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The saga follows the life of Egil Skallagrimmson, one of Iceland's early settlers, beginning with a relatively lengthy section about several generations of ancestors preceding any mention of Egil's birth. Egil himself is a morally ambiguous figure, committing his first murder at six, but displaying moments of generosity and leadership as well, and of course he's also a poet. The action revolves primarily around Egil's movements back and forth between Norway and Iceland, though there is also a section that takes place in England, with Egil acting as a mercenary in a war against Scotland. Sagas do not read like modern novels--this is more of a biography that follows Egil birth to death--but part of the saga's purpose is to entertain, and it does that well.
Two things are involved in making this saga readable: first, the skill of the translators, whose sole fault seems to be an utter inability to translate Egil's poetry in any way that conveys why people thought he was such a great poet (maybe it just sounds better in Icelandic). Fortunately, the poetry takes up a pretty small fraction of the book. More significant is the author's skill together with the distinctive features of the saga genre--namely this: the sagas are primarily concerned with people and their actions. Thus every detail serves to carry the plot forward. You won't get landscape descriptions unless landscapes are relevant to the plot. Use of dialogue is frequent and relatively natural, but the conversations are brief and always move things forward. This might sound like the book reads like an action movie (and to a degree it does), but the fact that the saga includes Egil's genealogy and stories about others in his generation in his family that result in a story that evolves from a web of motivations. You don't get much in the way of examination of Egil's psyche, but the stripped-down style of the saga and its convincing portrayal of Egil as a complete human personality makes me wonder how necessary the tendencies of much modern literature to pay so much attention to inner life as a true representation of the human experience really are.
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If you want to read a GOOD book about Internet deception and murder, I would highly recommend "The Internet Slavemaster" by John Glat. Insofar as character development, the book probably does not deliver much more than "Fatal Error", but there is certainly a lot more action, deception, and murder.
The story vividly reviews how the new mediuum of internet chatting can become a forceful instrument in social intereaction. It also shows how you can adopt virtually any persona you wish when conversing through the electronic medium of chat rooms and Instant Messenger communications.
The development of personalities and families in the book was extraordinary. You literally pictured the characters and their interaction in this shocking real-life murder story.
Good work!
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The book is divided into several convenient sections (ancient astronauts, general UFO sightings, contactees and abductees, and skeptics), and each section is preceded by an article-length discussion of one or a few of the subjects covered by the entries within. So, for example, the section on ancient astronauts is preceded by a more substantive and editorialized discussion of the so-called "monuments" of Mars and of Robert Temple's "Sirius Mystery," in which it is claimed that the Dogon tribe in West Africa possesses astronomical knowledge that could only have been obtained by the use of a telescope; similarly, the section for skeptical works is preceded by a discussion of the evidence (or lack thereof) for an extraterrestrial connection to crop circles and cattle mutilations.
"Cosmic Test Tube" is genuinely entertaining in places--many of the summaries of UFO-related works are quite funny, especially when presented in such a deadpan manner. It isn't clear to me, however, exactly how "Cosmic Test Tube" points to some sort of "middle way" between believers and skeptics, especially when all it does is reproduce the basic arguments of each side with little in the way of real evaluation. And, of course, it should go without saying that in the modern age of the internet not all of the pertinent information is to be found solely in published books--for example, the paranoia and self-delusion evident in Richard Hoagland's "The Monuments of Mars" pales in comparison with the fantasies and conspiracy-mongering to be found on his web site for "The Enterprise Mission."
Regardless, those with more than a casual interest in UFOlogy will find in "Cosmic Test Tube" a useful reference work that will point them toward other, more detailed books on whatever subject they find most interesting.
It's helpful in that it can save you years of research. However, you won't be any closer to the "truth" after reading it.
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This book fully encompasses a whole project view and succesfully involves/educates the reader.
Let me explain : It is challenging to develop a book that covers OOP, UML, Rational Unified Process(RUP), Java/J2EE, Application Servers/IDE etc. Also most publishers will not touch such a subject assuming it will narrow the potential readership.
Having heap all the flatery, I must add some caution - to fully make sense of the book the rader must be somewhat familiar with some of the concepts - i.e. OOP, Java. Otherwise it can be hard to grasp.
I would recommend this book to developers/managers that wish to enhance their requirements process in software development.
In this book you can expect to visualise the role of UML in the full cycle of a project. The development process followed is RUP. There are nice background information on how to enhance the productivity of the development team in the design stages. The project discussed is a typical J2EE set-up - JSP, Servlets, choice of Javabeans and EJB, choice of Tomcat or BEA WebLogic and a Microsoft SQL Server (or Oracle) as the back-end.
I hope this review helps - please let me know if you have any questions or suggestions.
Thank you.
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hope that other readers out there feel the same way yahoo from Canada
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Yoshimi Yoshida College student.
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It is also a reference in which you can get delightfully lost. My searches take me in many directions. It's first class cross-referencing makes an in-depth investigation a snap, but sometimes it is better to ramble. And this is the beauty of the book, unlike structured links with Web or CD encyclopedias, in the Columbia Encyclopedia the links are only encumbered by your imagination and curiosity.
If you are not American, (I'm Canadian) don't worry about obsessive jingoism that often pervades American efforts. The Columbia presentation is evenhanded and globally egalitarian in scope and breadth.
If you don't already own this excellent volume it should be on your bookshelf. If you are a teacher it should be in both the school library and your classroom (grades 6-12), and if you are a parent it should be in your home. The Columbia Encyclopedia is truly a rare and valuable information jewel.
I'm never amazed at the amount of information that is presented in this book. It has never failed me or my seventh-grade daughter with any of her school related questions. Whether her questions have to do with the population density of Calcutta (population and area in sq. miles), cell reproduction or plate tectonics, I have yet to find something that she needed and it was not there.
The information is presented in a very succinct manner. There is never too much or too little information for a specific entry - always just enough. The "also see" and bibliography references at the end of many entries are very useful. The binding is great. I was afraid that this huge book after constant use would crack at the hinges, but that is not true. This is one of the bulkiest books I've got and, yet, surprisingly, is also one of the strongest. After more than a year's frequent use, the hinges feel as strong as when I bought it and so do the ledge and spine.
This is not a multimedia information center. There are no pictures, only maps and drawings. When you first open it, you are faced with columns and columns of small font text, though it's nicely laid out.
I do not find any social or political bias in the book, but I may not be sensitive to it. One will not find positive or negative references being made on specific issues, although one may find something to the extend of "some academics feel that..." or "in this century XYZ has fallen out of favor with..." The book does not take sides, its stance is neutral and objective with no flavor. It does not offend and its errors (if any) are ones of omission not commission.
It may be a good idea to visit your local library first to take a closer look at its heftiness, lack of pictures and, perhaps, objectivity prior to purchasing it to see if it's something that suits your family's style. If you decide to buy it without examining it first, I don't believe you will be dissapointed - it's a great book and a best buy.
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It is abound with simple, practical, and easy to remember helpful hints;I call them little golden nuggets of information that you take with you on each run, or even turn, as you practice your downhill ski skills On or Off Piste.
It also has a wonderful introduction to the history of skiing and a very honest analysis/assessment of telemark gear.
It is incredibly suited for all beginner and intermediate tele-skiers.
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Evan Halper and Paul Karr not only write candid appraisals on each accommodation, they give prices, star-ratings, addresses (including email!), number of private rooms, and apropos icons (Attractive Natural Setting, Good for Business Travelers, Romantic Private Rooms, etc).
At the start of the guide, the writers explain to us what exactly a hostel is (no, it's not a hospice or a drunk tank).
And in the back of the book, Halper and Karr put the hostels into enormously-practical groupings--e.g., Best Beach Hostels, Great Value Hostels, Best Hostels for Skiers, and Most Romantic Hostels).
"Hostels U.S.A." is a laudable addition to both your knapsack and your briefcase.
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so far. Like all of his stories featuring New
York forensic detective Doctor Phil D'Amato, this
science fiction novel is so close to fact that
sometimes you can't recall if you actually read a news
story talked about in the novel or not. This time,
D'Amato investigates the possibility that our brains
work the way they do because of bacteria communicating
between themselves in our brain -- because of this, a
new kind of antibiotic begins to make people lose their
memories. And the loss of memory messes up an ongoing
investigation of a series of stranglings in Riverside
Park in New York City. The result is a bio-thriller,
police mystery, science fiction story all rolled into
one. I've been a fan of D'Amato since the beginning.
In fact, I heard that a movie was made of "The Chronology
Protection Case" -- a short story -- and I can't wait to
see it. In the meantime, I've got The Consciousness Plague.
The basic plot is this: a new antibiotic wreaks havoc with the brain's ability to remember, thus hampering a complex murder investigation. But to summarize it like that is to do the book an injustice. It's a story torn from the headlines and balanced on the cutting edge of modern memory science.
Levinson mixes disparate items into a seamless plot. Things like a police investigation into a serial strangler, copy-cat murders and the fascinating theory that a bacteria-like organism in our brains has given rise to our consciousness form a compelling, exciting yarn that stretches from the ancient Phoenicians in England (and possibly America!?) to modern-day New York, Chicago and Los Angeles.
Levinson's writing is easy and thought-provoking - his character, D'Amato, speaks directly to the reader, as in the best noir tales - drawing on all aspects of Western culture, from Beach Boy songs to medieval monks, with discussions of the blood-brain barrier and northern Italian cuisine thrown in for good measure. Yet he somehow ties it all together with a satisfying conclusion that leaves you hungry for more.
By the end of The Consciousness Plague, you'll want to catch up on all the Phil D'Amato you may have missed!