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What is a geographer these days you might ask? If you were to read this book, you would have to believe that everyone who has ever read any postmodern thinkers on the subject of boundaries and/or space is a geographer. That means just about everybody, of course, as postmodernists are all about space and, dare I say it, spatiality. How soon will place be converted into platiality?
Despite my snarky comments above, I like this book. Some of it postmodern ideas are only rearticulations of stuff hardcore guys like Derrida are known for, except here is is told from the perspective of geographers. I'm not sure what makes these folks geographers exactly -- in fact a couple of them are teachers of medieval literature -- but, I am sure that the majority of these essays are thoughtful and thought-provoking. Particulary fine is Wilbur Zelinsky's "The World and Its Identity Crisis" which sketches out a (very) shematic history of the world and our place in it. Here's a quote:
"We find ourselves caged in a curious world of contradictions, of unprecedented personal and group anxieties. The freedom to comparison-shop among lifestyles, to rotate among multiple identities, this culmination of millennia of human struggle and progress, such power and flexibility, all this has failed to generate the bliss one might have anticipated or hoped for. Instead an increasingly large segment of First World populations, and incipiently others as well, has begun to wonder who or what they are, or should be."
Here he is quoting Zygmunt Bauman:
"Postmodernity is the point at which modern untying (dis-embedding, dis-encumbering) of tied (embedded, situated) identities reaches its completion: it is now all too easy to choose identity, but no longer possible to hold it. At the moment of ultimate triumph, the liberation succeeds in annihilating its object...Freedom...has given the postmodern seekers of identity all the powers of Sisyphus."
So, this collection offers the general reader a chance to check out what's going on in the new world of humanist geography. Essentially it's re-thinking the ways the world, space and place have been thought about, and are thought about, which is what most post-modern stuff does. Good illustrations, mostly good writing which in some cases opens up new territory, and in others, treads over old, but still interesting, ground.
Some minor corrections of panopticonman's comments, to contextualize the work itself. First off, humanistic geography is nothing new. Prior to this book, the most definitive statements on humanistic geography were produced in the mid-1970s, in a series of papers by Nick Entrikin, Yi-Fu Tuan, Ed Relph and Anne Buttimer (all of whom contribute to this volume), and a book titled "Humanistic Geography: Prospects and Problems." What makes "Textures" so interesting is that it is the first book in nearly 25 years to actually have the phrase "humanistic geography" in the title. In our (post)modern times, the very idea of 'humanism' has become less than fashionable, with some avowed postmodernists (see the Minca volume or "Place and the Politics of Identity") actually taking an "antihumanist" stance. Most of the contributors to "Textures" have wrestled with postmodernism before, and many would perhaps take issue with being labeled "humanists," but all have benefited from the work of Tuan and other humanistic geographers. So what you see in this volume is not so much work on postmodernism particularly, but rather on the viability and value of humanistic modes of inquiry in our postmodern context.
Secondly, this book offers a very particular representation of academic geography. As panopticonman noted, what binds all the essays together is the presence (explicit or implicit) of Yi-Fu Tuan. (In fact, the book has its roots in a set of paper sessions held at a national meeting of the American Association of Geographers in Tuan's honor.) The three editors are all former students of Tuan (Till was his last formal student) and several of the contributors are former students. As well, quite a few of the contributors are colleagues of Tuan. The contributing geographers include several emeriti professors, several who have been active in the field since "humanistic geography" first emerged (and, indeed, helped to shape that perspective), and several who have begun their professorial careers in only the last 5 or 6 years. In other words, you have presented here close to 30 years or more of academic geography's history. This volume, then, is a good indicator not only of contemporary work in geography, but the historical trajectory which geography has taken. Furthermore, beyond the discipline of geography, you have represented the fields of English and American literature, art history, philosophy and anthropolgy, marking the influence of Tuan beyond his formal disciplinary boundaries.
Finally, I would just like to offer something moving (slowly but inexorably) towards panopticonman's question: what is a geographer, anyway? Certainly for many of the contributors to this volume (and including myself, though I am merely a reader of the book, and lack an authorial presence), Tuan does offer a model of the ideal geographer. His intellectual project begins with a simple supposition: that geography is the study (and, following Sack's analysis, the practice) of how humans transform the world into 'home.' Tuan has been concerned throughout his career to analyze how people have actively shaped their world -- nature, relations with other people, even 'raw' space itself -- in order to transform it into meaningful places. This project involves active (materialist), normative, and aesthetic dimensions; these various dimensions are explored, singly and in combination, by the contributors to "Textures." As well, Tuan has exerted a significant pedagogical influence on geography, exemplified in Entrikin's closing essay of the volume. Entrikin identifies Tuan as "the perfect humanistic geographer," focusing on Tuan's understanding of liberal education and humanism as a philosophical outlook on the world (as expressed most particularly in "The Good Life"). The purpose of humanistic inquiry, for Tuan, "is to develop the whole person, to create a good person, and in this way to cultivate humanity" (Entrikin here connects Tuan's project up conceptually with Martha Nussbaum). This volume, drawing on the force of Tuan's personality and perspective, contributes to the cultivation of humanity through its engagement with the material, moral, and educational directives and achievements of contemporary geography.
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Peggy and Alan Gutheim have it all -- a loving if somewhat eccentric family, a comfortable life, good health. Daughter Joan, in her senior year at Bennington, suddenly falls victim to fainting spells. She is brought home for testing and some R&R. Peggy, who's accustomed to running the lives of her children and everyone else in sight, decides that Joan must have a project. So Joan becomes involved in working with handicapped children and has an affair with another worker (Kevin). She gets engaged to a childhood friend (Johnny). But Joan's illness is more serious than anyone has thought.
This is not one of my favorite books, but it is entertaining. Characters are well-developed and the story moves along quite nicely. As I read, I was reminded of MARJORIE MORNINGSTAR --without the dramatic background of the theater and the immense talent of Herman Wouk.
The story centers around a troubled young college girl who is the product of a controlling mother and easy going Dad whose love for his children outweighs his ability to stand up to his wife. Also in this highly succesful upper class Jewish family are two sons the youngest of whom is an aspiring concert pianist to everyone's pleasure and his dismay, a philanthropic Grandmother and other characters both lovable and eccentric. Taking place from November to New Years Eve, there is a great deal of action in this short period of time.
Here is an author who really knows and loves New York City and is able to recreate the atmosphere of New York in the 60s with perfectly chosen words and exquisite phrases.
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This collection of texts taken from writings by Plato, Copernicus, Galilei, Ptolomy, Einstein, Hubble and other theorists discus what the universe is made of, how it works and (ultimately) what our place is in the Grand Scheme of Things, offering good insight into how our knowledge of the universe has developed over the last 40 centuries from Babylonian times to the 20th Century.
As this book was originally published in 1957 and reprinted in 1965, the latest theories are not included. It is therefore not a book for mathematicians or physicists interested in learning the latest theories, but rather a book for those interested in a well-written, general introduction to the field of cosmology.
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Chenel
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Hoffman does a great job setting up a rapport between Nick and the triplets but she might have been better served developing a stronger one between him and Jillian. Nick's quick wit and generous sense of humor save the day as well as this story. The reader is never given the chance to warm up to Jillian because of her inflexibility as well as her calculated models on what disaster would strike next because of her ineptitude. Rather than truly learning from Nick how to care for the children, much of the story is spent witnessing her relying on him instead. Hoffman spends so much time focusing on Nick and Jillian creating a temporary family with the triplets that the story weakens when it comes to their own relationship.
In the story by Sandra Paul, Jessica Kendall is the operations officer of a Los Angeles bank who has been frequently targeted as being easy to rob due to the fact that five of their tellers are pregnant. Security adviser, Mitch Flaherty, takes action to prevent another robbery by implementing a number of new procedures and policies which irritates Jessica because she has to be the one to soothe and comfort the tellers who are trying to acclimate to the new rules. Though Jessica feels Mitch has usurped her authority, she tries to help for the sake of the bank and its tellers. Her innate tendency to nurture eventually extends to Mitch who wants to act on the attraction they feel for each other.
Paul's story is clearly the stronger of the two in terms of characterization. Both Mitch and Jessica are clearly defined by their actions as well as the secondary characters who rely on her and get to know him. Their relationship is clearly the focus of this story and though babies do play a role in this story, they only enhance their relationship rather than playing an integral role in the story.
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I have read almost all of Theroux's books and when I picked up this one I was afraid it would just be excerpts from his travels and might be less than satisfying, the tales taken out of conntext. I was wrong. These stories are gems in their own right, timeless, and may inspire you to read more of his books, fiction and nonfiction.