criticism, one finds oneself actively participating in the cut and thrust of ideas as Blanshard responds at the end of each essay. Only the dialogues of Plato rival this work in providing the reader with the impression that he/she is present as great minds exchange ideas. The professional and amateur will long treasure this fine example of philosophical debate. END

Brand Blanshard, easily the twentieth century's sturdiest defender of reason, rationality and the "rational temper," exemplified that temper in every line of his graceful prose. His solid defenses of e.g. the nature of mind as seeking and striving after ends, the end of thought as systematic understanding, the coherence theory of truth, the objective existence of necessary logical and causal connections, the universe as a strongly coherent logical and causal whole in which every fact entails and is entailed by every other, the meaning of "goodness" as the objective fulfillment of human ends accompanied by the taking of satisfaction in that fulfillment -- his defenses of these views and others won the admiration of friends and critics alike, both for the thoroughness of his approach and for the generosity with which he treated opposing positions. In this volume he exchanges essays with many of those friends and critics, providing yet again not only a defense of his views but an admirable example of how to conduct oneself in philosophical controversy. In a departure from the practice followed in the other volumes in this series, Blanshard replies to each critical essay individually rather than in one long reply at the volume's end. The effect is that the book reads like an extended philosophical conversation, in which Blanshard deals personally and closely with each thinker in turn. His replies also indicate where his thought had grown and developed since the publication of _The Nature of Thought_ in the 1930s, thereby continuing his thought along the lines laid down in _Reason and Analysis_, _Reason and Goodness_, and Reason and Belief_. The essays and replies are arranged topically, covering the full range of Blanshard's rationalist philosophy. And an introductory autobiographical essay provides a delightfully personal introduction to the man himself. No student of Blanshard can afford to miss this thorough and thoroughly engaging volume.

As a hog odor researcher, I found this book to be a very valuable resource. Excellent selection of discussions regarding the often neglected social aspects in the evolution of the hog industry from some of the "hidden" players in the pork industry, that is sociologists, anthropologists, community leaders, conscientious politicians, and some local farmers.

As a hog odor researcher, I found this book to be a very valuable resource. Excellent selection of discussions regarding the often neglected social aspects of the evolution of the hog industry from some of the "hidden" players in the pork industry, that is sociologists, anthropologists, community leaders, conscientious politicians, and some local farmers.

Finally, a language program that progresses at a reasonable pace. Languages are very difficult for me to learn, yet with this program I'm moving along quite rapidly. The repitition is wonderful, allowing the words to implant themselves in your long term memory. No studying, just plain and simple verbal practice, which leads to long term memory and retention.
Other tapes focus on memorizing sentences and responses, without building on the fundamentals. This programs continues to build on itself so you feel confident in new situations, using new combinations of words and sentences. I can't wait to go to Italy and put it to good use.

I have tried so many other audio language courses that have left me nothing but confused! This is the absolute BEST audio instruction package I have found. My retention is near 100%. I can't wait to get my hands on the next level of instruction!!

The Oceanic culture is a beautiful philosophy and a beautiful way of life. I think of my gentle son who loved the Pacific Rim so much and manifested so many of their values. It's a truly loving culture, and love, Pearsall points out, is not a feeling, but a way of treating someone that takes infinite patience and practice to learn and to develop. "Only the very patient should marry," he says, "for it takes a very long time to learn to love someone." Marriage to the Polynesians is forever and one test of a pleasurable relationship is that it makes your family and your world a better place. Pearsall's thoughts on anger were especially welcome. Somehow I always "knew" that expressing anger was not the answer to anything, having been assaulted and sickened by outbursts from others, but rather it puts out a negative forcefield for everyone involved that spreads like ripples in a stream. His Myths about Anger should be read by all. Full of kind words and aloha, this book will warm your soul and give you the courage to live the way your heart and soul know they should in a world that hasn't accepted it yet. Be you, be well, be in lokahi (unity), be the first. I deeply recommend this book. Don't be fooled by the simplicity. The philosophy will take up residence in your heart, which needs it badly.

I whole-heartedly recommend this book to people who feel they are close to or wanting to discover their connection to (society, life and) the universe. If you are in conflict with Western values and finding Eastern philosphy enhancing but not complete then you may find the best (final?) answers here. I feel I have, and am now empowered with by the healthiest version of "me". This is a realistic approach to life and an amazing comprehension of living. This book bound all my tangled and unkempt parts together so quickly and seemlessly that I owe my friend Bruce for dropping it in my face and also Stephanie for giving me reason to read this book. I wish them the best. I put the Pleasure Prescription to work from the first time I opened it and I belive it will continue to work it's way into every aspect of my life. I will work at it happily now. All the honesty, natural unity and wonderful clear thoughts expressed in this book may change you. If you are ready. If you believe in balance. The key ideas: patience, connection, pleasantness, modesty and tenderness do blend with everyday love, work and play. Best thanks to Paul Pearsall. Aloha!

This book depicts an artists journey through the indiginous people of the southwest through their art and artifcats . This artist has an uncanny ability to depict the spiritual and mystical qualities of indiginous peoples and their belief systems.

The color plates in this book are magnificent and spellbinding. A must have.

Pletka's painting is exceptionally evocative. His Indian subjects, their dignity, his essential spirituality and theirs, the intense colors and rich detail -- it's all very stimulating.

I highly recommend this book: the production is first-rate and the text enhances the plates. It may be expensive but is well worth it.

As is typical for the Loeb classical library books, the volumes are physically small, and the original text (Greek, for Plotinus) is given on the left hand page, with the English translation on the right.

The Preface describes the historical context within which Plotinus wrote, offers a summary of this thought, and a survey of Plotinus translations, commentaries, and studies. This material is supplemented by short introductions and synopses at the start of each chapter, and by abundant and detailed footnotes. The footnotes explain translation difficulties (not uncommon with Plotinus), and also identify the sources of Plotinus' references to other writers. These materials are excellent.

The only thing that this edition lacks is an index. The editors plead the difficulty of indexing Plotinus, and recommend "Lexicon Plotinianum" by J. H. Sleeman and Gilbert Pollet as an alternative. This work is, however, out of print (is it even in English? I am not sure) so it is not a very helpful suggestion. As it is, given Plotinus' rather scattered way of writing, an index is missed.

The Enneads are a collection of Plotinus' writings from fairly late in his life. Porphyry, his student, encouraged him in writing down his teachings, and acted as his posthumous editor (he also wrote a short biography of Plotinus which is included in the first volume). The works as they exist today are as they were received from Porphyry. As editor, Porphyry created his own organization for the works based on subject matter. This order is completely different from the order in which Plotinus wrote them. Porphyry, however, did document the original ordering.

From my own experience, however, I would recommend strongly reading Plotinus' writings in the order Plotinus wrote them rather than the order in which Porphyry arranged them. The major advantage I found was that it was much easier to follow the reasons why Plotinus believed what he did, even if the subject matter does jump around a bit. I tried Porphyry's order first, and almost gave up in despair before trying again in Plotinus' order. I have come to the conclusion that much of Plotinus' reputation as a bad writer is due to unfortunate but well-intended editorial decisions by Porphyry. Given that the Loeb edition presents Plotinus' writings in Porphyry's order, and that the Loeb edition is in multiple volumes, reading Plotinus this way does have a certain entertaining quality as well (first get volume IV, read a treatise, then get volume VI, read another, then get volume I, read another, and so on).

An important recommendation I would make for the reader is that he be properly prepared in his background reading. All of Aristotle and all of Plato would be ideal (as well as a worthwhile activity in its own right), but if the would-be reader of Plotinus finds that a little daunting and wants to get started sooner, there are still a few works that he should make a particular effort to read: Plato's "Phaedo", "Republic" (Books VI, VII), "Parmenides", and "Timaeus"; Aristotle's "Physics", "On the Heavens", "On the Soul", and "Metaphysics". Plato, as the earlier writer, should be read first (by the way - don't be discouraged when you find you don't understand the second half of "Parmenides", Plotinus is going to tell you what he thinks it means in due course, so all you need to do is understand the references). If you don't have Plato or Aristotle, for Plato, Cooper's "Plato: Complete Works" (in one volume), and for Aristotle, Barnes' "Complete Works of Aristotle" (in two volumes), are excellent.

This Loeb Classical Library edition of the works of Plotinus is in seven volumes. The titles are as follows:

Plotinus I: Porphyry on Plotinus, Ennead I (Loeb Classical Library, 440)

Plotinus II: Ennead II (Loeb Classical Library, 441)

Plotinus III: Ennead III (Loeb Classical Library, 442)

Plotinus IV: Ennead IV (Loeb Classical Library, 443)

Plotinus V: Ennead V (Loeb Classical Library, 444)

Plotinus VI: Ennead VI, Books 1-5 (Loeb Classical Library, 445)

Plotinus VII: Ennead VI, Books 6-9 (Loeb Classical Library, 468)

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Below is the combined table of contents for those volumes:

TABLE OF CONTENTS FOR VOLUME I:

Preface (editors)

Sigla (editors)

On the Life of Plotinus and the Order of his Books (Porphyry)

Ennead I:

1. What is the Living Being, and What is Man? (53)

2. On Virtues (19)

3. On Dialectic (20)

4. On Well-being (46)

5. On Whether Well-being Increases with Time (36)

6. On Beauty (1)

7. On the Primal Good and the Other Goods (54)

8. On What Are and Whence Come Evils (51)

9. On Going Out of the Body (16)

TABLE OF CONTENTS FOR VOLUME II:

Sigla (editors)

Ennead II:

1. On Heaven (40)

2. On the Movement of Heaven (14)

3. On Whether the Stars are Causes (52)

4. On Matter (12)

5. On What Exists Actually and What Potentially (25)

6. On Substance, or On Quality (17)

7. On Complete Transfusion (37)

8. On Sight, or How Distant Objects Appear Small (35)

9. Against the Gnostics (33)

TABLE OF CONTENTS FOR VOLUME III:

Sigla (editors)

Ennead III:

1. On Destiny (3)

2. On Providence I (47)

3. On Providence II (48)

4. On Our Allotted Guardian Spirit (15)

5. On Love (50)

6. On the Impassibility of Things without Body (26)

7. On Eternity and Time (45)

8. On Nature and Contemplation and the One (30)

9. Various Considerations (13)

TABLE OF CONTENTS FOR VOLUME IV:

Preface to the Loeb Plotinus IV-V (A. H. Armstrong)

Sigla (editors)

Ennead IV:

1. [2] On the Essence of the Soul I (4)

2. [1] On the Essence of the Soul II (21)

3. On Difficulties About of the Soul I (27)

4. On Difficulties About of the Soul I (28)

5. On Difficulties About of the Soul III, Or On Sight (29)

6. On Sense Perception and Memory (41)

7. On the Immortality of the Soul (2)

8. On the Descent of the Soul into Bodies (6)

9. If All Souls are One (8)

TABLE OF CONTENTS FOR VOLUME V:

Preface to the Loeb Plotinus IV-V (A. H. Armstrong)

Sigla (editors)

Ennead V:

1. On the Three Primary Hypostases (10)

2. On the Origin and Order of the Beings Which Come After the First (11)

3. On the Knowing Hypostases and That Which is Beyond (49)

4. How That Which is After the First Comes From the First, And on the One (7)

5. That the Intelligibles are not Outside the Intellect, and on the Good (32)

6. On the Fact that that Which is Beyond Being does not Think, and on What is the Primary and What the Secondary Thinking Principle (24)

7. On the Question Whether there are Ideas of Particular Things (18)

8. On the Intelligible Beauty (31)

9. On Intellect, the Forms, and Being (5)

TABLE OF CONTENTS FOR VOLUME VI:

Preface to the Loeb Plotinus VI, VII (A. H. Armstrong)

Sigla (editors)

Ennead VI (continued in volume VII):

1. On the Kinds of Being I (42)

2. On the Kinds of Being II (43)

3. On the Kinds of Being III (44)

4. On the Presence of Being, One and the Same, Everywhere as a Whole I (22)

5. On the Presence of Being, One and the Same, Everywhere as a Whole II (23)

TABLE OF CONTENTS FOR VOLUME VII:

Preface to the Loeb Plotinus VI, VII (A. H. Armstrong)

Sigla (editors)

Ennead VI (continued from volume VI):

6. On Numbers (34)

7. How the Multitude of Forms Came into Being, and on the Good (38)

8. On Free Will and the Will of the One (39)

9. On the Good or the One (9)

The numbers in parentheses indicate Plotinus' order of composition, which differs from the order given them by Porphyry and which this edition follows.

The bracketed numbers for the first two chapters of Ennead IV are an alternate ordering for them.

This is a marvelous work that one who loves poetry and appreciates the beauty of Mr. Dunbar's work must have!

Paul Laurence Dunbar is a rare gem. Something to be treasured for all time. His poetry is so honest and pure, so revealing that it is almost painful to read.

Poems of Cabin and Field moved me in ways hard to describe. I was hit from three intimate directions at once. I am a poet, this is the heart of poetry. I am an historian, this is living, breathing history. Lastly, but first by nature, I am a Southerner, and this is as Southern as it gets.

Dunbar's work is a masterpiece. My favorite was "The Deserted Plantation," which is the very kernel of Southern history itself, though it is hard to choose any single line over another in these wondrous gifts of soul. It is so refreshing to dip in this sparkling wellspring of the South.

May Dunbar and his Poems of Cabin and Field be remembered always.

Poet and translator Michael Hamburger has done us an excellent service by giving us this book, which will certainly become the bilingual edition of choice for Paul Celan. A few words.

On Celan: Probably the second most important German-language poet of the 20th century after Rilke, but very different in style and mindset! Whereas Rilke provides incredible lyricism, Celan's poetry is jerky, raw, cut-off, even tortured. Struggling with how to write poetry in the German language after the Holocaust (Celan was a Jew), he chose to focus on the basics of language - prepositions, pronouns - and place the language under such pressure and in such tension that poetry could again speak. To Adorno's claim that there could be "no poetry after Auschwitz", Celan proved there was a way, but it was a very difficult one. If you have not yet come across Celan, I can heartily recommend him as one of the greats of the 20th century. His most famous poem is "Todesfuge" or "Death Fugue", but his other poems are also excellent. But be forewarned - this is no light verse. You'll get some heavy stuff, but you'll love it.

On Hamburger: he is a good poet in his own right and a wonderful translator, having already provided the best edition of Hoelderlin's poetry. Now that he has turned to Celan, we benefit very much from his efforts. Celan is incredibly difficult to translate, and the translator must make many choices and must try not to destroy the ambiguity in the German by reducing it simplistically into the English. Hamburger does a good job in this - in most cases a better job than Felstiner, who is the other main translator of Celan (and has a different collection). I would recommend Hamburger's translations over Felstiner. In most cases, he retains more, and there are fewer times when you will say "Eh? Why did he do that??" I suppose if you don't speak any German at all, this will make less of a difference, but if you're getting a bilingual edition you probably can at least read a little bit.

Well, a very good book of translations and a fantastic poet. What more could you ask for?

...have been for him to come across the words he found growing in himself in the tongue of the enemy:

Schimmelgrün ist das Haus des Vergessens.

Vor jedem der wehenden Tore blaut dein enthaupteter Spielmann.

Er schlägt dir die Trommel aus Moos und bitterem Schamhaar;

mit schwärender Zehe malt er im Sand deine Braue.

Länger zeichnet er sie als sie war, und das Rot deiner Lippe.

Du füllst hier die Urnen und speisest dein Herz.

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Green as mould is the house of oblivion.

Before each of the blowing gates your beheaded minstrel turns blue.

For you he beats his drum made of moss and of harsh pubic hair;

With a festering toe in the sand he traces your eyebrow.

Longer he draws it than ever it was, and the red of your lip.

You fill up the urns here and nourish your heart.

---------------------------

I read these translations side-by-side with the originals, and find them to be about as ept as it gets -- German poetry is clunky enough put into English, but with Celan it gets completely out of hand -- his Deutsch reads like a patois of German and Martian -- twisting the sounds into shapes like a balloon-animal-maker before a birthday party of children, wringing meaning and context and consonance from consonantless animal cries, deep in the night, skinned on frost, in a crater of some prison moon, staring down at the earth very small and far away and jewellike from that distance...

He is such a poet of genuine Mystery -- each poem is like a game wherein he asks you, very nicely, to allow him to blindfold you; you assent to it, and then let him lead down through the scrub and over the cobbles and down to the riverbank and then you hear him jump in. By the time you get the blindfold off and figure out where you are, he has sunk from sight, shoes full of stones... All that is left is the poem, written on dry leaves with a stick dipped in mud, already coming apart in your paws...