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Unless you're running a sports franchise, I'm not sure there's actually much useful information to glean from the book, and that's the reason you buy business books, isn't it. For all it's quizzes, which are really "precious" (in the worst sense of the word), the only real idea from the book is "go crazy...risk something." That's great if you've got deep pockets. People will do a lot of crazy things to link themselves with major sporting teams (sponsorships, wacky promotions, giveaways, etc.). But what if you own a plumbing supply store? A shoe repair store? A used CD shop? Yes, you too can do crazy, wacky things, but if you do the wrong crazy thing, just because Spoelstra thinks you should, will you have the cash flow left to try another one? Unless you've got a big organization and deep pockets (or access to deep financing) his urging to be outrageous seems a bit pat and obvious.
Yes, be outrageous, sure. But how do you temper it? How do you give yourself an "escape route" if things go wrong? How do you pay for it?
So, I finished the book very entertained by the anecdotes, and impressed at the contributions the author has made to the ways in which we all enjoy professional sports events and team. But I had not one truly practical, useful, actionable idea to put to work.
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The story is long, and drags a bit in the middle, but the final couple of chapters are quite emotionally powerful and very much worth getting to. The book, while seemingly written for a younger audience, should be enjoyable for any gay man who can certainly see parts of his younger self in the thoughts and feelings of the two teenagers.
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More and more I appreciate the moments between Mark and Neil because they reveal the tenderness of a relationship many of us lack. With the next novel I hope Craft will expand on the domestic scenes, possibly giving Neil a more active role in unwinding the mystery.
Craft's story-telling may not rank him as a classic writer, but his attention to detail in the plot certainly does. His place among the pantheon of classic mystery writers is not set just yet, but with continued novels and some minor progress he will certainly interest all readers. However, if he wants to write for an audience with a more refined taste, he will have to cut down on the sex scenes. The eroticism adds to the novels' commercial value, but otherwise is unnecessary.
My biggest hope for these novels is that they will remain a financial success and Craft can afford to put more of them on the market. I'm eagerly awaiting his next publication.
There was one thing I particularly loved about this book. The reader has all the clues needed to make his/her own theories, theories the characters haven't mentioned yet. Craft doesn't hide clues. The conclusion of his stories doesn't introduce new people/facts as a convenient way to tie up loose ends.
I've enjoyed all the Mark Manning books, but this one in particular was very hard to put down.
Once the fifth book is available, I'll be getting it as well!
I found Twain's discussion of Lake Como to be the most troubling. Here, in comparing it to Lake Tahoe, he gets diverted into what can only be called a racist tirade against the Washoe Indians of Nevada.
Melville (in The Confidence Man) has a long chapter on Indian-hating, but he writes as an observer, not a practitioner. Twain is more partisan. There is an anti-Catholic tinge as well; but then, anti-Catholic political parties (such as the 'Know Nothings') were also a feature of pre-civil war America.
I do believe that this is one of the finest books on tourism one can read. Twain is a keen observer of Old World culture, which he opposes to our American adaptation. Admiration can lead to whitewashing if some of Twain's social pathologies are left unexamined.
The book is as anti-Indian as anti-Arab, as anti-Mormon as anti-Catholic. It remains a very funny book; but I wouldn't give it to a teenager to read without a precautionary warning.
The book is also surprising for its timeless points about the journeying of certain upper white, middle class people going on a grand tour of Europe. I frequently had to remind myself that it was written in 1869 because his observations and the behavior of his shipmates is so close to the way people I studied abroad with acted-only a few years ago.
Twain also puts those "cosmopolitan" people who claim to have traveled, but don't know anything about any place they have been but and just like to lord it over everyone else that they have "travelled" and you have not.
Reading this book is like listening to a very wise, old man tell you about his adventures. Its not like a book, more like one long conversation. Twain takes nothing seriously-not himself, his fellow travelers or the places they visit. The words are another adventure-sometimes, you know he is setting you up for something, other times he is serious for a while, then you end up in the middle of a joke.
I know this is against the rules, but the other posters who don't like this book-don't be so serious and p.c. all the time. Twain is making humorous observations, at a time when a different standard was acceptable. Not to mention, he does manage to get a few zingers in there about what people are willing to accept and what they do not.
You will laugh yourself silly and want to book a trip-not to Europe, just to anywhere, after reading this book.
One of the best things about Twain is his refusal to romanticize, even in the cases of the greatest places in the world. He does not hesitate to verbally abuse Paris, Florence, Damascus, even Jerusalem. He tells it how it is, refusing to admire the work of the great painters (Raphael, Michael Angelo, and co.) and asserting that everyone who ever wrote of the beauty of the Sea of Galilee was a downright liar. He has some good things to say, too (he seems to have approved of Athens), but mostly he spends his time dispelling the romantic images of the great places of the world. The result is hilarious, and certainly makes one realize that, despite the perfect images that Paris, Pisa, and Rome sometimes have in our minds, they are a far cry from paradise.
Twain's wit, as always, is very sharp, and this book is an excellent example of it. His antics (and descriptions of them) are very funny, and his way of putting things a joy to read. Along the way, he pokes fun of the American "Pilgrims," who deface the sacred relics they visit and call every guide they have 'Ferguson.' This is certainly a classic in American Literature. Anyone interested in travel writing will profit greatly from this book, as will anyone who enjoys Twain's humor or just a good laugh.
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So the obvious thing to do is not compare "The Princess Test". "The Princess Test" is just not Ella Enchanted. If the reader is expecting another Ella and obstinatly refuses to settle for anything else, he/she will be very disappointed, as compared to if the reader will just sit down with this book and read it for its own sake.
Now on to the actual review.
Again, Ms. Levine takes a familiar fairy tale and gives it her own unique twist. In this case it is "The Princess and the Pea." Levine gives a quick-yet-delightful retelling of an extremely sensitive blacksmith's daughter who becomes a princess.
The story is done in third person, giving it the sense of an actual fairy tale. I believe that is entirely what Levine was trying to do: write a fairy tale, not a novel. Instead of a spunky heroine, we have a carbon-copy of the average fairy tale princess. Instead of a normally-evolving relationship, we have love-at-first-sight. I found that even though I wanted to smack Lorelei at times for being such a ditz, she was just as charming as Ella in her own way. The total lack of depth simply makes the story light-hearted. And even though the reader might roll her eyes at the romance, she'll no doubt do it with a smile on her face.
Delightfully picture-book characters, a fairy tale setting, and humor. Who cares if it's not Ella? Pick it up and enjoy a quick read!
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The basic premise is this: A sociopathic pedophile has killed a childs mother and taken the child in order to prey on him better. The child withdraws, becoming a voluntary mute, and a biter. A woman who is an "Art Therapist" (a psychologist who uses the artwork of children to 'decode' their stress/troubles) then gets the boy's case, and ensuing thriller begins.
The heroine, Celia, is very well crafted, with depth and a personality that lines nicely with her career. Moreover, she's not perfect - her marriage is on the rocks, she has doubts sometimes in her conclusions, and her job is unstable since the head of the hospital thinks what she does is a fraud and has no real psychological validity. Likewise, Davy, the child, has a very rich character - he is surviving a level of awful abuse (and sometimes even the hints of what is happening to him are very painful to read), and his mind is as complex as it would be given the condition.
It's the villain where the complexity dies a little. The pedophile character is cardboard and 1-dimensional, and you only get a random hint or two as to his background, motivation, or the like. In most thrillers I've read, you get a detailed past from the villain, as he or she tries to validate what they're doing (an impossible task, but a quirk of most major sociopaths or the like).
Still, on the basis of making you jump and being a solid thriller, this is a good read: you'll twitch and gasp and hold the book white-knuckled. Just don't expect literary depth from anyone in the book except the heroine and the child.
'Nathan
Any reader who wants an action per page story line needs to skip HUSH. However, fans of deep rooted psychological drama that digs into the essence of the mind and even deeper than that, will find this the ideal book. HUSH is a unique, tremendous characterization study that dives into the guts of a psychopath and the fearful relationships he causes with the people he directly and indirectly effects. Though the villain's actions seem a bit stretched, Mark Nykanem delivers a first class character study that will be devoured by fans of the sub-genre, who don't need their novels to be an adrenaline pumping thriller.
Harriet Klausner
be just as excited. Yes I was! I had forgotten how captivating the story and characters were. The feelings of fear and anger twards the characters were remembered. I found myself yelling advise and many times laughing out loud,
feeling guilty later about the dark humor that amused me.
I love this book. I recommend it to anyone who likes to be thrilled and wants to feel fear from the prespective of an
twisted killer.
The insight into Art Therapy as a means of uncovering child abuse was refreshing and original.
I can't wait to read Hush again nexr year. Unless of course there is a sequel!!
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Even if you don't like vampires or the entire White Wolf line of monster rpg's this is a very interesting book. The subject matter is unique and it isn't just European vampires transplanted to Asia.
Before this book came out I was skeptical that W.W. would do Asian "vampires" justice but they exceeded my wildest expectations.
It mostly focuses on N-E cultures (China/Japan/Korea) but there is even a bit on Malaysian "vampires".
W.W. has even done an excellent job of putting out supplements for the game.
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It covers all the basic of using C++ Builder, + writing custom components. All of it well written. Most of the book is talking about SOAP/.NET/BizTalk/Datasnap and so on, all stuff that is only relevant for people that has the enterprise version of Builder. That does take one star from the rating, it is simply not relevant for me, since I only do engineering calculations + nice 3D plots.
People looking for a book on Builder should get this one (the documentations that comes with Builder is full of misprints) so the book fills a huge gap, even if they have the previous version. The layout + the low prize + the previous book is included, makes it a bargin!
As pointed out, the PDF file could be improved. Certainly if hyperlinks are included would make it easier and more practical for the reader.
As for some chapters being available only on the CD-ROM, I would say that it is a matter of personal preference. Would you mind buying another book or just leave it as chapters on the CD-ROM? But it is great stuff and I personally find it easily to look for stuff printed in book form rather on CD-ROM.
If you are using C++ Builder 5, you will find this book useful.