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A quick note: if you get this book, do not get his other book "Mark Wilson's Complete Course In Magic". You only need one of these two, the have almost the exact same information.
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Dr. Mom, Marianne Neifert, MD
Let's face it, we have to edit our stories around lay people, temper the humor, spare them the deep, down visceral core of our feelings---the fact that have to laugh in the face of disaster, and that we cry in linen closets. But around other nurses? Honey, just sit down a minute and prop up those tired feet and let me tell you a tale....
This is what is so absolutely great about Chicken Soup For the Nurse's Soul: it's the nitty gritty on why we love our profession. And why we continue to love it in the midst of our hardest times, our darkest hours and even now when our country is in crisis with a nationwide nursing shortage. It's a book about dedication and caring. And just who it is on the other side of that thermometer.
Every story in this book is aimed right at our hearts---to make us cry, laugh, shake our heads at what we have survived, and to bring us hope and strength. To make us proud of what we do.
Kudos to Jack Canfield, Mark Victor Hansen, LeAnn Thieman--a hero in her own right-- and Nancy Mitchell Autio for this gift you have given us: The right to speak out and be proud.
Sally Russell, M.N, R.N
Educational Director
Academy if Medical Surgical Nurses
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Players of all instruments can benefit from the information presented in this book. Music reading ability in both treble and bass clefs is required.
I think the best audience for this work consists of players who have mastered the "basics of their horn" and are ready to move into the "real world" of jazz improvisation and writing. However, even beginners can get into the book and I'd bet there are some masters out there who could learn a trick or two from it.
Many of the ideas presented here may have been printed before, but I've never seen them all together like this, never seen them related to each other like this, and there's lots and lots that this musician at least had never conceived of before. Reading it was like opening my eyes for the first time in the morning. So much of what I had listened to for years suddenly became explicable.
Do you want to know what to do with that B-flat alt chord in the "Real Book?" Want to know how pentatonic scales can build over various chords? Want to know why it somehow sounded right when that V chord resolved down a major third instead of a fifth? Read this book.
Other topics: Coltrane's changes -- modal scale theory -- a whole section on using melodic minor scales to basically reharmonize every which way but loose --- be-bop scale theory and great gobs of four-bar examples (properly notated in case you can beg borrow or steal the original record) -- playing "outside". There are also complete treatments of some key tunes such as Giant Steps, I Hear a Rhapsody, etc. I think there's enough in this book to keep any musician busy for a decade practicing and working out.
One nice touch is how Mark Levine points out practicioners of the art, not only Coltrane for his famous reharmonizations, but people like Woody Shaw for his pentatonic harmonies and Joe Henderson, Herbie Hancock etc. etc. There are some nice pictures of all these people, which to me exhibits one of the best qualities of jazz culture -- that of giving proper and humble credit and tribute to the many great musicians that have formed and furthered the music.
One thing this book is not -- It's not just a book of licks written out and transposed in various keys for you to practice over particular chords. Examples of licks are there, of course, but the focus is on giving you enough of an understanding so that you can make your own practicing agenda.
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The focus of the book is matte painting, a specific branch of visual effects. It is a technique that has been used in films from the beginning. Over the last 10 years, matte painting has been transformed by the digital age. Before computers, many of the most stunning and beautiful effects were hand painted. Sadly, most of these paintings have been lost or destroyed. At the time of their creation, the paintings served a practical function. Looking at the pictures in this book make you realize that these paintings should have been saved and displayed in museums.
This is an outstanding document of art, film history, and some of the personalities involved in this branch of visual effects. It follows the history of film through artists working in the industry. In the last chapter, it bridges that history into the digital age. A major achievement.
Of course, the many original paintings reproduced -- both with and without the "intrusion" of live-action elements -- is the feature that recommends it the most. Examples range from the high-tech polish of today's blockbuster productions, to classic "Golden Age" films and material from the very dawn of film.
All in all, the perfect book treatment of this subject and an indispensable addition to the library of anyone with an interest and appreciation for the true magic of the movies.
And it was worth the wait! This book is incredible. My favorite FX technique finally given the attention it deserves, and it is more extensive and detailed than I imagined. All matte paintings I've come to love over the years, plus an incredible amount of matte-painting-mastery I had never seen are represented by incredible photos, in their full glory. All are accompanied with a stunning print from the actual footage shot for it, or the final composite. Other pictures like photos from artists, cameramen, directors, sets, cameras and other equipment, but also original sketches and illustrations are shown throughout the book. This of course accompanied by Vaz's well written texts and anecdotes, informative, and energetic. The book has been divided in chapters that show the various stages of film history, as well as the several generations of matte painting wizards, and the development of the techniques.
I congratulate Craig & Mark on their beautiful acievement, very inspiring, stunning and moving, pure candy for the eye and mind. My library of VFX books and magazines seems finally complete!
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If you can find it, BUY IT!