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Families who want more wholesome entertainment will find it here. These hands on tricks that unfold right before your eyes keep you guessing on what could possibly come next. And how did they do that? So curl up with the kids, and prepare to be astounded. I sure was!
Rita Mae Brown with the help from her own feline, Sneaky Pie Brown, demonstrates why she is such a popular author. She creates an exciting mystery series that deftly anthropomorphizes animals so that readers believe in the fantasy world she has devised. MURDER ON THE PROWL is a particularly well constructed mystery that is a brilliant blending of The Lady And The Tramp with Ms. Jessica Fletcher.
Harriet Klausner
Rita Mae Brown has done it again. This is one of the best Mrs. Murphy mysteries to date, and a must-read for fans of the cat-cozy genre.
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The ideal edition of this book would have an accompanying video with clips of at least some of the moments Galeano describes. Failing that, however, the book itself makes magic with words to describe the "beautiful game". Galeano's politics come through also, and they only help to give the right sort of "local color" to the text. The translation is very well done, so that one hardly ever wonders how much better things might have been said in the original.
All in all, a great little book!
Along the way, we learn not only about "futbol", but about how the game fits into the tapestry of life throughout the majority of the rest of the world. Simply Brilliant!
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This provides the background charm for a really lovely tale about a family in distress who sticks together bravely and provides a shining example to all around them, while being aided by equally high-minded and kind folks around them.
A knock on the door at the idyllic middle class town home of the children ends with a tragedy that they can scarcely understand. But Mother is brave and despite rumors of terrible things, they make their way to a more modest home in the country, next to a railway line. The children become friends with the trains and the regular commuters who wave at them. Their fascination with the train results in a heroic rescue. Meanwhile, their situation is sometimes difficult, and they develop some remarkable strategies for getting aid. There is a happy ending.
The morals taught to the children are particularly British (helpful, kind, brave) but certainly apply to us as well. The goodness that the children spread is really a lovely message and contributes to the charm and longevity of this great favorite. Good for reading aloud.
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But honestly, the best part about "Akiko on the Planet Smoo" is not initially noticeable to the casual reader. Mr. Crilley has provided a message that's invaluable to kids: they don't have to be grown-ups to make a difference. Akiko is a shy girl who isn't eager to take on too many responsibilities. When she gets whisked away to the planet Smoo and put in charge of a rescue party, she's convinced there must be some kind of mistake. She's no leader and has no idea how she's supposed to go about rescuing the Prince of Smoo. If it were up to her, she wouldn't even accept the job, but fortunately for her (and for us!), the King doesn't really give her much of a choice. As the story progresses, Akiko learns that she's capable of ALL KINDS of things, including the capability to be an excellent leader. Now, Mr. Crilley certainly doesn't bang his readers over the head with this lesson. He's mostly interested in telling a good story, not preaching self-sufficiency to kids. The moral just helps to insure that "Akiko on the Planet Smoo" will reach the status of "classic" long after most contemporary children's books disappear into oblivion.
So, if you're looking for something to read to your kids, or if you're looking for a way to relive your childhood, "Akiko on the Planet Smoo" is the book for you. Mr. Crilley is a real pro. He succeeded in making me relive parts of my childhood I'd all but forgotten; and that's a good thing, because they were some of the BEST parts I risked losing. I can't wait to read the next book in the series!
(By the way, if you like Mr. Crilley's illustrations in this book, I would highly recommend picking up his "Akiko" graphic novels, which this book is based on. They're available at this website, too!)
The main characters who make up Akiko's rescue team are very colorful and somewhat eccentric. Spuckler is the swashbuckling, take action type. Mr. Beeba is the scholarly, but very cautious one. Gax is Spuckler's loyal rusty robot. And Poog is the mysterious, floating ball with big eyes.
The story has Jaggasaurs that make Godzilla look wimpy, giant robots that outshine those in Star Wars, huge flying pirate ships, and heart-stopping action that will leave you breathless!
The author and artist, Mark Crilley, does a wonderful job of fleshing out the characters without slowing down all the action. His illustrations throughout the book are simply amazing. Underneath all the action and adventure, Akiko on the Planet Smoo is really about a ten year old girl who discovers the true potential that is inside us all.
A little bit of the Wizard of Oz and a touch of Star Wars make Akiko an exciting read for children and adults. I give this book my highest recommendation!
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The book lives up to its Encyclopedia title. It gives bios and histories, musical reviews and more. Almost every musician who's impacted Christian music (CCM/rock) is mentioned. Some might even surprise you: Alice Cooper, Little Richard, Donna Summer, U-2, Bob Dylan. The book's current enough that it mentions Ginny Owens' first two CDs, and even Rock and Roll Worship Circus's independent work.
The only drawbacks I noted were that the book didn't list various awards like the Dove, or the big festivals like Cornerstone. Those areas could have gotten a bit of attention. Powell could also have included a history of Contemporary Christian Music (CCM) and how it technically doesn't include Gospel or Southern Gospel which "could" really claim being contemporary, Christian, and music.
My computer precluded my loading the accompanying CD-ROM, so I can't comment on that. Hopefully, when my computer gets fixed and I receive my personal copy, I'll find the missing awards/history/festivals information.
Powell is nothing if not critical. "Opinionated" was the word the store clerk used. So are all the great rock writers; so are all the great rock books, and despite its encyclopedic format, this is a great rock book. Surprisingly, the author is Professor of New Testament at Trinity Lutheran Seminary; not surprisingly, therefore, he argues with the theology in some songs. For instance, he doesn't agree with the idea of "the rapture" popularized by Hal Lindsey's book, The Late Great Planet Earth, and the "Left Behind" series, and prevalent in numerous Jesus Movement-era songs. Most significantly, he takes these artists and their music seriously. This gives the whole genre of gospel rock more signficance than it is often felt to warrant, and certainly more than the tag "ccm" suggests.
If rock rings true, it's because it's about real life. CCM, on the other hand, often sounds phony, stressing the ideal over the real, and marketing over the music. This has left many artists confused, angry and disenchanted. Powell deftly captures the undercurrent of alienation, and the love/hate relationships many artists have with their labels. He also graphs the rise of independent labels like Tooth'n'Nail, and the backlash against business-as-usual "corporate rock." The result is that many artists emerge as "survivors"--ground up and spit out of the music machine, but still standing; Powell's underlying conviction is that it doesn't have to be that way.
Accordingly, he doesn't sidestep the divorces and drugs, lies and lawsuits that attend real history; rather than tarnish these artists, the effect is to increase their street credibility: they emerge as real people instead of cardboard cutouts. By even greater magic of his pen, Powell makes us see all that out-of-print vinyl as a significant part of music history--far too important to relegate to the dustbin of "cookie-cutter" ccm.
Some of the short entries are too short, and many are incomplete, understandable given the mammoth scope of the project. Powell wisely chose to include brief entries when information was unavailable, rather than leave artists out. Some of the long pieces, however, are truly outstanding; the ten page Bob Dylan bio ranks among the best bits on that artist I have read. Again and again I looked up obscure artists I was sure would not be among those present: Larry Norman; After the Fire; Malcom and Alwyn; the Lead; Andy Pratt; Robin Lane; Cliff Richard--each time I was amazed to find that Powell had already been there and done that.
The hefty price tag will likely keep the ECCM off most fan's light reading list, but Powell includes a searchable CD Rom disc and websites for bands to pump up the value, and at 1,088 pages, it's really more reading than three Harry Potter books. Professor Powell has done music fans a great service with this ground- breaking book, unearthing more than forty years of virtually unknown history--yet for all that, it's a very enjoyable read.
The "something more" is that the author also provides his own critical analysis of the music. This is easy to skip, if you don't care about it. But many will find this to be the most engaging part of the book. It isn't commentary by just anyone. Although he modestly claims to be just "a noisy fan," Mark Allan Powell is in fact one of the most prominent theologians of the late twentieth-century. He doesn't bother to mention that he has a PhD in theology, much less that he has published countless highly-praised books and garnered all sorts of awards and honors in his field. Still, he writes in such a humorous and friendly, easy-going style that you'd never suspect it's the same guy responsible for all those egghead, intellectual tomes that most of us probably could never understand (of course, he's also been a professional music critic for about thirty years now, writing about rock and roll "as a hobby" for newspapers and popular magazines).
Powell presents his book as a gift to Christian music artists, industry, and fans--"people who have made my life more pleasant and meaningful." What a gift it is! This is the first time that anyone of this stature has ever even noticed the little "parallel universe" of Christian rock, much less taken such care to document it or invested himself so personally in commenting on it. The comments are so incisive that, even if they were negative, the criticism would be welcome. But-good news!-he loves the music and consistently discovers what is best about every artist. The book isn't just informative-it's positive, upbeat, inspiring, and a whole lot of fun!
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If it makes you happy, buy it.
The best part of this book is the section on deciding what you want to do with your life. Pollan's exercises are original and would, I believe, help many people to discover their own next step. For instance, Pollan urges readers to review activities that they love -- and also places that draw forth a passionate response. His question, "What need does this passion address?" is extremely helpful and, unfortunately, rarely asked.
Implementation sections are helpful but I would encourage readers to seek supplementary guidance. Pollan suggests that a degree from University of Phoenix may be as helpful, in some cases, as a degree from Harvard. I encourage my own clients to talk to alumni from any school. Some doors will be closed to Phoenix alums, including some adjunct teaching options. On the other hand, a fifty-plus career changer who wants to set up shop as a counselor would do as well with a degree from the fastest, lowest-cost school whose courses are recognized by the state in question.
Still, I would be careful. I have heard first-account accounts of degree programs losing acceptability by accrediting bodies.
Pollan urges readers to omit dates from a resume. If you're using a back-door method to get a job (as you should!) that strategy will work. However, if your resume goes through a human resource department, it will most likely get tossed or you will be asked to submit traditional resume with dates.
Finally, I was disturbed by the grammar errors distributed lavishly through the text. A top publisher should have provided a copy editor! In particular the author writes "I" instead of "me"
("he showed my wife and I...")
Despite these qualms and quibbles, if you're a midlife career changer, you'll find this book more helpful than most. If nothing else, the author is a fine role model.
Second Acts is the best resource I've found to sort through how I create the career and life I want in uncertain times. What's best about the book is that the steps outlined by Pollan and Levine are concrete and helpful--a rarity with this kind of book, and I feel like I can really learn from the examples they've taken from other peoples lives. Already, the book has helped me to create a plan to take actions that will help me make changes in my professional life that will enable me to lead the life I want.
I wholeheartedly recommend this book!
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The practice exam CD is great too. If you can memorize those questions and answers then the exam won't be much different.
This is THE book for the CCDA exam.
The first story, "Buttons", is the story of a family button empire that transforms into an egg empire whose hilarious attempt to ride a consumer craze results in inevitable downfall. Interwoven with this story is that of one of the the founder's great-grandchildren, who's locked in a silent sibling rivalry with his twin. A similar sibling rivalry is the catalyst for the narrator of "A Note On the Type," to go to veterinary school in Boston and thus move in with a bizarre aunt. It's the most stylized of the stories, and follows the same format as "Buttons," telling the story of the student while also going into his family history. The book's best moment occurs here, when the narrator waits for service at a deli counter and fantasizes about the young woman behind the counter, constructing her as a fascinating white trash theorist gathering research material.
The most inconsequential of the stories, "Pageantry", is the mostly inner-monologue of a teen contestant at a local beauty pageant. She recognizes the whole enterprise as an enterprise to prey of the dreams and thwarted ambitions of adults through their children and can't wait until she's old enough to say no to her mother. The story is a pretty sharp little piece, but the ground has been so thoroughly covered in so many contexts that it's hard to find anything new in it. "Gator" and "Worms" both concern themes of loss and parenthood. In "Gator" a Louisiana teacher encourages a student, the daughter of a gator-skinner, to become a Manhattan shoe designer. He clearly has some twisted inner fantasy of being her father, and Poirier beautifully captures his sense of loss when she leaves. "Worms" is another heartbreaking story, in which a Vassar woman who's forced to move to rural Texas to find work as a journalist falls in love with and marries a worm farmer. This is perhaps the only story in the bunch where the main characters aren't psychologically messed up in some way or another, and so it somehow seems more cruel when tragedy strikes.
Although a bit slim (the whole book can be read in about two hours), it's another solid collection from Poirier and I look forward to his next bit of writing.