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This book is not in any way a spoof of Hammett or Chandler's works; once Jaffe transforms into ultimate toughguy Red Diamond, his investigations read much like an actual Philip Marlowe casefile. The tone is generally dead serious, the body count is high, and anything fancy-looking on the surface is probably rotten to the core while ensconced in phony high-society, greed-ridden big-business, or the cardboard world of film-making.
"Red Diamond's" cases classify more as underworld adventures. When Jaffe becomes his favourite pulp hero, his jaded bravado and total confidence get him accidently connected with some hoods almost right away. This is because the man who was Simon Jaffe now usurps Red Diamond's entire fictional past, and so sounds like a veteran PI to the world. Later, the novel shifts gears as Red Diamond not-surprisingly ends up in LA, trying to track down a missing woman and some stolen paintings. Trouble is, the missing woman is Fifi, a character from all the Red Diamond novels that Simon Jaffe used to read, so this new Red Diamond spends time searching for someone who doesn't even exist.
However, there really is a missing woman to be found...
The puzzle content of the book is lightweight and transparent, even in a subgenre where readers want more action than red herrings. But the book is quite endearing because of the fast pace, and Jaffe/Diamond's insistence on trying to locate fictional characters that he believes are just around the next corner--both Fifi, and crimeboss Rocco, who, in Red's mind, is manipulating all skullduggery from deep behind the scenes. Because Jaffe/Diamond manages to get embroiled in actual crimes that do need solving, it's intriguing to see him forge ahead and tackle them while also going on what amounts to a nightmarishly ridiculous quest to find Fifi and confront Rocco.
Raymond Chandler's true flair for taking a cynical look at a place like LA is not quite present in this Mark Schorr echo, although there is a memorable scene later in the book, at a movie-producer's home, with lots of slimey, puffed-up celebrity-types who make this one of the most nauseating parties I've ever read about. But if Schorr is not as interested in writing the bitter, searing condemnations of human hypocrisy that Chandler let fly in his character's longest speeches, or in their most jaded thoughts, then that is partly due to Schorr's slightly different agenda: showing Simon Jaffe slip into a world of self-delusion that makes him accomplish more in a few weeks than he had in his whole previous life. The suggestion seems to be that there is a fine line between reading to escape, and escaping through madness. Alas, Schorr, with his slick, fast-moving style, does miss an opprotunity to fully investigate what has happened to Simon Jaffe--hence the three-star rating.
...
There are, indeed, redeeming factors. The story "Super-Soldier: Man of War" is set during WWII and has some endearing guest stars. "The Dark Claw Adventures" emulates the art and story of the super-popular animated Batman series. And, as always, it is an intriguing comparison of some of the finest heroes of both universes. Fans of the first series will want this book for their collection. Anyone else will want it as a coaster for their cold drink.
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Nesbitt's essential thesis is that the blame laid by some upon General Stuart for the defeat at Gettysburg is unfair. I agree with him. However, I'm not sure I don't think he's right for the wrong reasons.
Nesbitt proposes several beliefs: Stuart's absence brought on the battle; no cavalry was left to Lee; Stuart was "late" for the battle; Stuart wasn't following orders; Stuart was joyriding; and offers to prove them false one by one. He is more successful with some of these proofs than others. He spends much of the narrative on Stuart's orders. I'm not sure this was the best strategy. The orders were confusingly written, we may not have them all, and after the war they were variously interpreted. Harping on the orders and on Lee's aide, Marshall's, possible postwar dishonesty concerning them tends, I think, to weaken Nesbitt's thesis by taking time and attention away from the real weak points in the "Stuart was to blame" argument. He gets caught up in the morass and makes some confusing and contradictory statements himself. In his discussion of the orders he does establish to my satisfaction that Stuart was not outright disobeying, though other readers have disagreed.
Nesbitt is perhaps on better ground with his discussion of postwar events -- the canonization of Lee as part of Lost Cause ideology and the fact that Stuart, being dead and not having been a favorite of some major hagiographers, made an ideal victim. Mosby's refreshingly lucid comments serve Nesbitt well here.
Time is also given to an analysis of the cavalry's role during the battle and retreat. Nesbitt points out, very cogently, that Stuart left men behind watching the Federal army who were supposed to stay in contact with Lee, but he fails to explain why these men did not, apparently, do their duty. This would be a useful thing to know, as would the reason why much of the cavalry Lee did have was off with the Second Corps, thus out of touch with Lee--but not at Stuart's bidding. Also, though the accidental nature of Gettysburg and the fact that it wasn't seen as a "high-water mark" till after the war do receive mention, Nesbitt's argument might have been stronger, I think, had he focused more on those factors.
Some rather unusual photos grace this volume, including one in which Mosby looks startlingly like actor Kyle MacLachlan.
This book will be required reading for anyone interested in the subject, but I'm afraid it may intensify controversy rather than clarifying discussion.
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This collection of essays is organized around a familiar, yet still unsettled question: did Jews in the South resist white supremacy? If so, did they act out of narrow self-interest or a larger humanitarian vision? Was Jewish opposition to white racism the result of a few individuals who happened to be Jews, or a prophetic mission on the part of Jews as a group? These questions provide the departure point for the sixteen essays in the book....Taken together, the essays offer a more specific and grounded understanding of what life was like for southern rabbis caught between the caution and conservatism of their congregations and the moral imperatives of their faith.....The book covers the period from the 1880s to the present. Three essays deal with the understudied 1880-1940 period, the rest focus on the post-WWII civil rights movement. Arranged chronologically, most of the articles detail the life and experiences of an individual rabbi in a wide variety of southern congregations. ...What emerges is a clear picture of the moral quandary in which southern rabbis found themselves, between serving their conservative congregations and speaking out against racial injustices. Southern rabbis nimbly negotiated this predicament by quietly educating their congregations or by joining the larger fight for civil rights.... The essay format lends itself to repetition. Each essay recounts the history and problems of black-Jewish relations in the South, the statistical data, the dilemma faced by southern rabbis, and examples of Jewisn southerners' vulnerability...The same story unfolds in each essay: a beleaguered spiritual leader who wants to do more but is caught between two different imperatives. There are two notable exceptions to this. Hollace Ava Weiner's delightful essay on Rabbi Sidney A. Wolf is seemingly unconcerned with the question of whether or not Rabbi Wolf had "done enough" and conveys what it was like for a midwestern Jew to come to a place like Corpus Christi, Texas, in 1926 and make himself and his ideas about racial and religious tolerancre an integral part of life there. In a different way, Marc Dollinger also moves beyond the question of whether rabbis did enough to analyze the complex relationship between northern and southern Jews during the civil rights movement. Although offering a comprehensive and diverse set of experiences..., the recurrence of the same story means that the questions raised by the essays rarely get explored in any depth....For instance, many of the rabbis entered civil rights work through their work in interfaith organizations. What exactly were the philosophical and organizational connections between interfaith activities and later civil rights activism and might these connections offer some insight into the later limitations of a black-Jewisn coalition? Similarly, what does it mean that Rabbi Charles Mantinband of Hattiesburg, Mississippi, had to sneak off, behind the backs of his temple members, to participate in the civil rights movement? Casually recounted in the Clive Webb essay on Mantinband, that anecdote raises a number of questions about religious leadership and particularly the question at the heart of this book -- can we talk about specifically Jewish mission to fight racism if the rabbi has to disconnect himself from his community to do the right thing? But in the end, this limitation is a mark of the book's strength. There is a wealth of useful and thought-provoking material in these pages that goes far beyond the book's stated intention.