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The books is very well written and especially accessible. You do not need to know a lot about the time period to understand all the characters and their motivation. I would recommend this book as good for someone just beginning to review this time in history.
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I must caution readers, however, that the heavy use of the British dialect in sections of this book may cause you to lose your place in the plot sometimes. Several times while I was reading I did not quite understand some concepts they were talking about (although after going over it again or reading further, I managed to get the idea). But don't let that deter you from the enjoyable absurdities this book offers. Nowhere in any other book would you ever find a flatulence-propelled cow!
I love this book, and kudos to Fairwood Press for publishing it. Writers like Mr. McLaughlin and publishers like Fairwood are the reason literature continues to live in a world of big books and corporate mergers.
Hazzah! I await McLaughlin's next triumph!
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The Adventures Of Huckleberry Finn "Critique"
Huckleberry Finn introduces himself as someone who appeared in an earlier book reminding us of what happened towards the end of that story. Though he won't mention it until later in the story, when his irresponsible father has left him by his self. Huck has been living with Ms. Douglas a widow, a kind woman who wants to teach him all the things his father has neglected, the things all normal kids would usually learn.
He tells us about Miss Watson, the widow's sister, who is strict on teaching Huck good manners and religion, and about Tom Sawyer and his stories, a boy like Huck looks up to because of his wide reading and imagination ability. He is also friendly with Jim, the black slave. Huck's father returns and takes him away from the widow. A pig has murdered when his father begins beating him, Huck runs away and makes it look as though Huck. He hides out on a nearby island, intending to take off after his neighbors stop searching for his assumed dead body.
Jim the black slave of Miss. Watson is also hiding on the island, since he has run away from Miss Watson, who was about to sell him and separate him from his wife and his deaf little girl. They decide to escape together, and when they find a large raft, their journey on the Mississippi River begins. After a couple of adventures on the Mississippi River, a steamboat hits their raft, and Huck and Jim are separated. Huck goes ashore and finds himself at the home of the Grangerfords, which allow him to come and live with them. At first Huck admires these people for what he thinks is their class and good taste. But when he learns about the deaths caused by a feud with another family, he becomes disgusted with the Grangerfords. By this time Jim had time to repair the raft, and Huck rejoins him. Two men who are escaping the law and who claim to be a duke and the son of the king of France soon join them. Huck knows they are actually small-time crooks, but he pretends to believe their stories.
After watching these frauds bilk people of their money in two towns, Huck is forced to help them try to swindle an inheritance out of three young girls who were recently orphaned. He goes along at first because he doesn't want them to turn Jim in, but eventually he decides that the thieves have gone too far. He invents a complicated plan to escape and to have them arrested. The plan almost works, but at the last minute the two crooks show up and continue to travel with Huck and Jim. When all their moneymaking schemes begin to fail, they sell Jim to a farmer in one of the towns they're visiting. Huck learns about this and decides to free Jim. The farmer turns out to be Tom Sawyer's uncle, and through a misunderstanding he and his wife think Huck is Tom. When Tom himself arrives, Huck brings him up to date on what's happening. Tom pretends to be his own brother Sid, and the two boys set about to rescue Jim.
The true to his imaginative style, Tom devises a plan that is more complicated than it has to be. Eventually they actually pull it off and reach the raft without being caught. Tom, however, has been shot in the leg, and Jim refuses to leave until the wound has been looked at. The result is that Jim is recaptured and Tom and Huck have to explain what they have done. Tom, it turns out, knew all along that Miss Watson had set Jim free in her will, so everyone can now return home together. Huck, however, thinks he's had enough of civilization, and hints that he might take off for the Indian Territory instead of going back to his home.
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Mark Galeotti provides a more historical and wider view of the war. He discusses the Soviet Union's involvement in the war and its effects on that country. He particularly addresses the argument that the war in Afghanistan was central to the fall of the Soviet Union. In pursuing this argument, a detailed and compelling analysis of the effects of the war upon the Soviet Union is provided.
The major problem with the book is that at times it feels spotty. Galeotti sometimes exhaustively focuses on issues that are tangential to his argument, such as the role of Afghan veterans in Soviet/Russian society, while providing only adequate amounts of detail on the actual war in Afghanistan. The overall history of military operations is covered very briefly. In particular, analysis of military effectiveness focuses almost entirely on tactics and does not attempt a detailed appraisal of flaws/strengths in Soviet strategy.
Nevertheless, this is a very strong book and certainly vital reading for understanding the importance of the Soviet war in Afghanistan.
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He goes back to the earliest days of investigating the weather, before telephone or telegraph when any weather map had to be put together days or more after the fact. But it gets done, even so, and when higher-speed communications are available, people are ready.
He goes on to cover developments both technological and social: the advent of radar as a weather detection tool as well as the now-routine weather satellite views, but also how the weather is covered in the news, including the development of the newspaper weather map from the dull black-and-white diagrams that were once routine to the multicolored glory of USA Today's weather map.
There's weather on television, too, and he spends time talking about both The Weather Channel's coverage with their many maps on a chroma-key background and how local stations cover the weather using the latest in technology, from doppler radar to the fancy, fly-through 3-D graphics that many of them seem to use these days.
My personal preference would have been to learn more about the earliest days of the weather maps and how they were developed and less about the development of the glitzy modern weather reporting, but perhaps that is just me, and, considering the ubiquity of the latter, I can't fault its inclusion.
Overall, it's a well-written, good read, and highly recommended for the weather fanatics among us (and I must include myself!).
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My reservations about the book deal with the telling of the story; I really don't think there's much surprising or new in here. Body insists that--and quotes others' insisting that--Eitzel is "one of the greatest living songwriters," but he doesn't really try to test the whys and hows of this claim beyond uttering the normal platitudes about touching deep common emotional chords. But every review of every AMC/Eitzel album has already told us that.
Slightly more off-putting was...how shall I call it?...a disturbing textual relationship between Body's work and some of his source material. I'll cite one example. As Body describes Eitzel's recorded solo show in 1991 (that ended up as "Songs of Love Live"), "People called out for requests contantly, mouthed the words to songs, and generally revelled in what felt like a semi-religious event; part stand-up comedy, part theatre, part concert and part revivalist meeting" (103). Compare Andrew Smith's review of the concert, reprinted in the CD's liner notes: "Tonight, the atmosphere in the Borderline was like a cross between a revivalist gospel service, an intimate jazz club and a pantomime. People called for songs, mouthed the words, even commented on them between numbers..." What's going on here? I understand that re-creating concerts one might not have attended could be a difficult proposition, but a little more gracious disclosure as to the origin of the description might be warranted in this case. I'm almost afraid to look at the other reviews that might have been consulted in the writing of the book.
If you want the history of AMC, you'll get it. The sound bites from Eitzel alone are practically worth the price of the book. I was just a little disappointed, after finishing "Wish the World Away," that a book about an artist so unafraid of picking at his own wounds seemed to pull up short of considering some of the harder questions in a fresh way.
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The story of these three and the times in which they lived is one of those truly amusing side trips the scholar can take while pursuing a path of historical and/or literary interest.
The book is illustrated with photographs of paintings and drawings and is written in an entertaining style that brings people, events and locations to life in the imagination. The research is thorough as well. Whether or not you have a particular interest in Italian or French history, you'll find this an entertaining and informative read. Don't miss it if you can help it.