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Times have moved on. Yet the writers seem to be stuck in this time warp where this matter is still relevant. Like it or not, Jane Fonda's visit happend - end of story.
The US goverment have bigger fish to fry than a 65 year old actress living in Georgia.
- This book is great for Vets and patriots that just wont move on, or atlease feel the world still owes them some thing.
Though I disagree with the book's conclusions, in fairness, the authors set a clear argument with their reasons why Jane Fonda should be tried for treason and use as many facts as possible (instead of lies)
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Schilling doesn't cover most of what I remember from Japan. He doesn't cover rock music. He doesn't cover kogaru. He doesn't cover ramune or pocky. Honestly, on an encounter level with other similar books I've found myself insulted by the lack of knowledge presented in their so-called "encyclopedia". But with what he covers, he covers it well and authoratatively and with an expressed but not hideously overt sense of irony about the entire situation.
I've found myself keeping it for a reference piece because what he does cover tends to get incorporated into a lot of what he doesn't.
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Authoring DAREDEVIL was surely a thankless task. The story upon which the book is based attempts to serve as an origin tale for the eponymous hero while shoehorning in a romance plotline that didn't appear until years later in Daredevil's comics continuity. Based on the writing in DAREDEVIL, Greg Cox has some skill as an author, but he falls into traps that often snare tie-in writers; unable to figure out a way to beef up the narrative presented in the screenplay, he leans on internal monologue and overly-florid prose to fill pages. Perhaps Cox did not have the time to invent original material to fill in the gaping holes in DAREDEVIL's story - media tie-ins are notorious among authors for their punishing deadlines - and if so he cannot be held totally at fault for the book's weakness, but when far better examples of the tie-in form can be found on the shelves, Cox's work simply pales by comparison. Chris Claremont's X-MEN 2, released just two months after DAREDEVIL, makes much more of a very slender screenplay.
Great fans of the film upon which DAREDEVIL is based might enjoy this novelization, but those who haven't seen the movie, or who may have picked up DAREDEVIL in an attempt to get pleasure from the book on its own merits, won't find anything about which to get excited. Instead of papering over the shortcomings of Mark Stephen Johnson's screenplay, Cox's adaptation puts a spotlight on them. Readers aren't dazzled by incredible stunt work or special effects, and they don't have a hard-driving techno-metal soundtrack to keep their pulses racing. All the readers have are words and their imaginations, and when the framework upon which the story is placed is so rickety, the characterizations so paper-thin, the author must work doubly hard to make up the shortfall. It's clear from the pages of DAREDEVIL that Cox didn't make this effort.
This is all the more disappointing due to the fact that Daredevil is a fascinating character about whom better stories have been told with even less space than in a 250-page novel. Brian Michael Bendis, in his "Underboss" and "Out" storylines in the ongoing Daredevil comic, brings real depth to the Man Without Fear, and Greg Rucka's take on the Daredevil/Elektra romance, entitled ULTIMATE DAREDEVIL/ELEKTRA, rings far more true than in Cox's DAREDEVIL.
Of course, it's difficult to blame Cox. After all, it's impossible to tell under what circumstances the novelization was written, and the DAREDEVIL screenplay is clearly a poor effort. But sympathy for the author doesn't mean anyone must feel obligated waste time with his work.
I am a comic collector. Plain and simple. And it gives me joy when I see a comic make it to the big screen. And when one does, I buy three things: The official movie poster, the novelization, and the movie on DVD when it is available. And this is one of the few times I've wanted to take that novelization back.
The movie was great. Almost fantastic. I would defenitely have to say that the portrayal in the movie, the overall tone, made Daredevil one of the best movies of the year. But this book was horrible. It lacked detail, and proper description to create imagery, to create the movie in the readers mind. And that made the book horrible. Now, not everyone has the ability to describe something like Tolkien, but the settings were poorly described. Basically the extent of description in this book goes "the dark street. The tall man." Johnson's depiction of the film in writing is horrible, and definitely not worth the money.
Daredevil is a good book for what it is: A screenplay-based novel. I wouldn't put it at the top of my list for books, but I wouldn't put it at the bottom either.
This novel has more than the screenplay written. Daredevil has a sub-story which leads to the end of The Kingpin's assisstant.
For anyone that doesn't want to see the movie, but is interested in what the story of the movie is, I reccommend it. If you have seen the movie and interested in how the author makes it into his own, I reccommend it. But, for anyone who is thinking about picking it up for a good read, I beyond all, DO NOT reccommend it.
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For example, a new feature of 4.5 is Multidatabase indexing through a site search database. Here is the unabridged exerpt from this "reference" on site search:
"The Multi Databse Indexing feature enables you to create many indices at once. After these indices exist, it is possible to search more than one database at a time for data (such as a client's name or company name). This feature can be extremely helpfull when designing a Web page. As shown in figure 8.21, you must be a manager of the file to enable this option."
That's it. That pathetic, inane, useless, and technically incaccurate blurb is all the info this book provides on site search. They don't even know what a site search database is (its the tool used to actually build a multidatabase index). And the worst part is that the whole book is like this. Uhh... I don't know exactly what this is but uhh.... here's the property box for it and uhh... you can click boxes and stuff on it. And uhh.. oh, yeah, you have to have sufficient access to do that.
Avoid this one like the plague. New Riders Publishing should really be ashamed of themselves.
Some folks feel it is not a good book, so I went to a local bookstore and spent an hour leafing ... for the 2nd time. For my project [ where there were some challenges, this book came closest to giving me script pointers, though not solutions]
I beleive this book is by far the best I have seen for Notes/Domino 4.x and would be happy if they released one for R 5.0 - same manner....
Great book in my personal opinion..and stands out in the Notes/Domino arena.
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ad 2) This is hard stuff. You have to be reasonably well acquainted with DCOM at the ATL level. Some knowledge on Assembler is also more than helpful. The framework is ok, though incomplete. Yes it is a bargain at the price of the book and it is interesting to read through.
Should this be two separate books? I think so yes. Though than I would never have read the second book.
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