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It has Chapters on Dickens, the story and it's creation and the many Film, T.V, and Cartoon versions. I don't agree with the author that the movie Scrooged is so avfull, I'm not saying it's a Great movie But I found it quite Funny actually.
But apart from that this is a Fun Book to read around Christmas time when you have reeread Christmas Carol, watched all your Christmas Carol Videos, stuffed yourself full of Marsipan, Chocolate and Sherry and been visited by the Ghost of Christmas past.
This book is broken down so the reader will not only be able to read about the many different film versions of a 'Carol' that have been released, but the cartoon, television, and even the original book version is reviewed as well. An example of what I learned is that I had no idea that there was a version starring Sir Seymour Hicks filmed back in 1935 until I read about it in this book. I then searched out and found a (rather poor, unfortunately) copy of THAT version. There is also a small biography of Mr. Dickens, so the reader will understand where many of his ideas for his novels came from.
The writing style is quick, informative (LOTS of trivia and pictures throughout!), and upbeat.
I don't know if this has been updated to include the Patrick Stewart version or not, as I purchased this book back in '97. I will definitely pick up a revised copy should one become available.
A great bathroom book!
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Recently a class involved in an extensive training course asked about Homework. I suggested reading the issued text books by the next morning. (Big mistake) The next AM, I was inundated with questions and ideas about communications cabling. Further, I sold 12 of the VD&V books immediately. Most of my people had spent many hours reading over and reveiwing all required reading. These students were all eminently qualified instructors in a Communications, train-the-trainer course.
Many people assume that they can learn everything from books without the benifit of formal instruction. An unfortunate mistake. I have to deal with this attitude on a daily basis. However if you want to be close to this assumption, try this book. Always keep an open mind and try to refrain from the negativity.
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Brockleman believes that spirituality is the common concern of all Humanity, especially for those individuals whose lives seem to be deviod of it.
This book is short (only 177 pages) and as such does not reach the kind of depth of analysis most American academic philosophers hold to be the mark of worth. However, this is precisely why the book has merit: It is easy to read, it makes broad, general, and meaningful assertions with which any non-philosopher can associate, and it puts a different spin on science and our modern world that will in all likelihood strike the reader as new and perhaps even refreshing.
Brockleman is concerned with how we live our lives. He is not concerned with a defence for why this question is meaningful. Nor is he willing to engage is a haughty philosophical dialectic that makes the question more of a thought experiment than one in which each of us is actively engaged. For academic philosophers in the analytic tradition this is an unsatisfactory approach. For anyone else, however, it is the only approach that really matters, because it is the one that will give our everyday experience more holisitc, spiritual meaning. If this sounds touchy-feely, then this book is not for you. But if you are concerned with your identity and life in this short-sighted, quick-fix modern society, buy and read this book: It might open your eyes.
I hope Paul Brockelman feels called to continue in the vein of Cosmology and Creation and flesh out his spirituality for the benefit of we, the inspirationally bereft!
In the Jamesian mode, he enthusiastically factors his own experiences with wonder into his analysis. We sense throughout a vibrant spirit that wants to sit us down and meet us humbly eye to eye. This is a philosophy that does not exert rational power over its subject, but surrenders again and again, like in the best of Kierkegaard, to the power of the subject. There is wisdom here in the process, in the way Brockelman advances and recedes with his intellect, in the way he teases understanding from complex relationships.
Most of all, this is a book that wants to make contact with us, that is seemingly unconcerned with "its place" in some disaffected post-modern debate. And for that this reader is grateful.
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The discussion of hypertension, for example, consists of 3/4 page, does briefly discuss workup of newly dx HTN, and lists drugs and dosages - but NOT any recommendations for which drug to use in which patient, and no mention of guideline such as JNC-6.
The one page on active TB discusses workup and treatment regimens, but NOT possible hepatotoxicity of drugs, and NO discussion of which patients would be more likely to have resistant disease.
It seems to essentially be a FP version of the "Wash Manual" (Washington Manual of Therapeutics), and as such is appropriate for FP housestaff, but NOT for experienced clinicians, midlevel providers, or those doing only outpatient medicine.
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I did learn quite a few facts from this very clearly-written book, such as Descarte's odd sleeping habits, his apparent facility in composing musical verse, and his compulsive wanderlust. The problem is that biographies of Great Thinkers just don't have a lot of impact without including some exposition of their Great Thoughts. "I think, therefore I am," is about as deep as it gets here.
1) He was an eccentric who liked to sleep in 2) His theories on mathmatics were contraversial 3) He believes that we exist simply because we think 4) He died for a silly reason.
That's it folks. #2 & 3 may seem exciting, but there is no explanation as to why or how these manifests themself.
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But I have a problem with comments such as "no one had had the sense to design a clock face at that time." Conversational levity is understandable; condescension is not.
Design, technology, and knowledge are long processes of building on what previously existed. They also depend on specific needs and available materials, how inventions are passed along, how easy it is to change a design standard of the time, and sometimes on mere coincidence or powerful institutions. Simply saying "no one had the sense" is unnecessarily condescending and places us on a plane of intelligence and cleverness that misses the whole point of where design has been before us (which is integral to any history of design).
Guns, Germs, and Steel by Jared Diamond (esp. Part II) is an excellent example of looking at history and prehistory in terms of how and why certain things developed where and when they did (ie looking at the process) instead of attributing our current level of achievement to our supposed higher level of smartness.
For example, Design (A Crash Course) says that it took a long time before an iron-bladed plow was invented, "but they got there in the end." Why is there an "end" to invention in this area, and when is the "end" anyway?? The 1900s, 2000, 2003? Again, it unnecessarily scoffs at the process of getting there and just isn't a professional or open-minded approach to history.
The book starts at Year Dot (the writing has a sense of fun too) and chronologically goes up to 2000 with all kinds of design references, William Morris on page 42, Barbie dolls on page 113, packaging, product design, logos, print media, electronics, transport, the text weaves them all together. As with the best reference books it stimulates questions and the 'I want to know more' attitude.
The back of the book has some pages on Design Classics, Design Heroes (including mine, Raymond Loewy and Dieter Rams) a Glossary and an Index. You should also check out a book (also pocket size ) called 'Design: A Concise History' by Thomas Hauffe, it was originally published in Germany and covers the same ground with plenty of illustrations but doesn't have the same kind of fun as 'Design'. A much more serious book is 'Design of the 20th Century' by Charlotte and Peter Fiell, a big, chunky 768 page paperback with over four hundred entries of designers and design movements, plus plenty of photos. It is the only book that I have found that names Willie Fleckhaus and his work on that amazing German magazine 'Twen' in the sixties. If you are interested in design all three books are worth having and they are all value for money.
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The book is not a history. The historical narrative portion stops at the last great pharaoh, Ramesses III, and we turn instead to chapters devoted to the Egyptian attitudes of government, religion, art, and death. Johnson does a great job taking us inside the minds of the ancients by showing how, to them, these ideas were inseparable. His sources and illustrations are well chosen, though he continues to be plagued by sloppy editing. A couple of incorrect captions, a reference to an work of art "now in Leningrad", that sort of thing.
Each of his chapters are distillations of subjects which could have been (and are) the subjects of entire books. The account of the Western rediscovery of Egypt during the Age of Science flitted by too quickly for me--I wanted to read more about the adventures of Napoleon's very talented egyptologists. And the classical Greek historians like Herodotus are dismissed as little more than purblind tourists. Well, sure; based on what we now know.
This is a fast-paced book about a static civilization, a coffee-table book with serious, substantial text. Sounds oxymoronic? Well, it's true. Paul Johnson does it again!
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The author himself comes off as pompous and disengaging, as his "trivia" book is little more than a brief collection of personal opinions of his favorite Christmas Carol versions. These thinly veiled reviews lack the calibre of even your local TV Guide synopses. The only real trivia examples here are in classroom style question-exercises included at the end of each chapter! While I have no problem with this, the author postures himself as the true expert on A Christmas Carol with no real exposition as to why said versions are his favorite! I am giving it three stars, though, as the subject matter remains enjoyable no matter how clumsily presented.
Also worth noting- The recent Patrick Stewart version is omitted from this collection. Sacrilege!