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canvases. To know him is to confront his original work
on the wall before you. Find your distance, 10, 15,
maybe 30 feet back. Yet to make sense of his
colored rectangles tearing themselves apart in fission,
as well as his earlier, quite different work, some
background helps.
Breslin's book will become the standard reference, but
not perhaps the starting point. He writes engrossingly,
but the 558 pages of text, I fear, will discourage the
casual reader (who might do well to read Robert
Hughes's paragraphs in American Visions).
Still, for the motivated reader, James Breslin's bio is
awesome. The Latvian Jew, charity student at
antisemitic Yale in the early 20s, uncomfortable and
smarter than most there, comes alive, as does his love
for children and their art, as well as his tormented
first marriage to a wife commercially successful during
the Great Depression making jewelry that sold. Rothko
had higher ambitions: fine art spelled with a capital
"A". As Breslin relates, discomfort never disappeared.
Success and recognition did not go over well with
this self-described anarchist who, as a Portland
teenager, enthusiastically took in lectures by Emma
Goldman. Overall, Breslin provides a biographical and
historical foundation with which to understand Mark
Rothko's painting. I am grateful for that.
Finally, of the many biographies I've read, James EB
Breslin's stands out for another reason: in his
Afterword, he turns from Rothko to himself and
addresses his own motivations and challenges in writing
the biography. Biographies are never "objective", so it
makes sense that a biographer might address his own
motivations. In the descriptions of the dangers of
doing research in Rothko's birthplace of Dvinsk, in
interviewing art historian Clement Greenberg, Rothko
reappears again, this time indirectly, one step
removed. That Breslin can bring Rothko alive in these
different contexts is testament to the enduring value
of this long, challenging biography.
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warrior women. I recommend this collection and "Damsel in the Rough" by Ann M. Tempesta.
The wry sense of humor characteristic of Twain definitely is most in evidence in CT Yankee. All 3 of these works deliver Twain's wide understanding of human nature in different times and sociological conditions, and his admiration of human nobility and greatness of heart in adversity. Joan of Arc unquestionably is the most inspiring of these tales, being the story of the greatest hero (or heroine). The Prince and the Pauper, however, remains a jewel of an adventure story, which any child can identify with, and learn from.
It is a collection to keep forever, and re-read frequently.
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"Editor's Note: Certain characterizations and language of the author should be viewed as arising from the context of the time in which these stories were written. Any offense to modern sensibilities is unintended and does not reflect the attitudes of the editor or publisher of the current edition."
and an Editor's Introduction calling them "wicked", and a small note which reads:
"COMPILED, EDITED AND COMPOSITED BY FRANK J. FINAMORE"
Did I mention the compositing is of an order that would roil Shakespeare's bones? Mr. Finamore saw his handiwork and thought he would sell it anyway with a bit of bluff, so he wrote the Introduction. That wouldn't serve, as some distant near-relation of the accused might surface to claim retribution, so he slapped the warning label on it. Some angel looking over his shoulder made him sign his name to the whole business, and there you have it. Case closed.
I looked over the table of contents of this collection and I noticed a lot of other good stories among them. Two that came to mind were "Captain Stormfield" and "The Man who Corrupted Hadleyburg". This strikes me as a great introduction to the Mark Twain beyond "Tom Sawyer" and "Huckleberry Finn".
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The look and feel of the book is similar to any of the Graphis range. The book begins with a brief look at the precursors of trademarks such as heraldry, monograms and brands for animals and goods. It then examines the design process looking at the type of corporate identities that can be created and their application. The bulk of the book though is the taxonomy of trademarks breaking them down into classes, such as birds, botanical, buildings etc. There is a brief look at the background to the trademark accompanied by the name of company which uses the trademark and the designers behind it.
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You will find introductions to the classes of the .NET framework that exist on both desktop and CF. These are very good descriptions and even though there are deeper explanations in other books, here you have the confidence that everything described is applicable without having to check elsewhere for supported classes/methods. If you are very familiar with the desktop version you will be able to skim through a good half of the material in the book just noting the differences.
There are areas which are new to the CF or just very different from the desktop and these are covered well, including deployment, infrared comms and SqlServerCe. The winform controls have fewer methods than their desktop counterparts and as such you will have to create custom controls fairly often so the chapter on this subject is very valuable and well written. You will also have to interoperate with native code and the chapter on that is good including an excellent description of the CF-specific MessageWindow component.
Two areas are briefly touched upon and deserve much more attention: Targeting both the desktop and compact frameworks from the same projects and COM interoperability. I would have also liked a chapter on performance considerations since, naturally, speed and memory are of particular interest to anybody developing on small devices; a search on the cf newsgroup emphasizes this point.
The book ends with a useful appendix listing the framework namespaces and classes with a short description accompanying the ones that are supported on the CF. I am not including a list of the contents here but it is worth going through them to get a fuller picture. They are very accurate as you'd expect from a book that is well written with few if any grammatical/syntactical mistakes (although a couple of harmless factual errors crept in).
The .NETcf is in RTM and available through VS 2003 (public release expected end of April 03). It is no surprise that this is the only book on it available now which is why I could have given it 5 stars... However there are no groundbreaking ideas in the book and most info is available on the web...
It's the book for Compact framework programming.
Don't forget to get the AskDotNet sample from GotDotNet.com, very good project too.
This book is good for .NET developers who want to port their application to .NET Compact Framework, and also must-have for eMbedded Visual Tools developers who want to migrate from eVB, eVC, VBCE, VCCE. Although this book is full of C# codes, there are samples for VB.NET as well.
There are many important topics included in this book, such as Data Accessing(ADO.Net & SQLCE), XML & XML Web Services, Multi-threading, Interoperating with Native Code, Custom Controls for .NET Compact Framework, and more than that.
If you want to learn more about .NET Compact Framework programming, or you are familiar with eMbedded Visual Tools, this could be your text book or survival guide.
After surveying books talk about .NET Compact Framework, this is what I can say, "NEVER MISS THIS"!
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Hauntingly beautiful arrangement of "Let All Mortal Flesh Keep Silence."
Only gripe is that the songs in the book are not in the same order as on the CD. No real harm done but it would have made it a bit more convenient to be able to listen to all of the selections in one sitting while paging through the book normally.
Highly recommended.
If you're an absolute beginner, you can safely pass this one up, but if you have a year or two of experience under your belt, this is a great set of solos for the Christmas season. Be sure to pick it up a few months early, though, because these are NOT easy. You'll have to work at them to get them sounding nice.
Mark hasn't forgotten those of you out there with more skills, either. There are a total of 12 arrangements here - 4 easy, 4 intermediate, and 4 advanced. By the time you get to the last couple of tunes, you have some serious show-off stuff going on - way over my head, but something the advanced player can dig into, and the intermediate player can aspire to.
Highly recommended for both intermediate and advanced players.
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However, I must add a ", but". The book misses some of the things you must know for the exam. Even worse are the errors in this book. There are several errors that should have been spotted by the author and the technical advisors.
I like the format of this book, but it does miss out on some things, and there are errors in the book. A good alternative to this book is the Sybex "MCSE exam notes" series.
It has tons of useful pointers and tells you which areas you are most likely to be tested on.
It also comes with a handy tear-out guide in the front that you can use as a quick reminder of key points from each section. Perfect for last-minute cramming!