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In the person of Paul De Man the politically correct are forced to confront the true nature of their inhuman philosophy. Thomas Jefferson preached freedom and liberalism while owning slaves, in direct contradiction of his philosophy, becoming a hypocrite. De Man preached genocide against helpless minorities, lied after the fact, and never apologized for his actions. In doing so he conformed perfectly to the moral relativism of political correctness. Deconstructionism became the intellectual shield behind which hides the totalitarian urge.
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Also, over the course of the 134 pages, there is only one Biblical passage which is referenced (Jn. 8:3-11, p. 117)! This was tremendously disturbing. As a book which is targeted to ministers (remember the title of the book), it was quite a let down to read page after page and chapter after chapter only to find no attempt to deal with pastoral counseling from a Biblical standpoint. If Pruyser is not first and foremost interested in what God has to say, then what is the use of writing a book that is expected to be used as a resource for those men who have given their lives to serving God based on the revelation which He has given in His Word, the Bible?
Some of the chapters were not a total loss, though. However, even in the chapters that contained some decent material, (Chapter 4- Why Do People Turn to Pastors?; Chapter 5- Guidelines for Pastoral Diagnosis; Chapter 7- Language in the Pastoral Relationship; Chapter 9- The Agapic Community) the framework from which Pruyser proceeded to write had a very secular tone to it. Maybe that word "secular" has been overused and doesn't seem to fit in a critique of a book which is designed to be read by pastors, but there was little if any spiritual vibrancy on these pages.
An interesting bit of irony is found when one compares the actual content of the book to the authorial biography on the back cover. In that brief paragraph, we are told that one of Dr. Pruyser's "unusual qualifications to write this book" include the fact that he is in possession of "considerable theological insights." In my estimation, nothing could be further from the truth. This book contains virtually no theological insight (explicit or implicit) and never makes any attempt to deal with the issue of pastoral counseling from a Biblical/theological perspective.
Having said all of this, the main point of the importance of a pastoral diagnosis in cases of counseling has not been lost. There are points at which I can agree with Pruyser and appreciate what he is trying to communicate, yet the detached feel of the book was something I was constantly having to fight against.
Pruyser provides an extremely helpful model and template for understanding the spirutal needs of the patients to whom we minister. For those of us who make pastoral care visits, particularly in the hospital, on a regular basis- this book is tremendously helpful food for thought. If you are looking for a book of proof texts on the basis for pastoral care, however- that is not what this book is all about. Remember, Pruyser's approach is descriptive, rather than prescriptive. This book is an excellent pastoral care resource for chaplains, pastors and pastoral care visitors. I have used it in my work as a hospital chaplain and I would highly recommend it.
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The text of this book consists primarily of four essays: (1) "The Musee Marmottan and Claude Monet," by Arnaud d'Hauterives, the museum's curator, that briefly discusses the history of the Monet collection found there; (2) Lyn Federle Orr's "Monet: An Introduction" provides what is really an overview of Monet's body of work; (3) Paul Hayes Tucker's "Passion and Patriotism in Monet's Late Work" discusses how the artist started focusing on particular elements and enlarging them in his paintings. This essay is illustrated with not only reproductions of Monet's paintings but photographs of Monet's garden from that period; (4) "Monet as a Garden Artist" by Elizabeth Murray focuses on the strong parallels between Monet as a painter and a gardener. The essay includes a detailed diagram of both the Flower Garden and the Water Garden at Monet's home in Giverny, as well as an axial view of the two. What I like most about this book is that I learned more about the garden and its relationship to the famous paintings of the water lilies, the Japanese bridge, and the other familiar sights.
This book ends with the Exhibition of 22 paintings displayed at the Musee Marmottan, from two "Water Lilies (Nympheas)" paintings from 1903 to a painting of "The Roses (Les Roses) from 1925-1926. Almost all of these paintings reflect the darker style of his last years. However, I think with this book you will come for the paintings, but stay for the garden. Of course, now I have a strong desire to go there and see these things for myself. For a visit there, albeit a slightly fictional one, check out "Linnea in Monet's Garden," a children's book that adult will certainly enjoy by Christina Bjork and Lena Anderson.
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Boy, was I wrong! This book is a little bit of the basic psychology of depression and a bunch of Christian propaganda along with it...
This book ended up making me more depressed than before I read it. It's depressing to think that the majority of our country is populated with people who share his biased opinions about humanity.
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In many ways, the book is a contradiction. Strathern's approach is more suited to a children's book, but his writing style is intended for an educated adult. For me, the result was fast-paced boredom.
This is a great book for people that avoid fat books which are padded with trivial details that can't be remembered anyway.
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also this is what i got from the support of the publisher:
"Thanks for the inquiry. We apologize for the installation problems with the E-Book programs on the Sybex Interface of the CD. This unfortunate error wasn't discovered until after the CD had been sent to the CD replicator."