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I would definitely advise anyone who does not understand radical Islam to pick up this book. It is a blood-stained history lesson mixed with personal experiences as the author lived it.
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For Edmundson says, "When I encountered Franklin Lears, I was a high school thug. I was a football player, a brawler, who detested all things intellectual." Lears looked peculiar and he was. Unlike the other teachers, he did not have a set lesson plan full of facts that were to be installed into the heads of his students. He had a capacity to listen and to accept the students' ideas as interesting and worth considering, without imposing his own. He couldn't make immediate changes in their attitudes, and he couldn't change everyone, but some of them eventually got to accept that thinking was useful, was within the capacities of even football jocks, and above all, was fun. Lears abandoned the planned textbook, and settled on books that people were talking about at the time, _The Autobiography of Malcolm X_, _Siddhartha_, and _One Flew Over the Cuckoo's Nest_. Besides the booklist, Lears brought the influence of Socrates, and Edmundson makes plain that the analogy of Lears to Socrates and of Medford High students to listeners in the Athenian agora is not forced and not ridiculous. Socrates (ostensibly, at least), took nothing on faith, questioned everything including what everyone else accepted either unthinkingly or with solemn thought, accepted the thoughts of others as good points of departure for reasoning, and he knew how to laugh. Lears, too.
The book has memorable portraits of fellow students, and especially Edmundson's father. It is best at demonstrating that the old Socratic method still works, and can still inspire ambition. Simple questioning, and insistence on introspection and putting answers into words, created something Medford High had not seen before. "This was a class that people looked forward to going to, that we talked about all the time, nights and weekends." There is much about good teaching in this wise book, and much about living well. Lears only taught a year before going off to law school, and Edmundson has not attempted to keep up with him. It is nice to think, however, that he will pick up this volume and recognize how much effect he had, and how much erudition and clarity he has inspired in this particular student.
of a year in the life of Medford High is, first and foremost, a
compulsively good read, by turns moving and hilarious, unsentimental yet ultimately uplifting. Teacher is bracing from first page to last. Yet Edmundson manages not only to delight but also--deftly, brilliantly--to instruct. Teacher taught me more about education--its purposes, its practices, its rewards--that anything I've ever read on the subject. What
makes a great teacher? What are books for? How can reading change your life? By the end of this wonderful book, you know.
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Note: The first edition of this book was good for beginners but did not go deep enough for power users. However, in the second edition, the Minasi we all love from his classic "Win2000 Server" is back--and he is at his best. The 2nd edition is still useful for beginners, but it also has the meat that power users are looking for. Very clear and totally comprehensive.
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The book is divided into eight chapters, four written by Ames and four by Taibbi. Many readers have complained that Ames' sections of the book are Waholianly dull, too petty, personal, splenous, what have you, while praising Taibbi's sections for their directness, adherence to and expressed admiration for basic journalistic principles and (false, false, false) relative modesty. But I will go on the record as admiring both.
Ames... poor Ames. A lot of his stuff will make readers cringe, but for every one of his self-pitying narratives about scabies or his girlfriend or his dependence on speed whenever left to get an issue of the eXile out by himself, there are still gems of hilarious realism like the following:
"What people forget in every article ever written about drugs is one simple, basic fact. PEOPLE TAKE DRUGS BECAUSE THEY'RE FUN. That's it. There's no mystery to the drug thing. Peiople drink water to quench their thirst, they have sex because it feels good; and they do drugs because they're fun...
Even Hunter S. and William Burroughs couldn't stait it that plainly;: they elevated drugs to the mythical level, keeping mum on the single most obvious, dangerous fact. So I'll repeat: PEOPLE DO DRUGS BECAUSE THEY'RE FUN. It's no different from alcohol or roller coasters except that drugs are A LOT BETTER."
Co-author Taibbi observes later in this book, after a brief reflection on his childhood growing up in the newsrooms of Boston and New York, that "If, as a consumer, you want good newspapers, you're not going to get them if the reporters are people who only reluctantly tell you the truth. Ideally, you have a bunch of people who are outcasts, even sociopaths, who get off on telling people the whole truth because that's the point: The other parts of society - government, business, etc. - have to be able to function while trusting the public to know the worst."
In these two quotes we can find the eXile, and this book, in a nutshell. Ames and Taibbi are two people who get off on telling the truth, and make no bones about the fact that they do get off on it. Hence their infamous "Death Porn" section, their version of a police blotter, in which the goriest crimes they could find in Russia that week are recounted with mocking slapstick horror, in true tabloid fashion, complete with cartoons illustrating basic, recurring story elements, i.e. a little Thanksgiving turkey to indicate the victim was "carved up like a turkey", a piece of Swiss cheese to indicate "riddled with bullets," a hamburger bun with a human haand sticking out of it to indicate cannibalism (quite prevalent out in the provinces where people, still waiting lo these many years for the goverment to pay their back wages, have little to do but hack each other to pieces and eat each other) and, my favorite, a squad cap next to a vodka bottle to indicate an "investigation ongoing."
But Death Porn and little drug and scabies excursi notwithstanding, why should you read this book? Because it also tells the story of a newspaper that has been a huge pain [...] to an expatriate community in Moscow that has done little to actually help convert Russia to a free-market economy or to prepare its citizenry to live in such an economy. Those whom Ames and Taibbi have skewered over the years in their paper have been both highly-placed Russian oligarchs who have taken state corruption to unbelievable new levels (I would refer readers especially to Taibbi's in-depth look at Anatoly Chubais and his loans-for-shares program which should have been a global scandal but was deemed "too complicated" to cover in the western press), and American and British consultants who lived the high life spending foreign aid money on luxuries for themselves, investing it with each other's mutual funds, and creating scandals like the Investor Protection Fund, meant to bail out poor Russians whose first forays into private investing led to their being defrauded (to date the IPF has not paid out one rouble to any bilked investors - but it made one mutual fund manager a lot of money for many years!).
But this book is not to be read as an exercise in schadenfreude: most of the worst villains in the eXile's hall of shame are Americans, and it is a theme throughout the book that once Americans are in any way freed from the usual constraints on their behavior, they are the most corrupt, scaly lizard-beasts one can find anywhere. Even an ordinary suburbanite, once she lands in Russia, winds up threatening gangland hits on the authors [...].
And it could happen here, if we ever cease to keep an eye on each other, on our elected officials,and on our press. For, as Taibbi notes with dismay, the age of those outcast sociopaths is gone; today's "reporters," at least in the western press in Moscow, have become "a bunch of corrupt, cheerleading patsies," largely because there is no longer any competition between papers, magazines, networks, what have you, and thus there's no one paying attention to the accuracy, fairness, or relevance of what is coming out of those Moscow bureaus - and thus no reason for western journalists in Moscow to work very hard at all.
The authors leave open the question of whether this might not be true in other parts of the world or back home, but it does make me wonder about what I'm reading about what's going on in Kabul, in Israel, and in Cheyenne.
I know too many reporters to be able, truthfully, to say that nothing like that can happen or has happened here. I've done it myself, run stories without double-checking facts, accepted sources' words as gospel because of my personal fondness or respect for those sources, left out story elements I didn't think my readers would understand... I just never got called on it.
I fervently wish that there could be more papers like the eXile in the world, while knowing that there can't be: it is only Ames and Taibbi's unique position - out of the reach of American libel laws and unread by the officials whose corruption they expose in Russia because they print in English - that makes the eXile possible.
But in a perfect world, there would be an eXile in every city, Death Porn, pornographic club reviews and all. [...].
Taibbi tends to cover more "serious" topics in the book - things like corruption, crime and the hypocrisy of the governments involved in many "economic assistance programs" of the 1990's, while Ames gives us a more "personal" take on the whole thing, focusing more on the storyline (the creation of eXile), as well as "sex and drugs" promised in the title. Ames's style in this book is somewhat close to Edward Limonov's "It's Me Eddie" and, for the right reader, will definitely be a more entertaining and personal read. I found myself laughing more while reading Mark's chapters.
Since both of these "perspectives" are packaged in the same volume, you'll know pretty much everything you need to know about modern Russia after reading it.
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Every writer is constantly developing, changing, experimenting, and growing in his/her chosen profession. Craft's first mystery is a prime example of an author "testing the waters". While the killer's identity was somewhat easy to determine, the author populates the book with some fascinating, if slightly improbable, characters. Craft's attention to character is also evident with the personal life of protagonist Manning.
And the vivid descriptions of the locales and the adornments show a man that appreciates the aesthetic.
"Flight Dreams" doesn't quite ascend into the far reaches of space, but it does get airborne.
And what better way to spend leisure time than by being curled up with an entertaining and carefree escape from the daily grind?
Romance has become a staple of the gay mystery sub-genre. Cool. But if romance is going to be the subplot of choice, then shouldn't it have to meet the same criterion as, say, a Harlequin Intrigue? Who are these guys and WHY are they in love? Young architect Neil Waite is 39 year old journalist Mark Manning's first homosexual affair. It is through meeting Neil that Mark accepts his own sexual orientation. So what is it about Neil? FLIGHT DREAMS is the first of the Mark Manning series, so perhaps Michael Croft will develop these promising characters and their relationship on a later leg of the journey.
As for the riddle of what did happen to the vanished airline heiress and her two prize Abyssinian cats, Craft offers a smart and satisfactory, if unsurprising answer.
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Museum hours were consistently incorrect, especially for Mondays, weekends and evenings.
This book might keep you out of trouble, but it is not the guide for a budget traveler.
The Mexico guide is a good, complete guide. Filled with information, history and beautiful pictures about almost every corner of this gorgeous country. Reading the whole book gives you a good update on your history and geography knowledge! (Something to do if you are trekking around by bus like I did!)
I have always been satisfied with the LP guides. The information given is good, just what you need to get around. The only negative with this book (and the reason I give it 4 and not 5 stars) is that it was completely outdated on prices etc. Another thing (that goes for most of the travel guides) is that many of the hotels that are listed in the book has gotten so much (too much?) business so that the service is down to a minimum. This we found especially in Isla Mujeres where the price was the double of what the book said, and really lousy customer service, if any.
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This book contains a whole lot of checklists and bullet points, but lacks any clear explanations or descriptions. This seems like a half-hearted effort in which the author simply pieced together a number of his own forms and checklists. Don't get me wrong some forms are useful (hence the one star), but not useful enough to warrant the price. I quickly returned the book and recommend others to look elsewhere for real estate development info.
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The plot is severely lacking. Four geeks rewrite the entire city infrastructure in two years -- and are stuck on some control passwords! A multi-billionaire wants to cheat the bank whose systems his company is rewriting!
This book has no basis in reality. Any similarity to Planet Earth as we know it is coincidental.
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I also picked up two books called "Total Piano" and "Alfred's Basic Adult Piano Course" both of which I've found quite good so far. If you have a digital piano with a MIDI interface, check out "Teach Me Piano". I've been using it for a few days now, I can't say enough good things about this piece of software.
Most of the other books teach very little except simple popular ditties. This book actually had -- yes -- scales and other exercises for both the left and right hands, with fingering techniques simply applied, but fully explained.
And for those who want some tunes, there are (in addition to the standard ditties) actually some worthwhile classical adaptions, such as some of the best-known themes from the Bach cantatas.
I was quite impressed with how much basic and even intermediate material was included in the book, and explained with clarity and simplicity.
Since I read music already, I was able to skip many of the first chapters and get right into the practice and technique material, so I can't comment on how clear the music-reading chapters would be for a total beginner. However, I expect that if they are as good as the rest of the material, they should be fine for that purpose as well.
Gabriel explains that jihad and terrorism are part and parcel of true Islam, and that it is a politically-correct media caricature to think of Islam as a "religion of peace." It is not. The terrorists and jihad fighters are not extremists or fanatics. They are the true Muslims, all the others having accepted a watered-down Westernized version of Islam.
Gabriel gives the reader insights into the Koran and what it says, and he explains why or how it is possible for the Koran to say at one point that Muslims should be nice to the Christians, and at other times that they must torture and kill them.
Given Gabriel's background as a former Muslim professor of Islamic history, this book is a bombshell because it is so authoritative. Here we have a former INSIDER of Islam who knows the true connections between Islam and jihad, the Muslim faith and terrorism. He is politically incorrect because he does not play the game of "the terrorists are extremist fanatics" but rather shows that "the terrorists are true followers of their religion."
The goal of Islam is the domination of the world. They want all countries on this planet to be governed by Allah, where only the Islamic rule is tolerated. Infidels must either be converted or die, so that the only people alive will be servants of Allah. Any so-called Muslims that do not will this are not true Muslims. That is what Mark Gabriel relates in this book, and he proves his points very well.
Gabriel, now a Baptist, also has a section on "Muslims and the Good News" in his book. Because he is a Protestant, however, there are countless theological errors in his book about Christianity, and I cannot recommend what he puts forth as the true Christian Gospel. Therefore, the reader is best served by ignoring what Gabriel presents as Christianity.
As far as the primary purpose of the book is concerned, however (namely, understanding and getting inside of Islam and terrorism), all I can say is TWO THUMBS UP! The book is exciting and easy to read. It is even a page-turner at times. Must-read for anyone who thinks that Islamic terrorism around the world has nothing to do with *true* Islam.