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It got fragmented, a bit garbled and almost too crazy for me toward the end. It was almost a feeling that Childress had laid out this wide expanse of story but didn't quite know what to do with it after awhile. It was good to see Ben Willis discover his soul, so to speak, finding what was really important in life after all the craziness. But bottom line, I got a little tired of the whole thing before it was over and was a bit disappointed.
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As for the technical content, the book did a decent job. There are a few areas, such as ISDN (a large portion of the Support 2.0 exam), which were not covered in-depth enough. Being such an important study area, I expected better coverage here. As a result, I needed to bolster my studies from my BCRAN materials.
My last gripe is the CD. While I love to get a CD with my book, this one was entirely too frustrating to use. The book had numerous errors but the CD had a substantially higher percentage. The questions on the CD are the same as those included at the end of each chapter, so I preferred to use the paper form rather than the CD.
Overall, the book was decent. I felt reasonably well prepared with the exception of a couple of areas. I would have given this book 4 stars had it not been for the high number of errors and the very poor quality of the CD.
Rik
The book is detailed in every topic. The authors have taken their expertise and put in a book that will have you troubleshooting Cisco networks in no time flat. Over 650 pages of examples to learn from along with questions, case studies and helpful hints are roiled neatly into one book.
The topics of methodology, tools and commands, diagnostic commands, LAN troubleshooting, Cisco Switches, WAN and WAN protocols, extensive coverage of TCP/IP, IPX, SPX and routing protocols along with ISDN and advanced trouble techniques makes this a great exam companion as well as a great desk reference.
Also there is a 30-page appendix covering the OSI model, which is great for other exams as well. The book has a cd-rom with over 200 practice questions as a companion for test taking. Overall the book exceeded my every expectation and is surely one for the technical library.
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I just wanted to say how much I enjoyed your book. Of course I am trying to make a living as a daytrader, but what I find interesting is that your book has the mistakes the various traders have made as well as their success
stories. It is very inspirational to know that other people have setbacks too. I am living in Japan; I teach in the evenings then come home and trade from 11:30pm (Japan time) through to early morning, then sleep, then new day begins.......so I am a "night-trader"......... Anyway I just wanted to say I read and appreciated your book very much! Write another!
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Like I said before the only thing good about this storyline is the fight between Batman and Prometheus. So if you have no other reason to get this graphic novel at least get it for that fight!
WORLD WAR THREE ROCKS!!!
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Some people here have criticized the "machoism" in this book. Maybe I fail to understand, but if they have problems with him carrying a gun or dancing with "100 naked women", I submit that their criticisms are quibblesome. Carrying a gun may or may not be necessary, but it is beyond a minor part in the book. As for the naked women, my question is: Is it true? If so, why not write it. At heart though, these criticisms miss the greater part of the book which is the interaction between people (Jenkins w/ his fellow travelers, the travelers w/ their guide, previous explorers w/ the indigenous population). It is here where To Timbuktu shines.
If their criticism goes deeper then I believe that they fail to understand what travel literature is all about. It is about the quest. The quest to do something you are not quite sure that you can accomplish. The quest to learn about those different than you. If this is "machoism" I hope it lives in us all. To criticize it is to deny the validity of all grasps for greater knowledge about ourself and others. Maybe these people would rather read about my travels from refrigerator to couch to restroom to bed, but I don't think that would make a very interesting travelogue and, while it may be revealing about me, I doubt that it would tell us much about the diverse peoples of the world.
Getting off my soapbox, I can sum up, in short, by saying that this book turned me into a connoisseur of travel literature and I am thankful for the experience.
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The book also moves at an incredible pace. Part of that is derived from the gripping storyline as it is advanced by the protagonist in his monologues. It is also due to Goldblatt's adept handling of black speech. The editorial blurb on the book jacket asserting that Goldblatt "has an ear for idiom" is an understatement, indeed. I highly recommend this novel.
Novels may be the ideal space in which to consider and encounter otherness. Africa's life and language are alien to me, and so is urban black culture in general. Reading this novel, knowing it was written by a white man, forced me to decide where my own sympathies (and pathologies) might be located. If rap were turned into narrative, would it be like this? If I find these characters sympathetic, does that make me a racist because, as some reviewers have said, they are stereotypes? Or does it mean that I have broken through the stereotypes to their humanity? Maybe the important thing is to be asking the question. This novel startled and challenged me, and that's a good thing.
Unfortunately, the controversy over whether a white man can legitimately write a novel about black culture speaks volumes about the strangle-hold identity politics has taken on America: perhaps our desire for authenticity, and our wish that the oppressed might speak for themselves, has closed doors to creativity that ought to be left open. In any case, I plan to teach this book in my class on Contemporary American Literature, and let the students debate the question.
But what is its value? What does fiction do, at its best? It allows us to inhabit a person that we could hardly understand otherwise. Here we have white America's worst nightmare depicted: a young tough smart black man who doesn't give a damn.
Now black writers may feel that Goldblatt is poaching on their reservation. But foreignness can give a writer an advantage. And there's another advantage here to not being black. A black writer has a complex reaction to this character too. He or she is as likely to be afraid of such guys as a white; plus there's some group solidarity - don't expose this side of our people in front of the outsiders. Or there's irritation at someone who is squandering his opportunities ; or there's a desire to use this character to beat up on white readers, scare them or make them feel guilty. The white author is free of those possible hang-ups.
An author may love his characters or hate them, or he may take sides. Love some, hate others. Dickens and Tolstoy I consider to be obvious examples of writers who love their characters; they love even their villains. For hatred it's hard to match Evelyn Waugh. (A Handful of Dust would be the absolute indicator.)
Here's the amazing thing about Africa Speaks. Goldblatt loves his character. He gives so much detail of the life so quickly. Violent crime, wasted educational opportunities, intolerable attitudes toward women and sex, nonsensical racist rant, these are unfortunate details in a man who may not be lovable, but is loved anyway. But how do I know Goldblatt loves Africa Ali? Chuang Tzu and the fishes. The Chinese philosopher walking along the stream comments on the joy of the fishes. His companion complains that he couldn't possibly know that. He responds that he knows by the joy he feels watching them.
So here's what this book does. It lets urban middle class white readers enter into a relationship of love with a character that they see every day, but will never be close to. This is not the relationship they will have with the pathetic Bigger Thomas, for sure. Easy Rawlins, Mosley's detective hero, may be enjoyable, and likable but no more real than a TV cop. And not BAD. Black male figures in literature are either not the man we fear, or not a man we can love. Africa Ali is both. Isn't that something.
The unobtrusive frame of the story is that Africa has volunteered to state his view of life to a sociology prof with a tape recorder who buys him Chinese lunch. Africa isn't the only character. On days when he can't make it he sends friends. A promiscuous black woman who loves him, an ambitious young man working a menial job to start a normal life, and a pompous young Afrocentric university student. They are all presented lovingly. In the background is another friend, a real violent gangster. He never appears. Goldblatt's benevolence, perhaps, could not stretch so far.
The street attitude toward sex, and the nonsensical prating of Afrocentrist rant should be funny, but the urban pathology is simply too painful for these vivid raps to be really hilarious. Guys like Africa, however, are eloquent performers in a style that is constructed to be amusing, and the author puts it down wonderfully well. So it's amusing even if not funny(?) Still, for a piece of sociology combined with linguistics and rolled into a fictional package, it's great.
The fact that this significant book is not widely reviewed in periodicals is a scandal.
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That's about it for the pros and cons, but remember these are just my opinions! Hope they helped! Good luck in AP History or whatever you're doing in regards to this book!!
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This edition of the LP South America did not disappoint me. (Please note that I used it only for Colombia, Ecuador and PerĂº). It is up to date on the information, and as with all the other LP books it is easy to find your way around with it. It includes maps over the big cities, good information about the hotels, restaurants, places worth visiting, and time schedules for bus, train etc.
You have to take into account that this is a guide that is meant to cover the whole South America so naturally it is not as detailed as the guides for each country separate. It is good as an overall guide if you plan to go to more than one or two countries, as you would try to cut down on the baggage you would have to carry around.
As for the prices for hotels and food, the book is not accurate.. But you cannot expect that. It is hard to keep up with all the changes, especially in the Latin American economy, where the inflation is "somewhat" higher than in the rest of the world. So, for prices, do your own research, or at least be prepared for changes! (We usually doubled the prices in the book and that gave us a good indicator of what to expect).
You will find that if you are walking around with the LP book under your arm, many of the local people will approach you and ask you if you need help. Say yes - even if you don't need help! It is a great opportunity to get in contact with the local people!
This book is a must on your travel!
Sadly, this does not come through in the work of Hovind. His work has been hammered -- even by other creationists -- for its lack of accuracy. Even more troubling is his theological insistance that it's "his way or the highway" -- EVEN with regard to other strong, Bible-believing Christians. It is this tendency to equate Hovind's interpretation with actual inspiration that I find very off-putting.
A more reasoned, more irenic approach would facilite the discussion much more readily than what is presented here.
I gave it to my 8 year old son and he and I discussed the contents of it for hours. He finished it that night and could not put it down.
It is important for open-minded people to see the possibilty (or probability) that the earth and all of creation is not ancient and that science has never proven that. This book shows evidence of that from the field of cryptozoology.
Great stuff for the whole family!