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As far as proposals go, there were only 18 ideas in the book. This book is definitely "self published" which makes it hard to read at times with the weird spacings, etc.
I was much happier with what I got at the website howtoproposemarriage. com
If you are thick-enough skinned through broad study to withstand his caustic, debunker's conclusions, it is a very worthwhile book to have--if for no other reason than for the appended material on the seven or eight chapters added hundreds of years later to the Han-era Su Wen--from which have been derived a range of complex chronological acupuncture applications of curiosity to some.
Like his earlier Nan Jing translation, this is a scholarly work that is thick as paste at catching the holistic argument for the theory. In that book, Unschuld was comprehensive but maddeningly inconclusive--damning through a show of the controversies about interpretation over the centuries--while notably not supplying the relevant chronological data (there is some information in the preface). In this text, Su Wen, he damns through a show of contradictions in the text itself, prefering the view that there is after all no 'right' answer, since this is primitive sympathetic magic and little more. This latest work reeks with the haughtiness and grandeur of 'real' medical knowledge.
Unlike Unschuld's Nan Jing, his Su Wen is not at all 'readable' as such...it is a collection of essays on issues. The full text or anything like it is NOT present, though there are copious quotations used throughout to demonstrate contradictions, in order to show the developmental confusion of the authors. These confusions are certainly there: but Unschuld is certain in his view that they are nacent--that the theory is not much older than the Su Wen itself.
Three stars, because if you need it, you can bear with it, but if you are looking for something else, this ain't it!
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(Out of respect, I won't list the book's spelling errors. Suffice to say that they are there, as is a whopping historical blooper: I was in Japan when the Aum Shinrikyo doomsday cult nerve-gassed the Tokyo subway, and it wasn't in 1994!)
Understand that I'm not a fan of anime - most of it is cheap and/or nasty (though no more insubstantial than the average Hollywood blockbuster) - I'm a fan of Miyazaki, whose films are as superior to 'Pocket Monsters' as '2001: A Space Odyssey' is to 'The Adventures of Pluto Nash'. He is one of the most acclaimed directors in Japan today, not to mention the most popular. Richie does not have to be happy about this; he could at least acknowledge it. (According to the index, Miyazaki's latest masterpiece, the award-winning 'Spirited Away', is mentioned on p.251 - but turn to this page and there's nothing!)
Five out of five for the first 245 pages, minus one star for what's after that (from this point on it's the book that's thin and insubstantial, not animation) and another for shockingly sloppy proofreading.
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