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At the center of Bassin's work is the region around the Amur River. The Amur, closed to the Russians since the late seventeenth century, attracted intense interest in Russia throughout the later part of Nicholas I's regime, but especially in the aftermath of the country's defeat in the Crimean War. Wild, unsubstantiated exaggerations fueled this "Amur euphoria." The conquest and settlement of the Amur came to be seen as a national imperative, compensation for humiliation elsewhere. Amidst this frenzy, eager promoters who had never set their eyes on the Amur tagged the river as the "Siberian Mississippi," hoping that it would do for Siberia--and indeed for Russia as a whole--what the Mississippi did for the United States. They attached great hopes to this river. The waters of the Amur were to cleanse Russia's wounds, and redeem her in her newly-asserted eastern destiny. Yet the euphoria proved fleeting. Not long after the Russians reconquered the Amur, the realities confounded the hopes.
Although the Amur region is at the center of Bassin's book, its real subject, as the title indicates, are the "visions" of that object-region. These visions are the reflections of the visionaries, and become in certain ways "self-portraits" (p. 274), to use the author's own apt metaphor that indicates a methodological affinity to other recent works, most notably Yuri Slezkine's _Arctic Mirrors_. Whether as "mirrors" or as "self-portraits," these visions reveal far more about the visionaries than the envisioned. The "Amur euphoria" of the 1850s reflected the desperate desire of the Russian visionaries, in the wake of the Crimean War debacle, to both turn away from a Europe that "spurned" them and wounded their national pride and, at the same time, reaffirm their own Europeanness as effective "civilizers" of the east. These are complicated, sometimes conflicting visions of an "imagined" region, but Bassin skillfully steers us through them one at a time with the exuberance of a Huck Finn sailing on his raft down the Mississippi. In the process, he produces a work that will be indispensable for anyone grappling with the hisitorical issues of Russia's imperial visions.
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If you are a speech language pathologist who does not know a lot about Down Syndrome, this is the book to help you learn about it and how you can approach speech therapy with this population. It has greatly influenced my decisions regarding the overall communication abilities and potential in my students.
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I see this book as a teaching tool for high school religion classes. It is refreshing to see dedicated teachers publishing a book by teens, for teens.
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First of all, the book is gorgeous. The layouts and the stories are intriguing and fascinating. The recipes are sumptuous, totally different from anything I've ever seen. You will not be disappointed!
The story narrative with the music examples is excellent. I prefer it to a libretto; indeed, it's a much easier way to follow the essence of the story. The essay is magnificent; very well written, not pedantic, and extremely insightful and comprehensible. I congratulate Burton Fisher for a job very well done and Amazon for making these handy, information-laden booklets available. The Opera Journeys Mini Guide Series is a wonderful contribution to opera education and opera appreciation.
My tip: acquire the entire collection because you will be in easy reach of superbly presented opera guides consisting of story analysis, principal characters in the opera, story narrative with music highlights, background, analysis, and commentary.
Heinz Dinter, Ph.D.