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Van Doren's preface, itself a famous piece of work, accounts for both the best and worst of Whitman's creations (Van Doren seemed to share Randall Jarrell's view that we can only appreciate the best of Whitman's poetry by acknowledging the depths of his worst work), and seeks to locate the personal Whitman within his verses. This essay alone is arguably worth the price of purchase.
What really sets this anthology apart from others like it, though, is the manner in which Van Doren takes his argument - that Whitman's work was always intimate, even though its themes were variously epical or universal - and applies it to his selection of poems. In inevitable inclusions such as 'Song of Myself', 'Mannahatta' and 'Crossing Brooklyn Ferry', we see Whitman the oracular poet, bringing into his egalitarian imagination the disparate bustle and brio of nineteenth-century New York and ordering them in verse. But when we read alongisde these poems 'Ashes of Soldiers', 'When Lilacs Last in the Dooryard Bloom'd', 'Native Moments' and 'Once I Pass'd through a Populous City', we begin to recognise the truth in Van Doren's thesis. Whitman's fear of death, his concern for the memories of the individual dead (as we see in 'As Toilsome I Wander'd Virginia's Woods'), and his nascently homerotic fascination with his own body (he writes in 'As Adam Early in the Morning', 'Touch me, touch the palm of your hand to my body as I pass,/ Be not afraid of my body'), complement those aspects of his poetry for which he is perhaps most famous: his mythical imagination, exclamatory verse, and descriptive catalogues of local people and places, which remind me of Homeric battle lists, except that they are predicated upon peace, not war.
Combined with his eloquent prose accounts of his activities as a nurse during the Civil War, his letters, and his thoughtful, incisive tributes to those he recognised as great poets (his critical work occasionally resembles the scrupulous excellence of Samuel Johnson), Whitman's poetry discloses subtle resonances that readers might otherwise be inclined to overlook, or forget. Long-time admirers of Whitman will be overjoyed by this classic edition of his work. Those who haven't yet experienced the joys of his language could do worse than look here for a comprehensive overview of his oeuvre.
First and foremost, Whitman follows Emerson's thread of thougth in his nature-loving poetry, but Whitman allows himself fewer limits: He not only writes in free verse, he also writes explicitly about his sexuality.
His power, though, lies in his ability to take everyday things and use them in what we might call catalogue rhetoric: In a way he is just making drafts without logics. This is his way of putting everyday America into a poem. And it works. We may wonder what his point is, but Whitman is about sensation, not logics, and the feeling you experience when you read 'Song of Myself', his masterpiece, is truly unique. It is the same feeling you have when you see a beautful forest or sunset. This is poetry at its best.
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Power Surge discusses the church's decline, describes where we've been and explains why the old church membership model was doomed to fall short. Based on the practical, successful pastoral and discipleship experiences of the author, Power Surge outlines a dynamic and Biblical discipleship paradigm for the church. The essential aspects of leadership are explained, and the marks of individual and corporate discipleship are revealed and supported.
Power Surge moves beyond the theoretical, focusing on how to implement this fundamental shift within the life of a congregation, including the challenges and pitfalls to be encountered along the way.
In addition to presenting a needed discipleship vision for the church, each chapter provides questions for prayerful reflection. Power Surge works to renew the discipleship of each individual reader as well as each congregation.
A must read for every church leader!
This book is excellent because Foss puts clear words to the feelings that many of us have in our gut. I am using his book as the basis for a challenging Lenten sermon series in my congregation. My opening statement, "What if tomorrow we abolished the concept of membership at our church?" grabbed their attention and it has been held ever since. A large percentage of my congregation has purchased this book and is now reading it during our Lenten journey. I have received tons of positive feedback, and there is now a visible surge of passion for our congregation's future!
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The second and third stories in _Poppleton Everyday_, in which Our Hero shops for a bed and goes sailing with his friend Fillmore the Goat, are superb even by the high standards of the series. Each one takes a perfectly ordinary situation, lets it spiral into absurdity, and then resolves it in the last two pages. Mark Teague--who has one of the most distinctive styles in children's literature--is provides pitch-perfect illustrations to go with it.
This is a series to cherish. If you haven't tried it, do!