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Withink two days of reading the book, I not only was able to cut my own stress down substantially, but some of the techniques I used (the positive contribution cup) changed the entire office environment for the better.
I cannot recommend this book enough, especially for people working in the highly stressful high tech field.
Read, enjoy and relax!
~c:)
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Guyer's article here is excellent. And so is Schaper's on the Third Critique.
I also recommend: Allison, Transcendental Idealism (for a sympathetic defense of Kant); Strawson, Bounds of Sense (critical); Bennett, K's Analytic (critical); Forster, Transcendental Deductions (Stanford UP); and Kitcher, K's CPR (Rowman/Littlefield). A current biography of Kant is: M. Kuehn, Kant (Cambridge UP, now in paperback).
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Small, less than handsome misfit in a constant and direct dialog with the Muses. A man whose social, financial and matrimonial achievements are no match to his art.
His talents bloomed in the Lyceum, he was hailed by the most prominent poet of Russian Classicism - Gavrila Derzhavin, who had appointed the youngster his poetical heir.
But Pushkin made only a few contributions to the genre - he was a devoted romantic, a Byronite. Mermaids, gypsies and noble robber brothers were the inhabitants of his adolescent poems.
Drinking bouts with local Hussar officers were toppled by the boy's passionate odes to Liberty. Alexander was a celebrity guest.
The guest he remained. The officers - The Decembrists - rebelled against the tsar. Puskin was not invited. The conspirators felt that "the son of the Muses" is fond of the revolutionary rhetorics, not the cause.
Later, asked by the triumphant monarch does he regret his absence in rebellious ranks on that fateful December day, Pushkin confirmed his affinity with his hanged friends. He wanted to be taking seriously, he was ready to suffer. But the tsar was only amused and let Alexander go.
Pushkin soared high in empirea, the verse of unbelievable beauty and clarity was streaming from his quill, but his everyday life was dominated by gambling, drinking and chasing the known libertines. Yearning to be accepted socially he offered his friendship to unworthy and very often had to contend with their condescending attitude. He was not the first socially awkward creator in human history but that understanding did nothing to lessen the pain.
In his final years Pushkin decided to settle down, to accept the responsibilities, to marry, to get the position in the tsar's court.
Natalia Goncharova, the first beauty of Petersburg, consented to marry him - her family was impoverished, Alexander - insistent. He was given the court rank - kamerjunker, nearly the lowest in the hierarchy, fit for a very young man making his very first steps in the court. He was insulted but the wife's acclaimed beauty compensated for that and the other disapointments. They all envy him - the lucky man!
There was never enough money to put that gem in a proper setting. The beauty was expecting her due. If Alexander is incapable there are others.
Art remained the only consolation. Once he woke up in the middle of the night, put on a light and fevereshly scribbled the newborn lines. He read them to the wife. - Don't you ever do that to me again! - said the sleepy beauty.
His art is not able to conquer that perfection, the beauty of verse is nothing to the beauty of flesh.
Pushkin is made fun of, proclaimed a cuckold. His life is nearing the end.
In his last year the tortured genius writes Captain's Daughter. No mermaids here, no gypsies. It's clarity and restrained beauty is unsurpassed in our literature.
A son of old officer Petr Andreevich Grinev turns seventeen. He is enlisted as a toddler in a prestigeous regiment in Petersburg, now he is an officer already. He has no extensive education - just the basic ideas of nobility and some knowledge of French. His name is telling - Petr means a stone, father's name - a man, a male. The father wants to keep the son unspoiled - Petr is refused his ticket to the Petersburg. He goes to the steppes instead, to the fortress in the middle of nowhere.
On the way he gets drunk, loses money, suffers from hangover, abuses his old servant - with no harm to his inner integrity.
He begins to enjoy the simple life in the fortress, captain's daughter is aware if his feelings and seems to feel the same way. Short and ugly comrade-in-arms, Alexei Shvabrin envies him and speaks dirty of the girl. Duel puts Petr in a bed. The love flourishes.
All that a prelude to the Russian rebellion, "senseless and merciless".
The fortress is taken, the captain is hanged, his wife lies naked and dead in a dirt. Petr's life is spared on impostor's whim. Masha, the captain's daughter, is hidden in the local priest's house. Shvabrin is appointed the fortress commander and has the girl who rejected him in his power.
All will end well. The young lovers are ready to sacrifice, their love will conquer all, the empress Ekaterina is merciful - just like her adversary "emperor" Pugachev.
Like a drowning man gasping for air Pushkin had to get in contact with the qualities his life is so utterlly lacking - integrity, loyalty,love accepted and given back. He had experienced all that in Captain's Daughter.
No matter what happens Petr Grinev is true to his nature - the quality respected by friends and enemies. He is always ready to do the right thing - no matter what's the price. There are things more important than life. Or love.
Puskin's life is over, he is not respected, not loved by the woman he chose. So he escapes in art, lives another life, the dream of life he never had.
Less talented writer would have succumbed to the pure escapism, but Alexander Pushkin is a genius, what we have instead is a timeless masterpiece, clear and restrained, very modern prose, the characters we care about. No one succeed in imitating that style.
Puskin is not very well known in the West. The verse is so Russian it defies a translation, the prose is deceptively simple - it's very different from "prophetic" writings of Dostoevsky or Tolstoy, the export variant of The Great Late Russian Literature. The reader used to contemplating "the mysterious Russian soul" will be disappointed.
I am reluctant to recommend that book to a Western reader.But Pushkin is one of the reasons I still live here.
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The deep annotations, insightful suggestions and orginal analysis all points to a well planned and thought out book.
Openings are also covered in a limited but in-depth manner. Along the way, Paul will suggest various alternatives, especially the less obvious and not-so-popular moves that are equally playable and yet present more practical problems for the one seated opposite you.
Get this book. Its a gem that any serious learning chess player should not do without.